Adobe Premiere Pro Changelog

What's new in Adobe Premiere Pro CC 2024 24.3

Mar 26, 2024
  • Audio:
  • Fixed:
  • Enhance Speech effect didn’t always reflect the chosen mix amount after pasting it as an attribute.
  • Waveform amplitudes didn’t always display correctly when adjusting the Enhance Speech Mix Amount with Loudness Auto-Matching enabled.
  • The clip effect could be incorrect after pasting the Enhance Speech component via Paste Attributes. Sequence playback would be broken after re-opening the sequence.
  • With multiple instances of the same audio effect, the effect order in the Paste Attributes dialog would not match the Effect Control panel, which could result in the expected results.
  • Premiere Pro could hang when attempting to remix multiple clips inside a multicam sequence.
  • Copy and paste of a sequence would not work if the sequence contained a clip that used Remix.
  • Loudness Auto-Match results would be incorrect after toggling Enhance Speech off and on.
  • Enable Enhance Speech would not work after disabling it during playback from the Context and Clip menus.
  • In localized versions of Premiere Pro, the Loudness Normalization effect in Export mode was missing the Process column for multi-channel audio sources.
  • Enhance Speech Mix amount displayed incorrect range values in the Effects Control panel.
  • Captions and Transcriptions:
  • Fixed:
  • A crash could occur when opening a caption segment while the Text panel was closed.
  • Performance could slightly decrease when starting playback of a media file while auto-transcription was running in the background.
  • Clips with original media files located offline with only proxy media available could fail to transcribe.
  • Editing:
  • Fixed:
  • Proxies created with the default custom resolution of 1280x720 were created at half resolution instead.
  • Simplify sequence failed to create a new sequence.
  • Opening a search bin while the Project panel preview area was visible could cause a crash.
  • Program Monitor flickered while entering or exiting direct manipulation mode, selecting a motion filter in the Effects Control panel, or selecting a graphics track item.
  • Upgrading a project or production to Premiere Pro 24.x was sometimes not completed.
  • Export:
  • Fixed:
  • In localized versions of Premiere Pro, the Loudness Normalization effect in Export mode was missing the Process column for multi-channel audio sources.
  • Exporting an EXR file with the Export Frame button in the Source Monitor or Program Monitor exported more than a single frame.
  • Formats:
  • Fixed:
  • Some AVC Intra files were not correctly being released after use. This could cause multiple issues, including Media Encoder's watch folder feature not correctly moving files after encoding.

New in Adobe Premiere Pro CC 2024 24.2 (Feb 7, 2024)

  • Audio:
  • Fixed:
  • Imports of AAF files caused a crash.
  • Color:
  • Fixed:
  • Slider controls in the Lumetri Color panel jumped all the way to the left if a Lumetri preset was created in Premiere Pro 24.1.
  • Captions and Transcriptions:
  • Fixed:
  • In the Text panel, the slider for font size sometimes overlapped with the overflow menu.
  • Text panel dialogs would reposition themselves if the size changed.
  • Transcribing MXF media with an embedded caption stream would show no progress or transcript.
  • Multicam clips with a non-0 start time would show a 0-based start time in the Text panel transcript view.
  • Editing a caption segment via the return key while the playhead was positioned between two caption segments could fail to open the caption closer to the playhead.
  • Automatic language detection during transcription would fail on some systems.
  • Transcription settings could reset to the default when turning auto-transcription on and off again.
  • Caption segments generated from transcripts would be longer than expected and fill silent sections.
  • Editing:
  • Fixed:
  • Applying Scene Edit Detection to long clips would sometimes fail.
  • When moving the playhead off of a selected clip on the Timeline, the bounding box of that clip would still show in the Program Monitor until the clip was deselected.
  • After disabling a graphic track item, the text could still be selected and modified.
  • The special logic that enables Selection Follows Playhead when opening the Lumetri Color panel has been removed. You may enable or disable Selection Follows Playhead via the sequence menu, and it will be sticky.
  • Windows machines now have optimized GPU memory utilization, so Sensei features run more smoothly.
  • Effects:
  • Fixed:
  • On Windows computers, black patches could be observed in output with Turbulent Displace effects and hardware accelerated effects like Twirl, Basic 3D, and Corner Pin when rendered with software.
  • A crash would occur when selecting a third-party filter in the Effects Control panel to engage in direct manipulation.
  • Export:
  • Fixed:
  • Duplicating destinations in the Export window would sometimes result in enabling or disabling captions to fail.
  • Uploading to Vimeo could cause a crash if the internet connection was offline.
  • When sending jobs to Adobe Media Encoder, exported files would not get re-imported to Premiere Pro when Import Into Project was enabled.
  • "_1" got incorrectly appended to the exported file name for the default media file destination in Export mode.
  • The captions preview did not show in Export mode after changing export presets.
  • On Apple silicon computers, unsupported export presets for Wraptor DCP, P2 Movie, and GoPro Cineform formats were still available in Preset Manager.
  • Export to MP4 with metadata did not work.
  • Numeric text fields in the FTP destination were not adjustable when re-entering Export mode.
  • Note: Custom export presets created prior to this fix will still have the bug, so make sure to create new presets going forward.
  • Formats:
  • Fixed:
  • MP4 files with audio could take a long time to import, depending on the number of audio channels present.
  • When a sequence's preview codec was unavailable, Premiere Pro would not default to QuickTime ProRes LT as the new preview codec.
  • Exports to MXF formats could result in a crash if the export location name used double-byte characters, such as Chinese, Japanese, and Korean, or extended ASCII characters, like accents and umlauts.
  • Titles and Graphics:
  • Fixed:
  • The Merge button wouldn't move into the overflow menu when resizing the Text panel.
  • Crash would occur when editing a graphics text layer.
  • Bezier handles on masks were invisible.
  • Transmit:
  • Fixed:
  • Transmit video out to Reference Monitor could fail with project software rendering.
  • Transmit out to a second monitor became disabled when the Project Settings Renderer option was changed.

New in Adobe Premiere Pro CC 2024 24.1 (Dec 20, 2023)

  • Audio:
  • Fixed:
  • Audio playback in the timeline could temporarily "buzz" at a loud volume.
  • The Clear Audio Type button was not visible after reopening the Essential Sound panel.
  • During automatic waveform generation, clips in the sequence were not prioritized.
  • Balance, Mute, and Volume audio effects placed in a custom bin in the Effects panel would disappear after re-opening the project.
  • Third-party audio effects in a Premiere Pro sequence would fail to render in Media Encoder when Import sequences natively is turned on.
  • Clip channel mapping assigned to the sequence was ignored when creating a new sequence.
  • A crash could occur when opening a project that contains an audio plug-in (VST, VST3, AU) that isn't installed.
  • Trim Edit view could fail to open reliably when Remix was applied to audio files in the sequence.
  • Rendering progress failed to be shown after changing the Speed/Duration of a clip to reversed playback or enabling Maintain Audio Pitch.
  • Color:
  • Fixed:
  • The auto-detection of log video color space could fail for some Sony media files.
  • Captions and Transcriptions:
  • Fixed:
  • SCC caption files would not import captions after the 12-hour mark.
  • Editing a caption segment via the return key could erroneously open the first caption in the sequence instead of the caption next to the Current Time Indicator (playhead).
  • The Text panel transcript could be replaced with error text.
  • Exporting a transcript would not include the item's name in the Save dialog.
  • Editing:
  • Fixed:
  • It was not possible to create an auto-reframed sequence from a locked sequence.
  • Displaying a large number of multicam clips in Freeform View could lead to application slowdown.
  • Enabling Duplicate Frame Markers could degrade timeline performance.
  • Effects:
  • Fixed:
  • A crash could occur when selecting a third-party filter in the Effects Control panel to engage in direct manipulation.
  • Export:
  • Fixed:
  • Source range settings were incorrect when sending export jobs directly to Media Encoder.
  • Formats:
  • Fixed:
  • Audio and video of some Sony XAVC media could be out of sync by a few frames.
  • A crash could occur when working with H.264 and HEVC media on a computer with a 14th-generation Intel Core processor.
  • After launch, the message "A low-level exception occurred in: lvcod64.dll (GetAVICodecs)" could appear.
  • DNxHR media with widths of 1440 or 960 would display only black frames on playback, and frame substitution errors would appear in the Events panel.
  • HEVC or H.265 files exported from an Apple silicon computer would play smoothly but would have poor performance when scrubbing.
  • Team Projects:
  • Fixed:
  • Some sequences in Project Templates had incorrect export locations.
  • The timeline was incorrectly badged when opening a Team Project.
  • The application would hang momentarily when converting a large project to a Team Project.
  • Performing a Save As in a Team Project would call the standalone project Save As dialog to appear.
  • Titles and Graphics:
  • Fixed:
  • Motion Graphics Template .aegraphic files were offline after moving projects between Mac and Windows.
  • Bounding boxes for Premiere Pro graphics were slow to update when making changes to transformations such as scale, position, rotation, and anchor point.
  • With RTL text, using the tab key pushed existing text to the right.
  • Transmit:
  • Fixed:
  • Enabling overlays to the Transmit monitor would not display video during playback.
  • Workspaces:
  • Fixed:
  • Source and Program Monitor button bars could flicker when resizing the Monitor panel.

New in Adobe Premiere Pro CC 2024 24.0 (Oct 11, 2023)

  • x faster timeline drawing:
  • The new high-performance timeline drawing is more interactive and responsive for buttery smooth editing and trimming.
  • New Text-Based Editing features:
  • With Text-Based Editing, you can now delete all pauses with a single click, and get more control over your transcript view.
  • With multichannel audio support, you can also choose to re-transcribe an audio file using a specific channel or a mix of all channels
  • UI of Transcript tab showcasing 'Delete all' action being performed on all the pauses.
  • Color Settings:
  • Simplified color settings and higher-quality tone mapping make it easier to produce great-looking work without extra, complicated steps.
  • Color Settings consolidates many color selections into a single tab so you can quickly and easily make changes and view the result.
  • The Settings tab under Lumetri Color consolidates Preferences, Project color settings, Source Clip color settings, Sequence color settings, and Sequence Clip color settings, which were earlier spread across panels and General preferences in Premiere Pro.
  • The Lumetri Color UI shows Settings that consolidate Preferences, Project, Source Clip, Sequence, Sequence Clip settings across Premiere Pro.
  • Audio Auto-Tagging:
  • The new Audio Auto-Tag feature automatically tags audio files as Dialogue, Music, SFX, or Ambience to reveal controls in the Essential Sound panel to give you immediate access to the most relevant tools to create professional sound.”
  • Once the auto-tagging is complete, the identified tags will be displayed in the Essential Sound panel
  • When you select a tag, all the clips tagged with that category are automatically selected.
  • UI showcasing Essential Sound panel with highlighted Auto Tag feature.
  • You can automatically tag your audio files in the timeline or manually categorize them through the Essential Sound panel.
  • Effects Manager:
  • Video Effects Manager lets you manage all your third-party plugins in one place.
  • Quickly identify, troubleshoot, and disable incompatible plugins to improve system stability so you can get back to work faster.
  • The Export mode UI shows custom destinations like 4K HDR and 720p draft quality.
  • Project templates for fast setup:
  • Save projects as templates so you can start your new project with bins and sequences already organizedTo save a project as a template, select File > Save as Template.
  • This will help you retain branding, colors, and assets across multiple projects, which can be useful while creating advertising video collateralsLearn more about YouTube’s best practices for creating effective advertisement videos.
  • Restore projects through Recovery mode:
  • Seamlessly pick up right where you left off with automatic project recovery.
  • You can now easily recover and continue working on your Premiere Pro projects if your app crashes unexpectedly.
  • You'll get a restoration pop-up when you reopen Premiere ProSelect Reopen to open all the projects in their previous state.
  • If you wish to restore previous versions of your projects, you can revert to the last user-saved state by using File > Revert.
  • Learn more about how to recover projects in Premiere Pro.
  • The image shows pop-up saying, "Premiere Pro quit unexpectedly while 3 projects were open."
  • Additional updates:
  • New support for HEVC and H264 hardware acceleration on Intel Discrete Graphics Cards:
  • Premiere Pro is now supporting H/W decode and encode of H264/HEVC files on Intel Discrete Graphics (Intel Arc) cards, which will further boost the app's performanceLearn more about Media Capabilities Supported by Intel Hardware.
  • Hardware acceleration for R3D on Windows:
  • As part of the latest improvements, we have added GPU hardware decode acceleration for RED's R3D raw format on Windows (with GPU acceleration already shipping for macOS)GPU support works for NVIDIA and AMD GPUs with 6 GB or more of GPU memory.
  • Retain custom destinations in Export mode:
  • Previously, custom destinations were saved per sequence with no easy way to share them with other sequences and projects.
  • You can add, edit, and retain a single set of custom destinations in Export mode
  • Open a sequence or clip in Export mode and set up multiple customized destinations – now available globally.
  • The Export mode UI shows custom destinations like 4K HDR and 720p draft quality.
  • SRT support:
  • Secure Reliable Transport (SRT), a video streaming protocol based on UDP, lets you video and audio stream packets of information from Premiere Pro to different viewers.
  • The SRT protocol involves a handshake between Premiere Pro and the viewing clientOnce a valid handshake is established, the video is sent from Premiere Pro to the viewing client.
  • A valid SRT connection can be made using three distinct modes.
  • Learn more about SRT support in Premiere Pro.
  • Transmit Device Playback settings enable you to stream your video and audio to different locations.
  • Disabling Tape-based workflows:
  • Support for tape-based workflows has been removed from Premiere ProWhile some users still use tape for archiving video content, the industry has moved towards all-digital workflows, which have advantages for media asset management, cloud workflows, and generally streamlining production.

New in Adobe Premiere Pro CC 2023 23.6 (Aug 14, 2023)

  • Now in Premiere Pro, ARRIRAW is more flexible than ever to make your footage look great in every sequence. Along with previously improved format support and GPU acceleration, ARRIRAW plays back in real-time and looks incredible, so you can focus on editing and grading.
  • Beautiful ARRIRAW in every sequence:
  • Optimize your workflow with ARRIRAW, which is more flexible than ever with improved color management and new settings, so your footage looks great in every sequence.
  • Real-time playback and format support:
  • All year long, we’ve been making ARRIRAW blazing fast with hardware acceleration and improved format support.
  • Audio:
  • Fixed:
  • Keyboard shortcuts could fail to reopen the Audio Mixer panel.
  • Scrolling on top of the Audio Track Mixer Automation Mode dropdown could accidentally change the automation mode.
  • A loud noise could occur during playback of 5.1 clips when using some third-party audio unit effects.
  • Captions:
  • Fixed:
  • Caption creation could get stuck when switching between different custom caption presets.
  • Switching between caption export options could result in a crash.
  • Editing:
  • Fixed:
  • Scene Edit Detection should not be available with only a transition selected in the timeline.
  • Effects:
  • Fixed:
  • In the Lumetri Color panel, all the properties did not gray out when the HSL Secondary section was turned off.
  • A crash could occur when opening the Lumetri Color panel or switching sequences with the panel opened.
  • Export:
  • Fixed:
  • When trying to render a Premiere Pro sequence in Media Encoder that contained AU or VST audio effects, Caption options would not be displayed, and captions would always be burned in.
  • Uploads to Vimeo could fail.
  • The name of the export effect, Name Overlay, changed to Text Overlay to indicate that options other than file name are available.
  • A crash could occur during export when the application language is set to Spanish.
  • Formats:
  • Fixed:
  • Some MXF files from the Panasonic VariCam could show half green frame on monitor or thumbnails.
  • ARRIRAW files recorded by the ARRI ALEXA 35 would not play if the ALEXA 35 was using Software Update Package 1.1 or higher.
  • Graphics:
  • Fixed:
  • Not all lines of text had correct alignment for some EBU subtitle captions with specific settings.
  • Productions:
  • Fixed:
  • Duplicate clips are created while performing an edit during background transcription.
  • In some cases, Premiere Pro would not find an associated clip in a production.
  • Stability and performance:
  • Fixed:
  • Freeform View could have poor performance when selecting multiple clips.
  • Specific custom keyboard shortcuts are reset to default.
  • Premiere Pro could crash on quit with transmit device attached.
  • Meters panel activity was not visible when the Program Monitor was in Comparison View.
  • Some AAF files could import with file scale data as 100%.

New in Adobe Premiere Pro CC 2023 23.5 (Jun 20, 2023)

  • Audio:
  • Fixed:
  • Audio dropouts or missing waveforms could occur during playback of sub-clips if the timeline was zoomed in to frame level.
  • Clip analysis in Essential Sound panel continued after the corresponding project item had been deleted.
  • Reveal in Project and Reveal in Finder commands did not work for Remixed audio clips.
  • Export:
  • Fixed:
  • Export could hang and not complete if the combination of "Time Tuner" and "Loudness Normalization" effects were used.
  • Editing:
  • Fixed:
  • Scrolling the timeline could be slow or laggy.
  • Keyboard shortcut presets where certain commands had been set to different keys could have those commands reset to the default keys.
  • Select Camera keyboard shortcut would not work in Freeform View on multicam clips.
  • Program Monitor in Comparison View would have glitchy redraw when giving focus to the Timeline panel.
  • The wrong frame was sometimes displayed after changing to a different source with Trim Edit mode open.
  • Closing and re-opening the Program Monitor when in Comparison View could lead to playback issues.
  • Copying and pasting sequences into another project could create extra bins.
  • Exiting Trim Edit mode by selecting a different open Sequence followed by Undo can result in a display of the wrong frame in Program Monitor.
  • Playback stopped when switching from Program Monitor in Comparison View to the sequence timeline.
  • Learn Tutorial could fail to launch a second time.
  • Expanding the timeline vertically on a high-res monitor timeline could cause timeline performance issues.
  • Improvements when working in Freeform View with Transmit enabled.
  • Changing the Primary Audio device in Playback Preferences could prevent playback from being stopped.
  • "Enable Transmit" in the Program Monitor wrench menu does not reflect the "checked" state during playback.
  • Formats:
  • Fixed:
  • 16-bpc Depth options in export settings for Apple ProRes MXF OP1a remained off even when enabled.
  • Canon XF-AVC Intra 4:4:4 media could be incorrectly interpreted as a legal range.
  • ProRes 4444 and ProRes 4444XQ media would sometimes be incorrectly identified as eligible for smart rendering.
  • Auto Detect Log Video Color Space did not work correctly with ProRes media from the Panasonic Lumix GH6.
  • Markers
  • Fixed:
  • Unable to move to next or previous marker if Show Duplicate Frame Markers is enabled
  • Stability and performance:
  • Fixed:
  • Using the Close or Revert Project options while playing in Source Monitor or Program Monitor would cause a crash.
  • Overwrite edits between sequences in different projects could result in a crash.
  • Setting Program Monitor to Comparison View, then Revert the Project, would cause a crash.
  • Right-clicking on a clip in a sequence could cause Premiere Pro to become temporarily unresponsive.
  • A crash could occur if the open Team Project dialog is closed without a project being selected.
  • Attempting to quit Premiere Pro while the Essential Sound panel clip analysis is running could cause a crash.
  • Team Projects:
  • Fixed:
  • If the name of a Team Project included a forward slash, information displayed in the Kind column of the Home screen would be incorrect.
  • Text panel:
  • Fixed:
  • While using Text-Based Editing, edits made in transcripts could be lost when opening the project on another computer and/or relinking media.
  • Large projects containing a lot of long transcripts, especially in nested sequences, could cause a slowdown in opening the project.

New in Adobe Premiere Pro CC 2023 23.4 (May 9, 2023)

  • Audio:
  • Fixed:
  • The Essential Sound panel could become unresponsive after performing undo or redo actions.
  • Captions:
  • Fixed:
  • Caption Track Style isn't available after saving and selecting a segment on another caption track.
  • Editing:
  • Fixed:
  • Selecting Play Around from Trim Edit mode leaves Media Pending Image in the Program Monitor.
  • In Trim Edit mode, selecting an edit in the Program Monitor incorrectly updated the timeline to reflect the selected edit point.
  • Timeline Display Settings were not applied to all Sequences.
  • Non-supported Modify options were enabled for Timeline clips.
  • Edit point selection was lost in the Timeline with trim operations.
  • Guides and Rulers buttons in the Program Monitor would be disabled after exiting Trim Edit mode and going back to Composite Video view.
  • Nest a Sequence within itself.
  • Render preview (e.g., Render In or Render Out) did not work if the Program Monitor was set to Comparison View.
  • Effects:
  • Fixed:
  • When using a mask with an Effect or Transition, a black shape could appear on exported files.
  • Incorrect output of Warp Stabilizer effect when used on scaled clips.
  • Changing control parameters of the video transition did not reflect in the output after the transition was copied.
  • Effects menu was not accessible when right-clicking on an effects badge with the badge overlapping a transition.
  • Effect Controls panel zoom might not have been correct with the trim operation.
  • Created effect preset could display the wrong thumbnail in the Effects panel.
  • Formats:
  • Fixed:
  • ProRes RAW files would display a distorted image at 1/4 resolution on Apple silicon computers.
  • Some .mfx DNxHR HQX 12-bit files showed visible banding during playback.
  • Some OBS-generated ProRes files with multi-channel audio experienced audio channel dropouts during playback.
  • ProRes MXF files would sometimes be missing the alpha channels when imported.
  • Some ProRes 4444 files would have poor playback performance if they did not contain alpha.
  • Stability and performance:
  • Fixed:
  • Licensing issues could occur with third party plugins.
  • Some customers experienced a crash when no monitor was detected during playback.
  • Screen tearing artifacts could appear for Windows users.
  • Proxies from 120fps/119.88fps footage played sluggishly when proxies were toggled on.
  • A crash could happen on a Windows computer with an AMD GPU when maximizing and minimizing the application window.
  • Moving the Program Monitor between displays with different display densities could cause on-screen controls to fail.
  • Adjusting the zoom bar when set to minimum zoom could cause flickering in the Timeline.
  • A crash could occur while performing undo or redo actions after clearing the Audio Mix Type in the Essential Sound panel.
  • Team Projects:
  • Fixed:
  • Clearing an asset that belonged to a sequence did not generate a warning dialog.
  • Collaborator could delete a locked sequence by dragging it to the trashcan.
  • Adding markers to clips that were part of sequences could mark sequences as edited.

New in Adobe Premiere Pro CC 2023 23.3 (Apr 12, 2023)

  • Audio:
  • Fixed issues that could cause:
  • The center channel to be silent in 5.1 output when using the 5.1 panner in 5.1 sequence.
  • Prevention of loading and saving presets from functioning correctly for some VST3 plugins.
  • Crashes when deleting a sequence in Project panel while Remix analysis was in process.
  • Captions:
  • Fixed Speech to Text issues that could cause:
  • Mixing up of European and Brazilian Portuguese.
  • Spanish transcriptions and captions to not include “¿ “ at the beginning of questions.
  • Fixed caption background issues that could cause:
  • Caption backgrounds for broadcast formats to be displayed in the entire caption block instead of per line. It now includes Australian OP-47, CEA-608, CEA-708, EBU Subtitle, and Teletext formats. For the Subtitle format, you can now use the existing UI to choose Per Line or All Lines).
  • Editing:
  • Fixed issues that could cause:
  • Clip name to be offset when applying a transition in the Timeline. Offset is now only applied when the track size is small enough to cause overlap.
  • Button editor layouts in the Source Monitor and Program Monitor to not retain unless the project was closed before quitting the app.
  • “Media Pending” message showing with no progress for the playhead or video while clicking the enter key in Trim Mode.
  • Paste to not work properly if paste items were contained in a bin and deleted before they were pasted.
  • The UI to be blocked while media was relinking.
  • Clip markers to display intermittently in a sequence.
  • Effects:
  • Fixed an issue that could cause:
  • Effects preview to remain in the Effects Panel after removing the effect name in the search bar.
  • Export:
  • Fixed issues that could cause:
  • Following complicated dialog for exporting video with captions. To export with captions, enable the option in the Captions section in Export mode.
  • Slow rendering and exports for Motion Graphics templates without Media Replacement using high-resolution stills.
  • Exporting ProResHQ/4444 to create banding on Mac.
  • "Enable direct export to Sony devices" to not work correctly.
  • Formats:
  • Fixed issues that could cause:
  • Failure to import for ARRIRAW files (.arri or.mxf) containing non-English characters in the filename or path.
  • Long import times for ARRIRAW files containing audio.
  • Glitches during playback and export of an HEVC file that had been exported from Resolve.
  • Banding in ProResHQ/4444 on Mac.
  • Import:
  • Fixed issues that could cause:
  • Premiere Pro to not maintain user-created favorites in some cases when it's closed and reopened.
  • Ingest mode to become disabled when switching between Edit and Import modes sometimes.
  • Productions:
  • Fixed an issue that could cause:
  • Trouble creating a Production while running Premiere Pro in Spanish or Portuguese.
  • Proxies:
  • Fixed issues that could cause:
  • Proxy media with multi-channel audios to show an incorrect number of channels online after the source media is forced offline.
  • Proxies from MXF files with multiple audio channels to playback incorrectly when proxies are toggled on.
  • Offline proxies to be marked as edited after relinking.
  • Text panel:
  • Fixed an issue that could cause:
  • Patchy experience when working with transcripts and captions in the Text panel.

New in Adobe Premiere Pro CC 2023 23.2 (Feb 17, 2023)

  • Audio:
  • Fixed issues that could cause:
  • Audio stuttering to occur after quitting and relaunching Premiere Pro multiple times.
  • Audio glitches at the start of an exported .wav file.
  • Changes to Primary Audio Device Offset preference were not saved.
  • "Cannot export audio effect" message when exporting AAF clip with Essential Sound panel audio categories (assigned by the user)
  • Remix clips moved to the start of the timeline in exported AAF.
  • Essential Sound panel to not update correctly after an undo or redo.
  • Captions:
  • Fixed issues that could cause:
  • Media Type and Captions Metadata fields of the SRT file to not display correctly.
  • Single-height texts from teletext or OP-47 to export as double height in a sidecar file or embedded caption.
  • Double-clicking on the caption segment opened the Browse tab of the Essential Graphics panel instead of showing the edit tool.
  • Editing:
  • Fixed issues that could cause:
  • Overlays to not be visible on clips when switching the multi-camera angle in the Program Monitor.
  • Overlays to not be visible when opening a project (or disappearing when switching between Program Monitor views).
  • Stretch to Fill was not applied when exporting through AME or Premiere Pro using GPU rendering. The exported file was still pillar boxed.
  • Timecode panel to display incorrectly after changing the mode of a line.
  • Export:
  • Fixed issue that caused H.264 and HEVC exports to fail when the export location name used double-byte characters, such as Chinese, Japanese, Korean, or extended ASCII characters, like accents and umlauts.
  • Formats:
  • Fixed issues that could cause:
  • Simultaneous import of multiple ALEXA 35 ARRIRAW files to fail.
  • Slow project loading and reloading for projects containing many ALEXA 35 ProRes files.
  • Frame.io Review panel:
  • Subtitles are now included when uploading an active sequence.
  • Fixed issues that could cause:
  • Unreliable auto-versioning of active sequences.
  • Version stacking sometimes created unusable files.
  • Fixes for other smaller issues and improved performance.
  • Graphics:
  • Fixed issues that could cause:
  • Increasing the size of the shadow effect on a text layer failed if the text layer had an inner stroke.
  • Essential Graphic panel controls became unusable when a motion graphics template was replaced by another template with different controls.
  • Effects with transform controls applied to Premiere Pro graphics could not be moved in the Essential Graphics panel.
  • Templates could still be replaced, even if the user had clicked “no” in the “Multiple Matching Graphics Detected” dialog.
  • Potential crashes when running NVIDIA GeForce Experience and Premiere Pro at the same time on Windows systems using NVIDIA drivers between version 527.43 and 528.23.
  • Removed Type 1 font support. More information about the change is here.
  • Import:
  • Fixed an issue that could cause ellipses (indicating a long file name) to disappear after resizing the table in Import mode.
  • Markers:
  • Fixed an issue that could prevent the user from moving to the next or previous marker via keyboard shortcuts after adding a new marker.
  • Productions:
  • Fixed an issue with closing or renaming project files when the project tile name included accented characters.
  • Team Projects:
  • Fixed issues that could cause:
  • Intermittent crash when publishing an update after quitting Premiere Pro.
  • Bin with assets to be marked as unpublished.
  • Autosave feature to be disabled after canceling a conflict resolution dialog.
  • Error when opening a team project that contained one or more After Effects comps.
  • CPU-only acceleration after relaunching the application.
  • Correctly linked team project to be removed by using the “Remove Unused” command.
  • Stability and performance:
  • Fixed issues that could cause:
  • Crash when gradient layer was applied on two nested sequences.
  • Potential crash when using the Revert command while recording.
  • Potential crash when switching audio devices.
  • Interactions in the Timeline to become less responsive over time. This can include scrubbing with the playhead, selecting clips, moving clips around, or switching between multiple open sequences.
  • Optimizations for improved GPU detection capability, ensuring that playback is GPU accelerated when possible

New in Adobe Premiere Pro CC 2023 23.1 (Dec 6, 2022)

  • Fixed issues in Premiere Pro version 23.1:
  • Captions:
  • Fixed an issue that could cause:
  • Start/end captions metadata to be displayed after transcription.
  • The timecode of imported SCC caption files with non-zero start timecode to display a zero start timecode value. 
  • Captions of Japanese or Chinese SRT files in UTF16 codec to display some character strings incorrectly. 
  • Hanging problems when double-clicking on an imported sidecar captions file in the Project panel. 
  • Some non-drop frame SCC caption files to import as drop frame. 
  • Some drop frame SCC caption files to import as non-drop frame. 
  • Some Japanese SRT files to be imported with missing captions. 
  • Markers:
  • Fixed issues that could:
  • Prevent easy editing of two markers that exist at the same location.
  • Prevent Go to Next Marker from working correctly for markers placed at the same location.
  • Prevent Clear Selected Marker from working on multi-channel audio track items.
  • Add a marker instead of editing an existing marker at the same location when working with multichannel audio track items. 
  • Prevent Go to Next Marker from working correctly when a hidden marker has the same position as a visible marker. 
  • Prevent Edit Marker from working with hidden markers.
  • Prevent marker lines for hidden markers from appearing in the audio waveform. 
  • Prevent show or hide marker by color from working when only a single marker exists. 
  • Prevent adding a different color marker to the same location as an existing hidden marker when working with multi-cam clips.
  • Cause the wrong marker to be deleted when using Clear Selected Marker with markers of different colors at the same location.
  • Cause clip markers to not be included in clip exports when Include Markers is checked. 
  • Productions:
  • Fixed issues that could cause:
  • A multi-cam sequence in the media project of a Production to not update correctly in the timeline project of the same production. 
  • The Lumetri panel to open a multi-cam sequence of a Production in the timeline without opening the source project. This could lead to a duplicate timeline. 
  • A project to be opened without the parent Production also being opened. 
  • Projects to remain open after the parent Production is closed.  
  • A multi-cam clip in a Production to be opened twice. 
  • Notifications about locked projects in a Production to disappear quickly from view. 
  • Media relinked via the import of an AAF file to play poorly. 
  • Duplicate audio clips in a multi-cam sequence to disappear when flattened. 
  • Media marked as offline in a Team Project from correctly appearing as offline in the Freeform View. 
  • Removed the option in Preferences > Memory to optimize rendering for memory or performance. Other application changes have now made this option unnecessary. 
  • Export:
  • Fixed issues that could:
  • Prevent decimal values from being accepted in the target bitrate section of the Export mode when using Match Source with H.264. 
  • Prevent the audio channels configuration section of Export mode from correctly scrolling when exporting with 9 or more audio streams. 
  • Improved Hot Text Control in Export mode. 
  • Audio:
  • Fixed issues that could cause:
  • A crash after changing parameter values in the Dialogue section of the Essential Sound panel for multiple selected clips.
  • A crash after changing the duration of clips in the Essential Sound panel using Remix presets.
  • A crash when saving and re-opening a project using keyboard shortcuts while Remix Analysis was in progress.
  • An audio effect could be instantiated on Audio Track 1 in the Audio Track Mixer when the track was locked in the Timeline Panel.
  • The Bezier curve on keyframes to not be maintained when using Clip Volume keyboard shortcuts.
  • Remix presets not to be applied if the clips were already remixed.
  • Noise in the audio track panning.
  • Even numbered audio channels to not export correctly.
  • Fixed an issue in the German language version of Premiere Pro that could prevent the use of Channel Configuration in Loudness Normalization.
  • Color:
  • Fixed issues of:
  • Crash triggered by ACE color profile initialization.
  • Incorrectly displaying Lumetri Scopes for Waveform YC in HDR Mode for HLG/PQ colorspace.
  • Causing intermittent flickers in the scopes when the playback was paused.
  • Formats:
  • Fixed issues that could cause:
  • All files from Canon cinema cameras to be imported with the clip name CLIPS001.
  • A crash while adjusting Color Temperature slider in the Effects Control panel for Cinema Canon Raw Light files from Canon R5 C.
  • Memory leak issues when importing multiple HEIC files, improving both the import and playback of HEIC files.
  • Memory leak issue that would happen while playing the MotionJPEG file in AVI containers
  • The Lens Squeeze Factor value set in ARRI cameras to be ignored when using ARRIRAW. 
  • A crash when changing Playback Resolution when playing ProRes media.
  • A crash when importing certain MPEG-4 files on Mac Intel 
  • Sony Alpha FX3 media with an embedded LUT to be imported with the wrong timecode.
  • A crash in Audition while importing AVCHD media.
  • Audio to be missing when importing AVCHD media.
  • A crash when exporting to XAVC Intra or XAVC LongGOP formats.
  • Hanging problems when playing QuickTime ProRes media.
  • A crash when exporting very long sequences to H.264.
  • Proxies from the Panasonic AG-CX10 to be imported with the wrong timecode.
  • Corrupt frames when smart rendering XDCAM HD files.
  • Hanging problems when playing or scrubbing some H.264 media.
  • Frame substitution errors and black video frames when editing.
  • A crash when using ProRes RAW files.
  • Fixed Source Settings > DeNoise slider for RED R3D files.
  • Fixed memory management issue that could occur if switching to another application after Premiere Pro has completed creating many audios conform files in the Media Cache.
  • Fixed an issue where smart rendering MXF files on Windows was slower than expected.
  • Graphics:
  • Fixed the issues:
  • Of Line Cap and Line Join settings to correct End Cap appearances on open Bezier shapes when upgrading a Legacy Title to Source Graphic.
  • Where gradient fills were changing to solid when upgrading Legacy Titles to Source Graphics.
  • To improve font syncing for upgraded Legacy Titles so fonts will more closely match the appearance in Legacy Titler.
  • Where layers were displaced when right-clicking on a graphic track item with pinning.
  • Of a crash when pushing appearance changes that had a different number of strokes from the style.
  • Team Projects:
  • Fixed issues that could cause:
  • A crash with how we package changes to be sent to the service. 
  • Users in the same Team Project to occasionally appear to go out of sync.
  • Clips in a project to be marked as offline when the project was opened in a beta version of Premiere Pro. 
  • Hanging problems when performing conflict resolution on many clips. 
  • Performance issues when closing large projects. 
  • An interface issue where the Publish or Update buttons would remain greyed out and disappear from the Edit > Team Projects menu. 
  • Prevention of opening a project from the Media Browser autosave content menu item. 
  • Prevention of the Open most recent preference from working. 
  • Some projects to show that changes were made to unchanged items upon re-opening. 
  • The message You made changes to this Team Project on another machine to appear incorrectly. 
  • A crash after choosing Close All Other Projects. 
  • Premiere Pro to hang during shutdown. 
  • Premiere Pro to hang after accepting changes in a project.
  • Stability and performance:
  • Fixed issues that could cause:
  • Selected default timeline overlay to not be visible in the Overlay Setting menu.
  • A crash when applying the maximum zoom to audio or video tracks then scrolling to the top of the track. 
  • All keyframes to be hidden when double-clicking on Go to Next Keyframe button.
  • A crash when saving and closing a project, then reopening the project on a computer with a Wacom tablet connected. 
  • The Simplify Sequence command to fail after editing a multi-cam sequence. 
  • Prevention of tutorials from loading after clicking the Home Screen Learn button.
  • A low-level memory issue with the CUDA GPU renderer. 
  • The buttons on the Program Monitor toolbar to occasionally not function as expected for some effects. 
  • Effect presets containing Replicate or Alpha Glow effects that were created in Premiere Pro v22.2 or prior to not be applied on a clip.
  • A crash in Warp Stabilizer.
  • Improved the overall reliability of AAF Export, project close operations, Freeview View, Dynamic Link, and review with Frame.io panel.
  • Improved behavior when migrating presets and settings from previous versions. 
  • Improved overall display stability in areas related to file import, GPU rendering, full-screen playback, and high-dynamic range monitor support. 

New in Adobe Premiere Pro CC 2023 23.0 (Oct 19, 2022)

  • Inner and outer strokes for graphics:
  • Select between inner, centered, or outer strokes for more control when adding decorative elements to graphics and text in Premiere Pro.
  • Flexible alignment controls:
  • Line up text and shape elements with one click when designing titles in the Premiere Pro Program Monitor.
  • Bulk edit titles on the timeline:
  • Select multiple title clips in the Timeline to efficiently change attributes like fonts or font size, colors, and backgrounds.
  • 2x Faster Motion Graphics templates:
  • Motion Graphics templates created in After Effects now use Multi-Frame rendering for 2x faster performance.
  • Improved performance for AVC Intra:
  • 10-bit AVC Intra formats are now up to 2x faster on Apple silicon, thanks to GPU acceleration.
  • GPU acceleration for Lumetri scopes:
  • GPU acceleration ensures smooth performance when working with Lumetri scopes.
  • Improved Previews on Windows and macOS:
  • Apple ProRes is now the default codec for previewing most video formats, providing better quality previews for rendered content.
  • ARRI ALEXA 35 camera support:
  • Premiere Pro adds support for the ARRI ALEXA 35 camera, including ARRIRAW and ProRes capture formats.
  • Fixed issues in Premiere Pro version 23.0:
  • Addressed a potential crash when closing multiple projects simultaneously within the Production panel.
  • Thumbnail rendering in Import mode is now faster and more responsive.
  • Lumetri scopes switch smoothly between 8-bit Rec709 and 10-bit floating point HDR media.
  • Improved stability when setting New Bars and Tone parameters to the max and dragging the resulting clip onto the Timeline.
  • Fixed crash issue with Text panel when locking a project with spellcheck open.
  • The Text does not dynamically update when using arrow keys with live font previews in Motion Graphics templates.
  • Graphics are locked in the Text panel when opening or closing other panels.
  • Color Picker shows incorrect values when using the Eyedropper tool in the Program Monitor.
  • Optimized Color Picker responsiveness when working with a Motion Graphics template with multiple layers and gradients.
  • Fixed memory issue on macOS systems with multitrack projects, including H.264 and HEVC
  • Improved performance when entering or exiting Directed Manipulation mode in the Program Monitor.
  • Smoother UI performance when resizing Workspaces or panels on Windows.
  • Fixed issue with GPU monitoring on macOS that impacted stability for some users.
  • Fixed issue with black frames in Program Monitor when frame hold is applied in nested sequences.

New in Adobe Premiere Pro CC 2022 22.6 (Aug 23, 2022)

  • The design tools in Premiere Pro, combined with the search and edit capabilities of the Text panel, let you craft incredible, custom titles and graphics for any video project. Your titles can be simple, with beautiful typography or enriched with graphics and animations. With the Text panel, you can manage projects with hundreds of titles, and it’s easy to save the designs you want to re-use in your template libraries.
  • The latest update of Premiere Pro gives you more controls when adding textures to letters or shapes and the ability to export all of the titles in your sequence as text files for easy reviews. Thanks to new contextual menus, it’s faster and easier to edit any layer in your design.
  • Finer masking controls for titles:
  • Now you've more control when designing titles with background images or texture. Use the new Mask only Fill option to apply a mask to the fill area of text or shapes without impacting strokes or shadows.
  • Context menu for text and shape layers:
  • Get fast access to the design tools for stylizing your titles and graphics. Right-click on a text or shape layer. Choose Edit Properties to open the Essential Graphics panel, where you can customize fonts, colors, positioning, and more.
  • Export titles as text files:
  • From the Text panel, you can now export all of the titles in your sequence as text files for sharing and proofreading.
  • Adjustable Fades for Audio Ducking:
  • Auto Ducking lowers the volume of soundtrack or other background audio when there is dialog so it’s easier to hear. And now, with the new Fade Position slider, it's easier and faster to get the desired results.
  • More GPU-accelerated effects:
  • GPU acceleration means better effects performance when editing or exporting finished videos. Almost all of the effects in Premiere Pro are GPU-accelerated, and in this release, we have added two more: Unsharp Mask and Posterize Time.
  • Initializing GPU dialog:
  • On the first launch after a new installation or driver update, Premiere Pro needs to initialize the GPU. A new progress bar shows when this is happening.
  • Fixed issues in Premiere Pro version 22.6:
  • Unexpected overlapping of Tool Tips in Import Mode.
  • Improved Tab Navigation in Import Mode.
  • Media Browser cannot open a sequence containing unlinked audio in Source Monitor.
  • Productions allowed access to Interpret footage from the sequence project without opening the project where the master clip is stored.
  • Export: Set Start Timecode checkbox does not enable on initial mouse click.
  • Copy/Paste ignores clip on locked/targeted tracks.
  • The shared project in Productions does not update when selecting Read-Write mode.
  • Missing caption segments when SRT with lines with the only period is imported.
  • Changing a source clip label in production can crash the application.
  • Mac Only: AVCHD spanned clips with AC-3 audio have audio missing.
  • Speech to Text incorrectly adding spaces to double-byte languages after transcription.

New in Adobe Premiere Pro CC 2022 22.6 (Aug 23, 2022)

  • The design tools in Premiere Pro, combined with the search and edit capabilities of the Text panel, let you craft incredible, custom titles and graphics for any video project. Your titles can be simple, with beautiful typography or enriched with graphics and animations. With the Text panel, you can manage projects with hundreds of titles, and it’s easy to save the designs you want to re-use in your template libraries.
  • The latest update of Premiere Pro gives you more controls when adding textures to letters or shapes and the ability to export all of the titles in your sequence as text files for easy reviews. Thanks to new contextual menus, it’s faster and easier to edit any layer in your design.
  • Finer masking controls for titles:
  • Now you've more control when designing titles with background images or texture. Use the new Mask only Fill option to apply a mask to the fill area of text or shapes without impacting strokes or shadows.
  • Context menu for text and shape layers:
  • Get fast access to the design tools for stylizing your titles and graphics. Right-click on a text or shape layer. Choose Edit Properties to open the Essential Graphics panel, where you can customize fonts, colors, positioning, and more.
  • Export titles as text files:
  • From the Text panel, you can now export all of the titles in your sequence as text files for sharing and proofreading.
  • Adjustable Fades for Audio Ducking:
  • Auto Ducking lowers the volume of soundtrack or other background audio when there is dialog so it’s easier to hear. And now, with the new Fade Position slider, it's easier and faster to get the desired results.
  • More GPU-accelerated effects:
  • GPU acceleration means better effects performance when editing or exporting finished videos. Almost all of the effects in Premiere Pro are GPU-accelerated, and in this release, we have added two more: Unsharp Mask and Posterize Time.
  • Initializing GPU dialog:
  • On the first launch after a new installation or driver update, Premiere Pro needs to initialize the GPU. A new progress bar shows when this is happening.

New in Adobe Premiere Pro CC 2022 22.5 (Jun 21, 2022)

  • Fixed issues in Premiere Pro version 22.5:
  • Ingest Project Settings can become disabled after adding clips from Import Mode
  • Shift-selecting items in Import mode give different results if the second click is a file or folder.
  • The Import or Create button is unavailable after creating ranged selections with folders between the first and last selected item.
  • A slow double-click can simultaneously select and open a directory in Import Mode.
  • Copy operations can fail when attempting to export to external drives or volumes.
  • [Export Mode]: Clicking an existing file name in the Location dialog should update the name so users can easily replace the current export file name.
  • The June 2022 (22.5) release of Premiere Pro introduces new Essentials and Vertical Video workspaces, improvements to proxy workflows, the ability to add gradients to strokes and shadows for titles and graphics, RED V-RAPTOR camera support, and various performance enhancements.
  • New Essentials workspace:
  • The new Essentials workspace offers a clean and simple layout and presents the panels in a logical left-to-right workflow, with a generous timeline across the bottom of the screen.
  • New Vertical Video workspace:
  • The new Vertical Video workspace offers a clean and simple layout, optimized for vertical content. Social media creators working in this format will find the Program Monitor on the right of this workspace, set up for viewing vertical 9:16 video.
  • Proxy Workflow improvements:
  • Visual badges in the timeline and project panel now make it clear when you are viewing proxies or originals. During proxy creation, you have the option to add a watermark so you can easily identify your proxy files, and the default codec for creating proxy files has been set to ProRes.
  • Gradients for Strokes and Shadows:
  • Add visual impact to characters and graphics, with the ability to add gradients to strokes and shadows.
  • Improved H264/HEVC Encoding on Apple M1 systems:
  • Premiere Pro now has improved the quality of H264/HEVC files encoded on Apple M1 systems.
  • Support for RED V-RAPTOR camera:
  • Premiere Pro now offers support for RED V-RAPTOR cameras.
  • More GPU-accelerated effects:
  • Newly GPU-accelerated effects include Magnify, Replicate, Spherize, and Wave Warp.

New in Adobe Premiere Pro CC 2022 22.4 (May 10, 2022)

  • Premiere Pro 22.4 is focused on performance. Faster exports for 10-bit 4:2:2 HEVC is now available across all platforms, thanks to new hardware encoding support for macOS and AMD GPUs on Windows. Smart rendering performance is improved and playback of QuickTime screen recordings is smoother. Feature enhancements in this release include support for transparencies in GIFs and options to distribute spacing between objects for titles and graphics.
  • Export GIFs with transparency:
  • Premiere Pro now supports transparency when exporting GIFs, adding greater flexibility for short social media content.
  • Distribute objects in titles and graphics:
  • New graphics tools allow you to adjust the spacing between text and shapes so you can evenly distribute different elements when designing titles and graphics.
  • 10x faster exports for 10-bit 4:2:0 HEVC on AMD:
  • New hardware-accelerated encoding for AMD GPUs on Windows delivers up to 10x faster exports for 10-bit 4:2:0 HEVC, including HDR video.
  • Improved QuickTime Screen Recording Playback:
  • Playback and scrubbing of QuickTime screen recordings are smoother in this release of Premiere Pro.
  • Smart rendering improvements:
  • Speed up exports by taking advantage of matching codecs and sequence previews. Smart rendering improvements in this release provide greater reliability and faster exports for supported formats
  • HDR proxies:
  • Work faster with HDR footage by creating HDR proxies of your media. Generate smaller medium- and high-resolution copies of your files in the correct color space, automatically. HDR proxies match the originals visually and offer improved performance while editing.

New in Adobe Premiere Pro CC 2022 22.3.1 (Apr 26, 2022)

  • Premiere Pro 22.3.1 includes a fix for an issue related to audio that impacted playback or rendering. This issue affects some users of Premiere Pro 22.3 and Media Encoder 22.3.

New in Adobe Premiere Pro CC 2022 22.3 (Apr 12, 2022)

  • New Review workspace with Frame.io integration:
  • Now built into Premiere Pro and After Effects, Frame.io for Creative Cloud gives you real-time review and approval, and cloud media sharing.
  • Camera to Cloud:
  • Included with Frame.io for Creative Cloud, the new workflow lets you send camera files directly to Premiere Pro so that editing work can begin while production is happening.
  • Redesigned import:
  • The new Import mode offers a visual and intuitive way of starting video projects and collecting media. Instead of Project settings, you begin with your media. Select individual assets and click Create to bring them onto the timeline.
  • Redesigned export:
  • The new design streamlines exports by focusing on the destinations of your content, including social platforms like YouTube, Facebook, and Twitter. Premiere Pro provides recommended output settings for each. Customize your own destinations and presets for even more efficiency.
  • New Header bar:
  • Navigate more easily in Premiere Pro with Import, Edit, and Export tabs to access the main stages of your creation process. The header bar also provides quick access to Workspaces, Quick Export, and full-screen playback.
  • Export Preset Manager:
  • Use the new Preset Manager to access existing export presets, save your own custom presets, or import or export presets for sharing. Open the Preset Manager via Quick Export or in the new Export mode.
  • Auto Color, powered by Adobe Sensei:
  • Jumpstart your color correction with the power of Adobe Sensei. Auto Color applies intelligent adjustments to help you fast track your color correction and is a helpful guide to help new users become familiar with the color tools.
  • Speech to Text for Cantonese:
  • Speech to Text now includes language support for Cantonese. Speech to Text language packs are now available for captioning videos in 14 languages.
  • Show or hide markers by color:
  • Work efficiently by showing and hiding different groups of markers on your sequence. For example, if you chose different colors for different workflows, you can use checkboxes in the Markers panel to show or hide the category.
  • Trim mode playback looping option:
  • When working in Trim mode, you can now start looping playback at the playhead, rather than the closest edit point.
  • Remix progress indicator:
  • Remix intelligently retimes songs so that your music matches your videos. When you apply Remix to an audio clip, a new progress indicator shows that Remix is analyzing the clip.
  • Support for Sony VENICE 2 camera:
  • Premiere Pro now provides support for Sony VENICE 2 camera file formats.
  • Change text size in Text panel:
  • You can now increase or decrease the size of the text in the Text panel in Premiere Pro according to your reading comfort level.
  • Customized clip names in EDL exports:
  • While exporting an EDL file, you can now choose whether to show the source clip name (as shown in the Project panel) or the timeline clip name.

New in Adobe Premiere Pro CC 2022 22.2 (Feb 8, 2022)

  • Premiere Pro version 22.2 introduces Remix for retiming music to match video content, faster Speech to Text without the internet, performance improvements, and more:
  • Speech to Text now 3x faster:
  • Speech to Text on-device lets you work without an internet connection, generating transcriptions up to 3x faster.
  • Remix, powered by Adobe Sensei:
  • Use Remix to intelligently retime songs so that your music matches your videos. Remix analyzes a song and creates a new arrangement in seconds
  • Faster 420 HEVC exports on Windows
  • Exports for 10-bit 420 HDR footage are now up to 10x faster on Windows systems with Intel or NVIDIA GPUs, thanks to new hardware encoding.
  • More GPU-accelerated effects:
  • Newly GPU-accelerated effects include Linear Wipe and Block Dissolve.
  • Support for MacBook Pro notch:
  • Premiere Pro automatically adjusts fullscreen display for to account for the notch in 2021 MacBook Pro models.
  • Format support:
  • This release includes support for footage from the new Canon EOS R5 C camera.
  • Bug fixes:
  • Unable to edit timecode using numeric keypad in Program Monitor
  • Restore Captions does not set all Caption tracks to same label color
  • Some MXF files takes longer to import than in previous versions

New in Adobe Premiere Pro CC 2021 22.1.2 (Dec 22, 2021)

  • Premiere Pro 22.1.2 fixes a critical bug that impacts third-party After Effects plugins that work in Premiere Pro, such as those from Boris FX, Red Giant, Digital Anarchy, and other vendors. The bug impacts plugin functions which request a frame from Premiere Pro, such as a thumbnail image.

New in Adobe Premiere Pro CC 2021 22.1.1 (Dec 14, 2021)

  • Premiere Pro 22.1.1 helps you take control of titles and graphics with Search and Replace and spell-checking, a new Universal Text engine, improved shape tools, and new efficiencies for professional editing workflows. Keep your creativity moving with new hardware acceleration for ProRes and HEVC on Apple M1 systems along with other performance enhancements.
  • GRAPHICS AND TITLES:
  • The Graphics and Titles workflows in Premiere Pro have multiple enhancements including an all-new universal text engine, convenient spell checking and find and replace in titles and Motion graphics, simpler text navigation, and more.
  • Spell check and Find and Replace:
  • Manage titles and graphics efficiently via the new Graphics tab in the Text panel. Use global Search and Replace to update text and titles – or just search to navigate between graphics in a sequence. Use spell check for anything with text, whether it was created in Premiere Pro or After Effects.
  • Universal text engine:
  • Premiere Pro now has a universal text engine that makes working with multiple languages in Premiere Pro and After Effects easier and faster.
  • Improved shape tools with polygons and rounded corners:
  • The shape tools in Premiere Pro have been expanded and improved, including a new polygon tool, improved controls for ellipses and rectangles, and the ability to define and apply rounded corners.
  • Pen tool improvements:
  • Draw lines with greater precision with improvements to the Pen tool in Premiere Pro. Draw straight lines including perfect 0°, 45°, 90° angles, rotate existing lines, and add control points with Bezier handles for curves, whether at custom angles or constrained to 0°, 45°, and 90°.
  • Upgrade Legacy Titles on opening projects:
  • If you open projects containing Legacy Titles, a dialog opens prompting you to update your legacy titles to modern graphics. Follow the prompts to update.
  • Simpler text navigation:
  • Editing text is easier with improvements to text selection and carat behavior.
  • EDITING AND WORKFLOW:
  • This release introduces improvements for professional editors, including a convenient new button for ganged playback and changes to streamline multi-cam workflows.
  • Gang button for Source and Program Monitors:
  • You can now add a new Gang button can be added to the transport controls for side-by-side playback in the Program and Source monitors. Ganged playback makes it easier to compare sequences. This is not a new capability, but the new button makes it easier to access and provides a visual indicator when ganged playback is enabled.
  • Choose multi-cam thumbnails:
  • You can now define which camera view to use as your multi-cam thumbnail in the timeline. Instead of the top track in the timeline, the new default thumbnail is the A camera and you can use keyboard shortcuts to cycle through camera views to preview them and choose new thumbnails if needed.
  • Use keyboard shortcuts to move poster frame:
  • You can now use your keyboard to batch edit footage with the move poster frame 10 frames forward or back keyboard shortcuts - for example, to show a slate or skip ahead to the action in a scene.
  • Faster importing and updating of captions:
  • Caption files now load faster and can be updated more easily. After importing a captions file, Premiere Pro scans the file in the background. Once the captions are available, you can use the new Update Captions from Source command to populate the timeline.
  • PERFORMANCE IMPROVEMENTS:
  • ProRes hardware acceleration on Apple M1 Pro/Max:
  • Hardware-accelerated ProRes is now up to 5x faster on new Apple silicon Macs. Playback and exports for 4K and 8K ProRes are much improved on new MacBook Pros with Apple M1 Pro and Apple M1 Max chips.
  • Hardware acceleration for hi-res HEVC on all Apple M1 systems:
  • Premiere Pro exports for high-resolution HEVC are faster with macOS 12 on M1 Macs. Hardware encoding is now enabled for DCI 4K and 8K HEVC exports, resulting in significantly faster performance.
  • Improved playback for Windows systems with integrated Intel GPUs:
  • Display technology optimizations provide improved playback on Windows systems with Intel Integrated GPUs.
  • Faster Color Match:
  • Powered by Adobe Sensei, color match is up to 30% faster - speeding up the color correction workflow in Premiere Pro.
  • More GPU-accelerated effects:
  • Newly GPU-accelerated effects include Gradient Wipe and Roughen Edge.
  • CURRENTLY IN BETA:
  • Remix, powered by Adobe Sensei:
  • Use Remix to intelligently re-arrange songs so that your music matches your videos. Instead of manual razor cuts and crossfades, let Remix do the work for you, generating a new mix in seconds.
  • Auto Tone:
  • Auto Tone uses new technology to apply intelligent color corrections in the Lumetri Color panel. Auto Tone adjustments are reflected in the Lumetri sliders so that you can fine-tune the results.
  • Speech to Text on-device:
  • Now in Beta, Speech to Text on-device lets you use Speech to Text without an internet connection, providing faster transcriptions.
  • Improvements for new Import mode:
  • New import mode, currently in Premiere Pro (Beta) now includes UI refinements, sorting options, marquee selection, a playhead for scrubbing thumbnails, the ability to copy files on import, and more.

New in Adobe Premiere Pro CC 2021 22.0 (Oct 26, 2021)

  • Features:
  • Unified version numbers:
  • With this release, Adobe video and audio applications are aligned on version 22.0, making it easier for you to keep track of updates and ensure compatibility across the applications.
  • Speech to Text improvements:
  • Improved transcription accuracy for pop culture terminology and better formatting of dates and numbers.
  • Simplify Sequence:
  • Create a clean copy of the current sequence for sharing with other editors, archiving, or exporting as EDL, XML, or AAF.
  • Color management for H.264 and HEVC:
  • New color management for H.264 and HEVC formats, including 10-bit and HDR media, means that the correct color space is used in Premiere Pro when importing or exporting these formats.
  • Improved playback for 10-bit HEVC:
  • New hardware-accelerated decoding for 10-bit HEVC 422 provides improved playback and editing on Apple M1 and Intel Windows systems.
  • Improved playback for 10-bit H.264 on Apple M1:
  • New hardware-accelerated decoding for 10-bit H.264 422 provides a smoother editing experience with this format on Apple M1 computers.
  • Color management for Sony XAVC-L-HDR:
  • New color management for Sony XAVC-L-HDR footage gives broadcasters and production teams another option for working with HDR content.
  • New colorized Vectorscope:
  • Use the new Colorized Vectorscope to guide your grading. Double-click the Vectorscope to zoom in for more detail.
  • Improved Histogram:
  • Improved Histogram offers a brighter and crisper display for both Standard Dynamic Range and HDR content.
  • Lumetri curve refinements:
  • A larger window and easier selection make curve adjustments more enjoyable and more efficient.
  • Restore trim selection:
  • This convenience feature lets you restore edit points you have selected in the timeline that you may have accidentally unselected.
  • Improved Media Relinking for Team Projects:
  • Use the same media relinking workflow in Team Projects as you do in stand-alone Premiere Pro. Team Projects generates the mapping, keeping track of your local media and the shared Team Projects file.
  • Improved Bars and Tone:
  • You can now create test patterns for both HDR (High Dynamic Range) and traditional SDR (Standard Dynamic Range). The audio parameters are now combined into one consolidated dialog.
  • New GPU acceleration for effects:
  • Alpha Glow, Mirror, Reduce Interlace Flicker, and Strobe are now GPU-accelerated, offering significantly better playback performance and render faster for exports.
  • Fixed issues:
  • When selecting “Export each channel as separate file”, audio clip import fails.
  • Animated .gif output Quality slider (in video settings) does nothing.
  • Files from Polaroid Cube camera slowly drift out of sync.
  • Media captured using Xbox Game Bar displays with green preview artifacts.
  • Improved Smart Rendering Export performance.
  • Improved playback of certain MP4 files with multiple audio streams.
  • Ripple Trim shortcut will slip one frame.
  • Improved stability when switching workspaces.
  • Moving markers in the timeline with M1 Mac results in flickering in the Program Monitor.
  • Application hangs with control surface device and using <CMD>+<Opt>+Drag operation in the timeline.
  • Copy and paste of track volume will add a second instance in the volume effect.
  • The macOS (Big Sur) Moving slider tool results in preview glitches with a black frame in Source Monitor.
  • Resetting the button in the Loudness Meter effect can cause Premiere Pro to crash while using JKL.
  • Registration failure of multiple GPU filters.

New in Adobe Premiere Pro CC 2021 15.4.1 (Aug 17, 2021)

  • The August release of Premiere Pro (version 15.4.1) includes a fix for an issue where using edit tools on clips can produce flickering in the Program Monitor.

New in Adobe Premiere Pro CC 2021 15.4 (Jul 20, 2021)

  • Clip outline (shadow trail) should be visible whenever the clip is moved in the timeline.
  • Improved stability when applying some audio filter effects than playing back.
  • Length of source clip is affected by changes in a sub-clip.
  • Conflicting marker data is added every time a sequence is moved to a different project.
  • Exported Caption text blocks locations and duration are different than original the Caption file.
  • Some captions files failing to import from XML files working in previous versions.
  • Improved performance when closing large projects.
  • SRT doesn't display any subtitles beyond zero duration line entry.

New in Adobe Premiere Pro CC 2021 15.2 (May 11, 2021)

  • Fixed issues in Premiere Pro version 15.2:
  • Crash may occur when cancelling import immediately
  • Reverse match frame does not work across projects in a production
  • Replacement media incorrectly gets copied over into project that has a sequence in a production
  • Reduced instances of redraw issues when switching views in the Program Monitor
  • Moving the CTI edits a sequence if it contains audio clip keyframes
  • Audio file will not play in some projects if playback began outside of clip boundaries
  • Color shift when importing MXF files from Canon EOS C300 Mk II
  • Reduced frame substitution errors with J2K MXF
  • Text Gradients:
  • Previously only available with the Legacy Titler toolset, text gradients are now part of the modern titling tools in the Essential Graphics panel. Use gradients to add sheen to letters or colorful effects for text and titles.
  • Apply linear or radial gradients with colors or opacity to individual characters. For some really wild effects, you can try combinations of gradients.
  • Create your designs right in the Program Monitor. As with all text in the Essential Graphics panel, you can save designs for reuse as Styles, or with animations as Motion Graphics templates.
  • Label colors for Captions:
  • Caption items in the Captions track now have the same label color options as other items on the timeline. Select Label Color Group to assign labels and colors for captions - and use the same keyboard shortcuts.
  • Improved Caption trimming:
  • Edit video files containing embedded captions more intuitively. Caption items are linked to their associated video and audio clips, making it easier to fine-tune edits and keep everything in sync on the Timeline.
  • Simple edits with Caption items on the Caption track behave the same as traditional linked video and audio pairs. Selecting, moving, trimming, and blade edits will be applied to video audio and caption items simultaneously.
  • Linking can be turned off with the Linked Selection tool in the Timeline. Individual or multiple caption items can also be linked manually to a video clip in the timeline, which provides the same benefit as editing video files with embedded captions.
  • New Loudness Meter:
  • Use industry standard ITU-based loudness monitoring for broadcast, and streaming media content in Premiere Pro.
  • The new Loudness Meter, which will replace the previous Loudness Radar, transparently measures program loudness for full mixes, single tracks, or buses and submixes.
  • Presets support common regional loudness requirements, like EBU for Europe or ATSC for the Americas, while new presets ensure compatibility with online destinations, including Netflix, YouTube, and podcasting platforms like Spotify or Apple Podcasts.
  • Canon XF HEVC performance improvements:
  • Performance optimizations in Premiere Pro mean smoother playback and scrubbing on the timeline, as well as faster seeking.
  • Support for DirectX display technology on Windows:
  • DirectX12 now replaces OpenGL as the default display rendering technology for Premiere Pro and After Effects on Windows, providing a more modern codebase with improved stability and performance. DirectX also supports native High Dynamic Range (HDR) playback for Premiere Pro with HDR10-capable monitors and a DirectX-compatible GPU.

New in Adobe Premiere Pro CC 2021 15.1 (Apr 13, 2021)

  • Fixed issues in Premiere Pro version 15.1
  • Incorrect error dialog appears after successful upload to Behance: “Unable to create cover image for Behance project”.
  • SRT captions imported with "{an8} to denote top position display a "}"character in the caption text.
  • Incorrect adjustment when using arrow keys in transition duration window.
  • Audio gain setting not applied to selection if Enter key is pressed.
  • Restoring an undocked project panel in freeform view results in missing clips.
  • Time remapped clips display wrong media timecode when metadata effect is applied to adjustment layer.
  • Crash can occur if quitting application while Essential Sound Panel effect is processing on Mac.
  • Mute setting on audio tracks applied during playback is deleted when pausing.
  • Frame Freezes or shows green when scrubbing or playing certain screen recorded media.
  • Incorrect frames are displayed when scrubbing clips that were interpreted with a different frame rate.
  • Arrow Keys are not working properly using direct manipulation.

New in Adobe Premiere Pro CC 2021 15.0 (Mar 10, 2021)

  • WHAT'S NEW:
  • Rollover to the 2021 Release:
  • This release marks the launch of the 2021 versions of Premiere Pro and the Adobe video applications.
  • All new Captions:
  • Premiere Pro's all new Captions workflow transforms the process of stylizing and delivering captioned videos.
  • Media Replacement:
  • You can now swap out specified media, such as logos and even videos, within Motion Graphics templates.
  • Equitable Language:
  • This release includes some terminology changes to better reflect core reflect Adobe values of diversity and inclusion.
  • Faster Warp Stabilizer:
  • Reduce camera shake in your footage more easily. Optimizations make Warp Stabilizer up to 4x faster.
  • Team Projects improvements:
  • Access to the Search Bar and SmartBin content is now significantly faster than before.
  • Copy and paste audio effects in Audio Track Mixer:
  • You can now copy and paste complete audio effects racks between tracks.
  • Legacy audio effects removed:
  • Obsolete audio effects, all replaced by more modern effects, have been removed from the 2021 release of Premiere Pro.
  • Fixed issues in Premiere Pro version 15.0:
  • Speed Changes no longer result in inaccurate XMLs
  • Corrected timecode information for audio clips when exporting an XML
  • Improved stability when applying Metadata effect on top of another effect
  • Windows explorer window appears when quitting the application
  • Premiere Pro no longer stops responding when deleting the media cache
  • Premiere Pro does not hang while scanning Slate Digital Virtual Mix Rack
  • Removed any buzzing noise that occurs with some track effects
  • Fixed an issue where waveforms were not generated after selecting Generate Audio Waveform.
  • Team Projects: media locator updates now working for all collaborators

New in Adobe Premiere Pro CC 2020 14.7.0.23 (Dec 8, 2020)

  • Undocked panels causes keyboard shortcuts to stop working
  • Improved stability during auto-save when application is not in focus
  • Audio dropout for some H.264 files with multiple mono streams
  • Reduced delay of playback initialization of some mp4 and mov files.
  • Improved pek generation performance of H.264 compressed mov clips
  • Linear Audio Keyframes cannot be created, only bezier ones

New in Adobe Premiere Pro CC 2020 14.6.0.23 (Dec 8, 2020)

  • Fixed issues in Premiere Pro version 14.7:
  • Undocked panels causes keyboard shortcuts to stop working
  • Improved stability during auto-save when application is not in focus
  • Audio dropout for some H.264 files with multiple mono streams
  • Reduced delay of playback initialization of some mp4 and mov files.
  • Improved pek generation performance of H.264 compressed mov clips

New in Adobe Premiere Pro CC 2020 14.6.0.51 (Nov 17, 2020)

  • Fixed issues in Premiere Pro version 14.6:
  • Inaccurate BPM values appear in the Essential Sound Panel for Stock Audio.
  • H.264 export of High Quality 2160 4K preset does not work properly with 60 fps sources.
  • In and Out duration in Source Monitor reflects changes when modifying timecode.
  • Improved stability when disconnecting internet while playing audio in Essential Sound Panel.
  • Keyframes are written to sub-mix tracks during play or pause.
  • Improved compatibility with specific files from other applications.
  • Some DNxHR 8K files fail to import properly.
  • Auto Reframe fails to analyze updated sequences.
  • Keyboard shortcuts and drag and drop functionality may not work if the panels are undocked, or if the workspace is split across multiple monitors.

New in Adobe Premiere Pro CC 2020 14.5.0.51 (Oct 20, 2020)

  • Fixed issues in Premiere Pro version 14.5:
  • Some Southeast Asian text characters do not appear correctly.
  • Improved accuracy of some timecode conversions.
  • Clips beyond 99 fps result in inaccurate EDL.

New in Adobe Premiere Pro CC 2020 14.4.0.38 (Sep 15, 2020)

  • Playback does not stop when waveforms expanded with smooth scrolling and multicam view enabled
  • Improved location of licensing information for Stock Audio
  • Improved consistency of contextual menu behavior using search bins
  • Deleting an empty Audio track prevents VoiceOver from being recorded
  • Hardware encoding not available on Mac when encode height is greater than 2196 pixels
  • DNxHR MXF files files exported as non-standard frame size that contain display aspect ratio of 16:9 may play incorrectly in external players
  • Some files that play correctly in QuickTime Player import as audio only
  • Improved ProRes Multicam Playback Performance
  • Twitter 1080p preset now produces higher quality outputs with match source for frame rate and higher bitrate.
  • Cannot log in to Vimeo

New in Adobe Premiere Pro CC 2020 14.3 (Jun 16, 2020)

  • Improved stability when switching editing workspaces when logged into Sync Settings
  • Improved stability when exporting using NVIDIA GPU without NVENC
  • Improved stability when selecting output name in export settings
  • Audio keyframes are removed when clicking the keyframe button
  • Improved performance when analyzing clip using Morph Cut
  • SurCode for Dolby E Decoder not working
  • Animation for PSD files can be lost when imported on Windows
  • AVCHD progressive clips are incorrectly imported as interlaced
  • Decode error can occur when playing back QT XDCAM HD 422

New in Adobe Premiere Pro CC 2020 14.2 (May 19, 2020)

  • ProRes RAW support:
  • Premiere Pro now offers a comprehensive, cross-platform solution for Apple ProRes workflows.
  • Graphics improvements:
  • Premiere Pro now offers better support for Bezier curves using the Pen tool and a great new option for filtering effects
  • Auto Reframe improvements;
  • Auto Reframe now analyzes video sequences twice as fast accelerating workflows, such as the creation of Quibi content.
  • Hardware-accelerated H.264 and HEVC encoding:
  • Premiere Pro now provides support for NVIDIA and AMD GPUs on Windows, and hardware encoding for H.264 and H.265 (HEVC) across all platforms.
  • Keyboard shortcuts to add specific marker colors:
  • You can now define a default marker color by mapping your preferred key to your preferred marker color.

New in Adobe Premiere Pro CC 2020 14.1 (Apr 14, 2020)

  • Production panel:
  • Productions provides a flexible, scalable framework for organizing multi-project workflows. With Productions, complex workflows can be divided into manageable projects, for overall efficiency and collaboration using shared local storage.
  • Project locking:
  • When working within a Production in Premiere Pro, you can lock a project when editing to prevent unwanted conflicts.
  • Cross project referencing
  • Cross-project referencing:
  • A clip in one project can be reused throughout every other project in the production. This reduces the need for duplicate master clips.
  • Shared project settings:
  • Project settings include important settings such as scratch disk, GPU renderer, and capture settings. A benefit of having project settings synchronized is shared preview render files.

New in Adobe Premiere Pro CC 2020 14.0.4 (Mar 19, 2020)

  • Play button does not revert back to "stopped" state after reaching the end of a preview.
  • Editable text blocks do not appear in Caption panel for 708 Captions and may cause non-responsiveness.
  • Slip/Slide edit tool cursor icon incorrectly appears as disabled.
  • Timeline clip may not update from Label color changes.
  • Keyboard shortcut for "select next panel" is not working as expected.
  • Playback preferences are not retained for audio devices.
  • Paste clipboard shape support for Boris FX.
  • Undo of Label change does not automatically update. You need to force update.
  • Clicking on a Motion Graphics template while the cursor stays in the search box may cause application to crash.
  • Hover scrub in Stock view does not work until you mouse off and back on.
  • Export of ProRes 4444 may result in corrupt file.
  • Improved support of DJI Phantom 3 files.

New in Adobe Premiere Pro CC 2020 14.0.3 (Feb 26, 2020)

  • General:
  • Tracks tab focus issue in New Sequence dialog box longer results in invalid state.
  • Timecode of captions now functions correctly when the caption file is modified from the Timeline panel.
  • (Windows) Fixed an issue with dragging an effect up and down on the Master Clip.
  • Fixed an issue with disappearing cursor when closing panel or switching workspaces.
  • Occasional issue with exporting sequences originally created in Premiere Pro 2019 has been fixed.
  • Fixed an issue with the ctrl + @ shortcut toggling full screen.
  • Audio:
  • Dynamic Link between Premiere Pro and Audition now opens files and sequences on macOS Catalina.
  • Performance improvements to Vocal Enhancer effect
  • Fixes for automation and effect envelope behaviors
  • Fixed multicam clip multichannel mappings

New in Adobe Premiere Pro CC 2020 14.0.2.104 (Feb 20, 2020)

  • General:
  • Tracks tab focus issue in New Sequence dialog box longer results in invalid state.
  • Timecode of captions now functions correctly when the caption file is modified from the Timeline panel.
  • (Windows) Fixed an issue with dragging an effect up and down on the Master Clip.
  • Fixed an issue with disappearing cursor when closing panel or switching workspaces.
  • Occasional issue with exporting sequences originally created in Premiere Pro 2019 has been fixed.
  • Fixed an issue with the ctrl + @ shortcut toggling full screen.
  • Audio:
  • Dynamic Link between Premiere Pro and Audition now opens files and sequences on macOS Catalina.
  • Performance improvements to Vocal Enhancer effect
  • Fixes for automation and effect envelope behaviors
  • Fixed multicam clip multichannel mappings

New in Adobe Premiere Pro CC 2019 13.1.1 (Apr 18, 2019)

  • Crash opening a project or working with a project on macOS
  • Premiere Pro crashes on launch
  • Premiere Pro crashes while rendering
  • Premiere Pro crashes on launch on macOS because of issues with preferences in the Permissions folder
  • Premiere Pro crashes on launch or while switching workspaces
  • Opening Premiere Pro with missing font graphic in project on Windows causes Premiere Pro to crash

New in Adobe Premiere Pro CC 2019 13.1.0 (Apr 3, 2019)

  • Project panel for free forms:
  • Visually inspect, organize, and create a storyboard for your media files. Assemble the raw materials and then drag them directly onto the timeline to edit them.
  • Rigles and guides:
  • New rulers, guides and networks simplify the sizing and alignment of charts and titles. Fix graphics on guides or between them. Color-coded guides ensure consistent positioning for lower thirds, logos, and more.
  • Automatically reduce the volume of ambient sound:
  • Offered by Adobe Sensei, Automatic Volume Down Volume Reduction uses Artificial Intelligence technology to detect overlapping dialogue or voice and automatically adjust background sound. Adjustments are of the keyframe type and are easy to adjust fine.
  • Better monitoring of masks:
  • Accelerate color gradation and workflow for effects with improved performance for HD, 4K resolution and higher resolution.
  • Enhanced titles tools:
  • All your title and graphic tools are found in the key graphics panel, along with new options such as multiple brush strokes, brush stroke style, and background fills. Replace font families in one-click animation template.
  • Graphic improvements:
  • Drag and drop multiple animation templates into the key graphics panel. Form groups and apply masks from the key graphics panel.
  • View menu:
  • A Dedicated View menu consolidates the commands in the program monitor, such as magnification and playback performance, and new guides.
  • Audio efficiency:
  • User-requested enhancements include the ability to reorder audio effects and copy and paste effects into clips and projects.
  • Improvements in performance:
  • Enhancements include a new 10-bit hardware decoding for a more uniform HEVC rendering on Windows, faster hardware decoding for H.264 and HEVC on MacOS, and RED Metal Acceleration.
  • Replacing the frame for decoding errors:
  • Instead of replacing frames with frames with red frames, they are now replaced with a copy of the adjacent frame.
  • Help fast for non-English keyboards:
  • Quick commands are automatically mapped to non-English keyboards, including German, Japanese, French, Chinese, Korean, Spanish, Russian, Italian, Portuguese, and Norwegian.
  • Scaling options for images:
  • Choose between absolute or proportional scaling to maintain the correct position when rewinding or resizing sequences.
  • Extended format support:
  • Import the native Sony Venice V3 files and 32-bit AIFF audio media, along with the newly introduced support for ProRes Windows (13.0.2) and ProRes HDR (13.0.2).
  • Trimiteți feedback
  • Istoric
  • Salvate
  • Comunitate

New in Adobe Premiere Pro CC 2018 13.0.2 (Dec 11, 2018)

  • Apple ProRes support: With the latest Adobe updates, export presets for Apple ProRes, including ProRes 4444 and ProRes 422 formats are available within Premiere Pro, After Effects, and Media Encoder on both macOS and Windows 10.
  • HEIF files, recorded on iOS devices can be imported into Premiere Pro and Media Encoder on macOS and Windows. This feature requires macOS 10.13, or higher, and Windows 10 (version 1809 or higher).
  • Faster decoding for Canon Cinema RAW Light footage provides improved playback on multicore Windows 10 machines.
  • Support for ProRes HDR footage allows for accurate import of Rec2020 and PQ/HLG color information from HDR media in ProRes containers.

New in Adobe Premiere Pro CC 2018 13.0 (Oct 15, 2018)

  • Selective color grading:
  • Take the guess work out of curve adjustments with innovative new Lumetri Color tools for selective color correction.
  • Display color management:
  • To display accurate colors on any system, enable Display Color Management. It automatically converts colors to the color space of your display (including Rec. 709, Rec. 2020, and P3).
  • In the past, it was necessary to manually set your OS display profile to be sure that you were seeing accurate colors, and sometimes it was not possible. Display color management takes the guesswork and displays correct colors no matter what ICC profile your display is set to in the operating system.
  • Create and edit multiple Lumetri color effects:
  • In the Lumetri Color panel, you can now have multiple effects or layers stacked. After you create a new Lumetri color effect, you can rename it, add more layers, or subtract layers.
  • You can now easily select which instance of Lumetri you want to work on in the Lumetri panel. You can also add, subtract, and delete specific Lumetri instances using the same dropdown.
  • Edit Premiere Rush files in Premiere Pro:
  • Premiere Rush CC is an all-new mobile and desktop app that lets you create and publish professional-quality video, including color, audio, and motion graphics from almost anywhere. You can capture and edit footage using Premiere Rush on iOS, macOS, or Windows.
  • When you want to take editing to the next level, you can open native Premiere Rush projects in Premiere Pro and continue to edit them in Premiere Pro.
  • Intelligent audio cleanup:
  • Instantly improve your audio by removing background noise or reverb. The new Reduce Noise and Reduce Reverb sliders in the Essential Sound panel let you dial down, or remove, background noise and reverb. These options are also available as effects (DeNoise and DeReverb) in the Effects panel. You can apply them to your audio track and then control the intensity of the effect using the Effect Controls panel.
  • Edit and transform vector graphics:
  • Vector motion controls reduce pixelation and eliminate render bounds. To transform layers of the graphics, and adjust and set keyframes directly, use the vector motion controls in the Effects Control panel.
  • When you edit graphics using the vector motion controls, they are retained as vector graphics preventing pixelation.
  • Essential Graphics and Motion Graphics Template enhancements:
  • Ability to fine-tune Motion Graphics templates in Premiere Pro:
  • Turn numbers into stories using data-driven Motion Graphics templates:
  • n Premiere Pro, you can now add your own spreadsheet to a data driven After Effects Motion Graphic template (MOGRT) and drive the animation or make changes to the data in the MOGRT.
  • In earlier releases, you had to make a lot of tedious changes manually. For example, if you wanted to change the numbers in a chart for all months, January-December, you had to change 12 values manually. Now, if you have the data in a spreadsheet, you can simply map the spreadsheet to the MOGRT and all values are updated automatically.
  • Edit source text properties in Motion Graphics templates:
  • You can now edit source text properties in Motion Graphics templates (if they are enabled for editing by the author in After Effects)
  • Some of the properties you can edit are:
  • Font selection
  • Font size adjustment
  • Faux styles
  • Improved search experience of Motion Graphics templates in Adobe Stock:
  • You can now search and sort cinematic footage and professionally designed Motion Graphics templates more efficiently with the pagination improvements in the Essential Graphics panel.
  • VR enhancements:
  • You can create 180VR video with optimized ingest, editorial, and effects, for otoscopic and stereoscopic content that puts your audience right in the middle of the action. You can also output finished videos in the Google VR180 format for YouTube, Facebook, or other platforms.
  • Add spatial markers to immersive media:
  • You can now place spatial markers on your media while wearing your HMD (Head Mounted Display). In earlier versions of Premiere Pro, it required you to remove your headset to add markers.
  • New Theater mode in Adobe Immersive Environment:
  • Theater Mode gives you a new portable reference monitor within the Adobe Immersive Environment. This mode acts as a virtual screening room for collaborating with your director or producer, whether for 2D or immersive content, or a combination of both.
  • When you try to view footage with Adobe Immersive Environment (AIE) active, you now enter a virtual room with a monitor ahead of you that represents something like a home theater experience. Adobe Immersive Environment automatically switches to this "theater mode" when the Source or Program Monitor encounters traditional 2D, non-immersive footage.
  • Collaboration enhancements:
  • Group invites for Team Projects:
  • You can now invite collaborators to your team project using groups that are synced from your organization's directory (for enterprise users). You can also invite others to collaborate on your team project by inviting a group instead of typing individual email addresses.
  • Creative Cloud Libraries enhancements:
  • You can now:
  • Click drag-and-drop multiple asset types such as AI, PSD, and other file formats into the CC Libraries panel
  • Share your Libraries and Library assets among team members
  • Export your Libraries and store them with the rest of your assets upon completing a project, knowing that the Library can be restored if needed
  • Performance enhancements and file format support:
  • New file format support:
  • Premiere Pro now supports the following new file formats:
  • Decode support for ARRI Alexa LF media
  • Decode support for Sony Venice X-OCN V2 media including anamorphic sources
  • High Efficiency Image Format (HEIF) capture format used by iPhone 8 and iPhone X (macOS 10134 and later)
  • Updated to the latest RED SDK (RED SDK 708), which includes performance and stability improvements
  • Support for Australian Closed captioning standard:
  • Premiere Pro now supports the Australian OP4T2 closed captioning standard
  • Performance improvements:
  • Hardware-based decoding for H264 and native HEVC provides better performance for those formats and faster rendering
  • Improved image processing provides more responsive playback, rendering, and Lumetri Color performance
  • New Home Screen:
  • When you launch Premiere Pro, it now displays a Home Screen, which includes options to:
  • Open a wide range of tutorials to help you quickly learn the basic workflows, and more advanced tips and tricks.
  • Create a project or open an existing project.
  • Auto-save improvements:
  • A new option Auto Save also saves the current project(s) has been added to the Auto Save preferences panel. When you enable this option, Auto Save creates an archived copy of one or more current projects, but also saves the current working project. This setting is off by default.
  • Auto saved versions have a suffix with the date and time it was saved (yy-mm-dd-hh-mm-ss) appended to the project name (for example, ProjectName-2018-08-31_09-53-41.prproj).
  • When an auto save occurs, Premiere Pro creates a new backup project file and adds it to the auto-save folder as an emergency project backup. This file is always the latest saved version of that project.
  • Other changes:
  • Premiere Pro now shows a confirmation dialog if you delete preferences using the Alt or Opt keys at launch
  • You can now use shorthand substitutes when you enter timecode values (for example, a period instead of two zeros) You no longer have to type the zeros manually For more information, see Use shorthand substitutes while entering timecode
  • You can now delete clip markers on clips in the sequence without having to load them back into the Source monitor first to delete For more information, see Delete markers
  • You can now press the Esc key to deselect anything that is selected in the Timeline
  • Label colors now remain visible when video clips are selected

New in Adobe Premiere Pro CC 2018 12.1.2 (Jul 17, 2018)

  • Hardware acceleration updates:
  • Hardware-accelerated H.264 and HEVC decoding on Mac:
  • Hardware-accelerated H.264 and HEVC decoding is now supported on MacBook Pro and iMac Pro machines with Mac OS 10.13. Hardware decode acceleration is automatically selected as the default option (Preferences > Media > Enable hardware accelerated decoding) in PremierePro on Mac if the hardware supports it.
  • Windows Intel Hardware Encoding for MP4/HEVC:
  • Hardware acceleration is now available on Windows 10 with 7th Generation (or later) Intel® Core™ processors and Intel Graphics enabled.
  • If your hardware supports it, then Hardware Accelerated is enabled in the Performance menu of the Export Settings dialog box.
  • If your system hardware does not support it, the Performance menu switches automatically to Software Only.
  • Performance updates:
  • Performance improvements for decoding RED Camera Formats
  • Performance improvements for decoding Sony RAW/X-OCN Camera Formats
  • Supported formats: F5/F55/F65/Venice RAW/X-OCN
  • Supported Platforms: Windows and Mac
  • New format support
  • Added support for the following new formats:
  • Exporting 8K H.264 format
  • Exporting XAVC QFHD Long GOP 4:2:2 formats
  • Panasonic Camera Metadata
  • HTC Vive Pro

New in Adobe Premiere Pro CC 2018 12.1 (Apr 3, 2018)

  • Compare shots using Comparison View:
  • You can now split the Program Monitor display to compare the look of two different clips or the look of a single clip before and after applying an effect.
  • You can use this Comparison View in many ways, such as matching the colors between two shots or for adjusting the intensity of an applied effect such as a blur or film grain. Using the vertical or horizontal split allows the user to drag the splitter back and forth across the image to "onion skin" the differences.
  • Comparing two different shots sets you up for auto color matching.
  • Color enhancements:
  • Match color across shots:
  • With the click of a button, automatically match the color and light of two different shots in a sequence ensuring visual continuity throughout your sequence. Skin tones are preserved and matched using face detection, powered by Adobe Sensei. You can continue to adjust the settings even after the automatic match is performed.
  • Lumetri Color panel changes:
  • The following options are introduced in the Lumetri Color panel:
  • fx bypass option - to temporarily toggle an entire effect on and off
  • Reset Effect - to reset all efects for a single shot
  • These options in the Lumetri Color panel enable you to easily perform these tasks directly within the Lumetri Color panel, without having to shift focus to the Effects Control panel.
  • Lumetri Color Custom LUT directory:
  • You can now install custom LUT files and have them appear in the Lumetri Color panel.
  • Auto-duck music:
  • While working on a project, you can automatically generate a volume envelope to duck music behind dialogue, sound effects, or any other audio clip. This feature simplifies the process for achieving professional-sounding audio mixes.
  • Graphic enhancements. Easily search for Motion Graphics templates across your local templates folder, Creative Cloud Libraries, and Adobe Stock:
  • You can now browse for Motion Graphics templates easily using the Essential Graphics panel. You can search for templates that are available locally, in CC Libraries, and in Adobe Stock.
  • After finding the template you need, you can just drag it into your sequence - regardless of where the template is stored.
  • The redesigned Browse tab also supports hover scrub to preview animations, favoriting Motion Graphics templates, and keywording for quick, intuitive organization, and searching.
  • Create gradients for shapes using the Essential Graphics panel:
  • You can now create gradients for shapes using the Essential Graphics panel.
  • Click a color swatch for a shape layer in the Essential Graphics panel, and select from Solid, Linear Gradient, or Radial Gradient fill types in the Color Picker. Create and edit opacity stops, color stops, and midpoints in the Color Picker. You can also adjust the gradient angle and locations of color stops and midpoints directly from within the Program Monitor.
  • Replace clip workflow for Motion Graphics templates:
  • Motion Graphics templates from After Effects that have been used in a Premiere Pro sequence can now be replaced with a new version of the template.
  • To replace a graphic in your timeline with an updated version of the template, simply hold Alt/Option while you drag and drop the updated template onto the existing one in your sequence. You can choose to have the template updated everywhere it was used in the project or limit the change to one instance. Where possible, your customizations will be preserved.
  • Toggle animation for graphics layers in the Essential Graphics panel:
  • Toggle animation for each transform property from directly within the Essential Graphics “Edit” tab. This feature enables you to create animated graphics quickly by enabling animation for specific properties of the layer you are currently working with.
  • Improved interface and new control types in Motion Graphics templates from After Effects:
  • An improved interface and new controls make it easier to customize Motion Graphics templates, including adjusting the 2D position, rotation, and scale of elements.
  • VR enhancements:
  • Immersive Monitor support:
  • Navigate 360 VR space easily with handset controls that let you rotate your view without having to move your head as you craft and edit immersive content.
  • Support for Windows Mixed Reality:
  • Premiere Pro now supports the Windows Mixed Reality platform, expanding the range of available Head Mounted Display (HMD) options you can use.
  • Once the Windows Mixed Reality HMD is set up, you can view VR video in the Adobe Immersive Environment like a Rift or Vive.
  • In addition, you can control timeline playback using the Microsoft Motion Controllers.
  • The controllers behave much like the HTC Vive controller, with the touch disc split in half and the top half devoted to bringing up the Timeline and Navigator panels, while the bottom half is devoted to playback control. Use the trigger at the index finger to interact with Adobe Immersive Environment UI elements, such as the Timeline.
  • Improved VR Plane to Sphere:
  • Premiere Pro has improved the overall output quality of VR Plane to Sphere which supports smoother and sharper rendering of the edges of your graphics.
  • Enhanced support for Team Projects:
  • Premiere Pro's support for Team Projects includes:
  • Improved tracking of online collaborators
  • Better project management
  • Ability to view read-only versions of your project
  • Improved tracking of online collaborators:
  • You can view a list of other collaborators of your Team Project with their online and offline status.
  • Better project management:
  • You can manage your projects effectively by embedding linked team projects within a Team Project. You can also import a local Premiere Pro project as a shared project.
  • Ability to view read-only versions of your project:
  • You can now open read-only historic versions of a Team Project to add assets to a current Team Project.
  • Improved Timecode panel:
  • The Timecode Panel is now revamped to show new display options, such as In/Out, Duration, Absolute timecode, Remaining timecode, and Source timecode.
  • These display options enable you to track different timecode elements as you work. For example, you can reference external elements or certain timecodes while collaborating with others.
  • Video Limiter:
  • Premiere Pro now includes a new Video Limiter effect (in the Effects panel in the Color Correction section) that is effective for modern digital media formats, current broadcast, and professional post-production use. This effect enables you to limit chroma and luma CHANGE TO RGB values to meet broadcast specifications. It can be used as a per shot effect while you are working with Lumetri Color, or added as an output effect to limit the entire sequence upon export.
  • Copy and paste sequence markers:
  • You can now copy and paste full fidelity sequence markers when moving one or multiple clips, maintaining the same spacing as from where copied. All marker information such as color, notes, duration, marker type is preserved during copy and paste.
  • Hardware acceleration:
  • Premiere Pro supports hardware-accelerated H.264 encoding on Windows 10 with 6th Generation (or later) Intel® Core™ processors and Intel Graphics enabled, and hardware-accelerated H.264 and HEVC encoding on Mac OS 10.13 systems with supported hardware.
  • On supported systems, Hardware Encoding can be selected as an option in the Encoding Settings section of the Export Settings dialog. If the specified combination of Export Settings is not supported by the hardware, there is a fallback to Software Encoding.
  • File format support:
  • Added support for:
  • Importing Canon C200 camera formats
  • Importing Sony Venice camera formats
  • RED camera Image Processing Pipeline [IPP2]
  • Dropped support for Quicktime 7 era formats and codecs:
  • Adobe continuously aims to keep up with the most modern workflows and support formats and codecs broadly used across the professional film and video industry. As a result, future versions of Premiere Pro, starting with version 12.1, will no longer support legacy QuickTime 7 era formats and codecs. Professional codecs typically found in QuickTime movie files, such as ProRes, DNxHD, and Animation, are not impacted by this change. These codecs are supported natively in Premiere Pro.
  • To alert Premiere Pro users regarding this pending change, the most recent versions (12.0, 12.01) of Premiere Pro show a warning notification when you attempt to use a legacy QuickTime format or codec that will no longer be supported, starting with the 12.1 release.
  • On-boarding help in Premiere Pro:
  • You can now learn more about Premiere Pro using the tutorials within the app. You can access learn content from two places:
  • The New project screen
  • The Learn workspace

New in Adobe Premiere Pro CC 2018 12.0.1 Build 69 (Jan 23, 2018)

  • New features in Adobe Premiere Pro (version 12.0.1):
  • Updates to Add media cache expiration policies:
  • By default, Premiere Pro does not automatically delete cache files. Now, if you want to delete cache files, you have to set the preferences in Edit > Preferences > Media Cache. In this release, before deleting media cache files, Premiere Pro displays a message indicating the files that are going to be deleted.
  • Variable Frame Rate (VFR) support:
  • Variable Frame Rate is a video compression term that refers to the format of videos where the frame rate changes actively during video playback. Most videos created using mobile devices (such as iOS and Android), and e-learning applications (such as Camtasia, ScreenFlow, or Twitch) are of VFR format.
  • Detection of VFR footage:
  • You can now detect whether the selected footage is VFR or not. Select the footage, and then click File > Get Properties for > Selection. Premiere Pro indicates if it detects VFR footage.
  • Improved audio sync with VFR footage:
  • You can now incorporate variable frame footage from devices such as mobile phones and the DJI Phantom without having to manually adjust the audio-video sync.
  • Select a VFR clip in the Project panel or the Source Monitor, and click Master Clip Effect in the Effect Controls panel.
  • Here you can toggle between the following options:
  • Preserve Audio Sync - This option decodes the source so that the audio and video is in sync. To accomplish this sync, the decoder adds or drops video frames. This may result in less smooth motion in the video. This is the default for all VFR sources with audio.
  • Smooth Video Motion - This option decodes all the available frames in the source and does not make any effort to maintain AV sync. This results in smoother motion in the video. You can choose this setting if you are doing motion graphics work and care more about getting all the available video frames. If Premiere Pro does not detect any audio, this option becomes the default option.
  • Limitations with VFR support:
  • If you plan to use proxy, consolidate, or transcode workflows, it is better to transcode VFR material to a constant frame rate before editing.
  • If you have manually synced VFR footage in previous versions of Premiere Pro, you need to resync that footage when opening the project in Premiere Pro 12.0.1 or later versions.
  • Toggle multi-cam in source monitor for active camera to fill screen:
  • You can now see the selected camera angle full screen in the Source monitor when making editorial choices on multicam clips. This ability was already present in the Program monitor; now it is available in the Source monitor as well.
  • Support for more video footage formats:
  • Premiere Pro can now import the following video footage formats:
  • Footage captured by the ARRI ALEXA Mini camera in MXF/ARRIRAW format (ARRIRAW codec in an MXF container file). In addition, MXF supports sync audio.
  • HEVC (also known as H.265) codec footage in a QuickTime (.MOV) container, such as produced by an iPhone or iPad with iOS 11 or a DJI Phantom 4 drone.
  • In addition, Premiere Pro performance (on suitable hardware) for DPX playback is much improved as Premiere Pro now uses asynchronous decoding of a DPX frame sequence.
  • Option to keep clips vertically aligned as you move them across tracks:
  • You can now hold down the Shift key while dragging clips across the timeline. This action changes the drag/drop operation so that the clips only move vertically without any accidental horizontal movement.
  • Improved options to solo audio track in source monitor:
  • You no longer have to spend time re-setting the solo selection for every clip that is loaded in the Source Monitor. If you have set any of your audio channels to solo, then Premiere Pro remembers that setting even when you load another clip in the Source Monitor (only if both clips have the same number of audio channels).
  • Ability to make existing project into a shared project alias:
  • You can now import an existing project file as a shared project. If you select the Import as Shared Project option, a shared project alias is created linking to the project targeted for import.
  • If you want to import multiple projects at the same time, you can select Do the same for all projects. This option enables you to import multiple projects as a shared project with one click of a button.
  • Preview VR360 clips on HMD:
  • If you are running Premiere Pro on a Mac machine that supports VR and HTC Vive, you can now edit VR360 clips and preview them in a Head-Mounted Display (HMD).
  • Feature limitations:
  • If you start Premiere Pro before SteamVR is running, Premiere Pro hangs.
  • If you remove the HMD and let it go to sleep state, Premiere Pro takes a long time or may be unable to wake up the HMD. Use the hand controllers often to restore the HMD video preview.
  • A low-level exception occurs if you attempt to preview an audio only clip when the Adobe Immersive Environment is enabled.
  • Option to match frame sets in point:
  • In previous releases of Premiere Pro, if you match frame to a clip that had in/out points already, Premiere Pro preserves and displays them. Now, you can set up Premiere Pro (Edit > Preferences > Timeline > Match frame sets in point) so that when you match frame, you have an in point on the frame you matched and there is no out point. By default this check box is not enabled.
  • Sub-sequence improvements:
  • There is now a new Make subsequence from in to out option in the keyboard shortcuts. This creates a subsequence and ignores track targeting. Instead, all tracks in the sequence are grabbed for the new subsequence. Subsequence also loads into the Source Monitor.

New in Adobe Premiere Pro CC 2018 12.0.0 Build 224 (Oct 18, 2017)

  • Work on multiple projects at the same time:
  • Open, access, and work on multiple projects simultaneously. Jump between episodes or scenes organized as separate projects, edit and copy portions of one project into another, and more.
  • Shared Projects with locking feature:
  • Teams in the same facility can access a single project simultaneously. Managed access allows users to lock projects when they are actively editing and give read-only access to other users.
  • Responsive Design — Time:
  • Preserve the integrity of keyframes in motion graphics such as intro and outro animations when making changes to the overall duration.
  • Responsive Design — Position:
  • Pinned graphic layers automatically adapt to changes in ratio or positioning in other layers or to the video frame itself.
  • Motion Graphics templates available in Adobe Stock:
  • Get professionally-created templates for titles, lower thirds, bumpers, and closing credits without leaving Premiere Pro. Search Adobe Stock in the Libraries panel right in the app.
  • Adobe Immersive Environment:
  • Edit immersive VR the way it’s viewed — wearing a VR head-mount. Review, shuttle playback, and change orientation and retain ability to do keyboard-driven editing whether working in HTC Vive or Oculus Rift.
  • Immersive audio editing for 360/VR:
  • Edit 360/VR content using audio based on orientation and then export as ambisonic audio to VR-enabled platforms such as YouTube and Facebook.
  • Immersive effects:
  • Add virtual reality effects to your 360/VR videos without creating unwanted distortion at the poles or artifacts along the back seamline. Effects include VR Blur, VR Glow, VR Sharpen, VR De-noise, and VR Chromatic Aberrations to create colored fringes on video or graphics produced by uncorrected lenses.
  • Immersive transitions:
  • Add customizable transitions to your 360/VR videos without creating unwanted distortions at the poles or artifacts along the back seamline. Transitions for movement include iris wipes, Mobius zooms, spherical blurs, and gradient wipes. Stylistic transitions include random blocks, light rays, light leaks, and chroma leaks.
  • Immersive Video Titling and Graphics:
  • Instantly format graphics, text, images, or other video clips to look correct in a 360 video.
  • VR Rotate Sphere:
  • Easily adjust and rotate your 360 footage to level horizon lines, align viewpoints, and more.
  • Improvements to the Essential Graphics workflow:
  • Directly manipulate multiple graphics layers at the same time. Preview and select favorites in a font menu. And support for title rolls is now available.
  • New format support:
  • Including Sony X-OCN (RAW for Sony F55) and WAV files >4GB.
  • Regional Closed Caption standards:
  • Added support for EBU closed caption.
  • Support for Team Projects 1.0:
  • Check when auto-saves were made or easily revert to a prior auto-save. Improvements to notifications and version history help keep all team members up to date.
  • Enhanced getting started experience for beginners:
  • Get to know your way around Premiere Pro faster with a six-step tour when you first open the app.
  • Optimized Lumetri support for in-camera look decisions:
  • Access and implement ARRI Amira in-camera look decisions directly from within the Lumetri Color panel.
  • After Effects Motion Graphics templates without After Effects install:
  • Work with Motion Graphics templates created in After Effects without having to install the app.
  • And so much more:
  • Also includes: new label colors, plus the ability to close multiple gaps at once and to double click on workspace handle to reset the workspace.

New in Adobe Premiere Pro CC 2017.1.2 Build 11.1.2 (22) (Jun 13, 2017)

  • The 11.1.2 update contains important bug fixes as well as performance improvements. It also adds support for the 10 bit formats of the Panasonic GH-5. This is a critical update which is highly recommended for all users.
  • Stability and Performance:
  • Timeline and waveform redraw freezes on older mac systems with large projects
  • Certain clips (1000 fps) will crash if you scrub.
  • Crash during playback of some growing files
  • Audio is deleted from timeline when performing flatten multicam
  • Premiere hangs on quitting when using the Trim Mode source clips
  • Improved AVC-I export performance
  • Improve Dynamic Link Text Template performance
  • Formats and File Support:
  • Importing FCP XML file fails if it contains a placeholder due to some synthetic item unable to be translated.
  • Canon XC10 file shows garbled image when moving through clip
  • Certain QT file will not import
  • Failure to import some QuickTime reference movies
  • When Import MP4 video clip shot by Panasonic AG-UX180, audio is truncated at the end of clip on the timeline
  • AVCI files show yellow bar in timeline
  • Failure exporting 25fps interpreted footage
  • Artifacting when paused on RED R3D Helium Stills
  • When Importing Canon C500 RAW file recorded in Odyssey 7Q, Screen divided into two parts with color changed incorrectly
  • “Conversion problem” is alerted when playing FCP’s multiclip sequence
  • When Import long recorded MXF, Red Frame occurs and audio is lost in the timeline
  • If a project file from a different platform is used, proxy-generation fails Media Cache
  • Media Cache delete warning dialog is not modal, on Windows
  • Only specific cache files should be deleted for Media Cache policy
  • Option to Save Media Cache files next to original does not persist
  • Effects:
  • No realtime updates when modifying bezier handles or parameter line in Effect Controls panel
  • Lumetri: Reset color wheels affects other Lumetri instances
  • Effect keyframes are lost with partial Ingest
  • Edits to Effect Control Panel keyframe paths fail to update until you release the mouse
  • Black line appears through the Effect Control Panel
  • Effect keyframes fail to paste at the targeted point in time Captions
  • Ghost Caption Track Item comes back after being deleted
  • Importing an STL file does not allow to modify the resolution during the import
  • Team Projects: Editing text in captioning is not recognized as a change Audio
  • Audio effect parameter modifications are not properly serialized
  • Distortion during audio scrub
  • Audio effect parameter modifications are not properly serialized
  • Audio gain settings in Premiere get rendered to audio files
  • Hang on stop with no audio device (Win only)
  • Audio Waveform is misplaced in specific zoom levels
  • Audio channel settings reset after relink media
  • Adding an essential sound preset to a clip on the timeline will cause AME to hang when adding it to the render queue Export And Render
  • Unable queue export jobs to AME if Home Folder is mapped
  • File exported via the same export preset that it was created from will fail with error compiling movie
  • When multiple files are exported with the same name, they import with the duration of the first file
  • Exporting an AAF with a PSD file causes error and failure to play timeline in Media Composer
  • Rendering a timeline with default Mpeg I-Frame preview format results in media pending if sequence was changed due to clip mismatch
  • Publish to Behance crashes when exporting out of Premiere Pro without tags and description
  • General:
  • Remove Attributes Resets All Intrinsic Effects
  • Import to floating bin doesn’t go into bin
  • Double-click clip, in Thumbnail View, will not open in Source Monitor.
  • License dialog appears and disappears
  • Cart icon should not appear in Project section when user drag and drop licensed stock video
  • Graphics menu has enabled options in Onboarding Media Browser (only visible to new users from the Welcome Screen)
  • Source panel playhead not updated when entering timecode values
  • Share button does not light up when changes are done in captions panel
  • Premiere Pro is getting blocked by QuickHeal anti-virus
  • Extra material required for transitions is not transcoded for partial Ingest.
  • Make Subsequence does not work for Sequence opened from Media Browser
  • Wrong Image position during scrub and playback with 1/2 playback resolution
  • NDF Clip in Source Monitor sends DF value to external SDI monitor
  • Dropped frames of 4k60p single stream timeline when there is a gap between clips
  • Import Project with Image Sequence In/Out instances will often result in AME failing to encode for partial Ingest
  • ALE Metadata column for description is incorrect
  • On Win HiDPI the Events popup window is not scaled and is too small
  • Match Source (Rewrap) presets fail to transcode matching clips
  • Multicam View gets disabled after using Trim Mode
  • ims accelerator cause issue with duration change
  • Ingest Settings dialog sometimes appears after opening 11.0 Project
  • Submix tracks are missing their name in the Track Header

New in Adobe Premiere Pro CC 2017.1 11.1.0 (Apr 19, 2017)

  • Essential Graphics panel:
  • Find all the controls you need to edit the titles, shapes, and Motion Graphics templates you create in Premiere Pro and After Effects. Plus, easily rearrange and adjust shape, text, and clip layers.
  • Type tool:
  • Create titles from scratch right inside your Program Monitor using a Type tool that's similar to the ones in Photoshop and After Effects.
  • Motion Graphics templates:
  • After Effects compositions can now be packaged as Motion Graphics templates, shared via Creative Cloud Libraries, and opened in Premiere Pro. You can then change variables like text, color, size, layout, or mood without changing the overall aesthetic, and you can also create your own templates with text, shape, and clip layers.
  • Essential Sound panel:
  • Now editors can get professional-quality sound, no expertise required. The Essential Sound panel gives you optimal audio parameters when you designate a clip as music, effects, dialogue, or ambiance.
  • Publish to Adobe Stock:
  • Earn best-in-class royalties on your videos by contributing to Adobe Stock through a Destination Publish workflow inside Premiere Pro and Adobe Media Encoder.
  • Improved integration with Audition:
  • Favorite Audition effects like Surround Reverb, Mastering, and Stereo Expander are now available in Premiere Pro. Send keyframes, audio effects, and settings from the Premiere Pro Essential Sound panel to Audition without rendering, and get full compatibility between the panels in the two apps.
  • Virtual reality workflow enhancements:
  • Output ambisonic audio for VR-enabled platforms such as YouTube and Facebook.
  • Next-generation hardware support:
  • Premiere Pro now offers native support for Microsoft Surface Dial as well as native support and customization for the MacBook Pro Touch bar.
  • Dynamic Link for Team Projects:
  • Team Projects now supports Dynamic Link between Premiere Pro and After Effects so you can skip intermediate rendering and iterate faster.
  • More native formats support:
  • New support for high dynamic range includes HLG (Hybrid LOG Gamma).
  • And so much more:
  • Also includes: Enhanced 4K 60p performance, improved support for Apple Metal, video preview of Stock footage within the Libraries panel, and more.

New in Adobe Premiere Pro CC 2017 11.0.2 (Jan 19, 2017)

  • The 11.0.2 bug-fix update for Premiere Pro addresses these bugs:
  • Titler and Captions:
  • Title Tool crashes when copy and pasting
  • Captions not editable after switching workspaces
  • Mouse Disappearing When Editing Captions
  • File Format Support:
  • Some QuickTime files fail to import
  • Phantom Cine files captured on cameras with new firmware import with a pink cast
  • Import of Canon RAW UHD clip results in severely distorted picture
  • Content of AVC-I export does not meet P2 AVC-Intra spec Proxy
  • Paste clip from After Effects, with Proxy unchecked, results in no Proxy attached in Premiere.
  • Quit AME during Creating Proxy Jobs progress will result in crash.
  • Export and Render:
  • Crash sometimes when exporting to AAF
  • Smart rendering QT AVCI to MXF AVCI
  • Rendering Proxies to your CC files directory will cause syncing errors regarding temp files.
  • Exported HDR10 clips will have a small color shift towards cyan
  • Crash & “Error Compiling Movie”: H.264 direct export with “maximum render quality” fails on MacBook Pro with NVIDIA GeForce GT 650M
  • Keyboard Shortcuts:
  • Unable to change the keyboard type in Keyboard Shortcuts Panel on Japanese version Windows PC.
  • Custom Keyboard cache auto populates keyboard shortcuts
  • Deleting one of more than one keyboard shortcuts assigned to the same command deletes assigned shortcuts
  • Media Browser:
  • Drag clip from Media Browser to Project panel, then adjust In/Out in Media Browser can affect clip in Project.
  • Drag multiple instances of clip, from Media Browser Thumbnail View to Project panel, results in only one instance of clip.
  • Media Browser does not show icons for browsed project items for Windows General Editing and UI
  • Edit in Audition is greyed out
  • Overlays disappearing when dragging effects over monitors
  • When Drag the clip on the timeline, Overlays disappear from Program monitor
  • Redraw issues when scrolling
  • UI mislabel: Lumetri Panel HSL
  • Cannot delete multiple instances of the same clip, or deleting one instance of a clip deletes all instance of it.
  • When opening an older project then closing the new one created from the old one, the lock file will remain.
  • Attempting to import a BinLocked project into another project will fail with a generic importer error

New in Adobe Premiere Pro CC 2017 11.0.0 (154) (Nov 2, 2016)

  • Collaborating using Team Projects (Beta):
  • This release introduces Team Projects, a hosted service for CC enterprise users that lets editors and motion graphics artists work collaboratively in projects within Premiere Pro CC, After Effects CC, and Prelude CC. This service adds deep collaboration features such as version history and smart conflict resolution. Post-production professionals can share their edits and get the latest changes from collaborators, allowing concurrent changes to happen on a single project – which is powerful for workflows where visual effects and motion graphics are being done in After Effects at the same time while the project is being refined in Premiere Pro.
  • New VR support:
  • Introduced earlier in 2016, the VR workflow in Premiere Pro now offers more improvements. You can work with stitched equirectangular video to show field-of-view, enabling you to replicate viewing experiences while you edit your content. New VR support expands on the powerful virtual-reality features that are part of Premiere Pro.
  • Premiere Pro now auto-detects whether your VR media is monoscopic, stereoscopic over/under, or stereoscopic right/left, so you can focus on your work and let Premiere Pro determine the proper VR settings behind the scenes. Also, you can now choose to hide the VR controls while in VR mode for a more immersive editing and playback experience. When exporting and sharing your video, you can easily add a metadata flag to your content so that VR-capable video players, such as YouTube or Facebook, automatically recognize that your content is 360-degree, giving viewers the full virtual reality experience.
  • Visual keyboard shortcut mapping:
  • Take the guesswork out of keyboard-driven editing and work faster with new visual keyboard shortcut mapping. Learn commonly used shortcuts with the default shortcuts map, or customize your own keyboard optimized for the way you want to work.
  • Enhanced open captions:
  • Expand your audience with captions and subtitles, whether to enliven silent auto play video previews on Facebook, generate versions for different languages, or improve accessibility for hearing impaired viewers with closed captions. Easily create, fine-tune, and version captions, including tasks like text manipulation and altering duration and location right in the timeline.
  • You can now create Open Captions as easily as creating closed captions. Customize your text, position, background and font color, and use the Edge Color feature to ensure that your captions are easy to read on any background. Adjust the duration and location of your captions right in the timeline, making it faster to create captions from scratch and adjust them to fit your storyline.
  • Refined Lumetri color tools:
  • The color toolset in Premiere Pro is ever-expanding, allowing editors to work deeply with color. Expand your creativity with enhancements to the Lumetri Color tool set. New color pickers allow you to make immediate, intuitive selections directly on the video itself when working with HSL secondaries and white balance. Premiere Pro now delivers the best HDR viewing experience for your audience with support for HDR10 metadata workflows, enabling editing of HDR10 and output for new HDR-enabled TVs and displays.
  • Expanded Destination Publishing – now including Publish to Behance:
  • Sharing your projects via destination publishing allows you to render and share videos to popular web locations from directly within Premiere Pro and Adobe Media Encoder CC. With the addition of Publish to Behance, you can publish your videos directly to your Behance portfolio, the world’s largest creative community. Whether you’re posting to your favorite social media site such as Behance, YouTube, Facebook or Twitter, or want to share your productions privately to Creative Cloud, destination publishing gives you a fast delivery system to meet your needs.
  • Live Text Templates:
  • You can now use Live Text Templates to include dynamic graphics with video content in Premiere Pro. Since this helps you to directly edit the text within those graphics, you don't have to work directly inside After Effects. Live Text Templates are ideal for adding visual production value to any type of recurring content, such as tutorial videos, web series, broadcast graphics, and more. Using Live Text Templates, an After Effects user can create an animated lower third, intro or outro, and choose which attributes are editable in Premiere Pro, ensuring both visual consistency and flexibility.
  • With enhanced Live Text Templates, editors can harness the power of After Effects directly within Premiere Pro to streamline their branded graphics workflow. Thanks to a new file format, Live Text Templates can be used without requiring an After Effects license. Live Text Templates provide enhanced Typekit support, so any missing fonts can be automatically synced in your project.
  • Support for extra file formats:
  • Adobe Premiere Pro comes with an array of support toward a wide variety of file formats. You can load your files and start working, even during ingest regardless of whether you work with native source file formats, or lightweight, auto-linking proxies. Along with more efficient ingest of camera media, this version also provides for native QT DNxHD / DNxHR export.
  • Improved Audio Effects:
  • This release brings new and improved audio effects to Premiere Pro, thus providing higher-quality sound processing and improved fidelity from Adobe Audition. This includes:
  • Adaptive Noise Reduction
  • Dynamics Processing
  • Parametric Equalizer
  • Automatic Click Remover
  • Studio Reverb
  • New hi-DPI aware effects supported as part of this release include:
  • Analog Delay
  • Chorus/Flanger
  • DeHummer
  • Guitar Suite
  • Phaser
  • Single Band Compressor
  • Tube Modeled Compressor
  • Vocal Enhancer
  • Multi-Band Compressor
  • Additional features:
  • Ability to render sequences faster with new GPU-accelerated effects and improved support for Apple Metal.
  • Improvements to Dynamic Link between Premiere Pro and After Effects makes working with both applications more streamlined.
  • Premiere Pro and Adobe Media Encoder now offer stitching of multiple clips from camera media into a single file on ingest for easier file management.
  • Use the new Global FX Mute button in the Program Monitor to toggle on/off all video effects in a sequence, to improve playback performance, or view the clips without any effects applied.

New in Adobe Premiere Pro CC 2015.3 10.3.0 Build 202 (Jun 21, 2016)

  • Premiere Pro Proxy Workflow:
  • Premiere Pro now supports proxy media creation, allowing you to easily switch between original/high-resolution and proxy/low-resolution clips. Heavy 8K, HD or HFR media can overload even the most powerful computer systems. Using lower-resolution proxies can speed up editing, while maintaining the ability to switch back to the original high resolution media for final output. With proxy creation, you can work with high-resolution media flexibly, across different devices (for example, on lightweight devices that are slower and have less storage). Switching between proxy/low-resolution and original/high-resolution files has never been easier or more fluid.
  • Ingest Workflow:
  • Now you can start editing footage immediately while it’s being imported in the background. Mount the camera media and start editing right away. Once the copy is complete, Premiere Pro switches to using the copied media—allowing the camera media to be freed up for use elsewhere.
  • VR Video Workflow:
  • A new VR workflow allows you to move around virtually inside spherical media using new monitor controls or by click-dragging on the video for a complete preview of the VR video playback experience. Premiere Pro export properly flags the file so VR-capable video players such as YouTube will automatically recognize it. You can also preview stereoscopic VR media by switching into anaglyph mode (requires anaglyph 3D glasses).
  • New Enhancements to Lumetri Color Tools:
  • New enhancements to the Lumetri Color tools help you be more creative with color. For example, using HSL Secondaries, you can easily select a specific range of colors to make adjustments to. Premiere Pro also now offers color grading control surface support, which gives users finer control over the subtleties of the color grade than what can be achieved with a mouse and keyboard. Using the White Balance eyedropper feature, you can now set the white balance within the frame with a single click. You can also set the brightness of the scopes to one of three levels to make them more readable in various lighting conditions. Apply preset SpeedLooks with just one click.
  • Control Surface Support:
  • Lumetri panel grading controls can now be mapped to control surface devices (Tangent Devices - Elements/Wave/Ripple).
  • HSL Secondaries:
  • A new section called HSL Secondary has been added to the Lumetri Color effect. This section provides additional color tools to isolate a color/luma key and apply a secondary color correction to it.
  • Lumetri Scopes Enhancements:
  • The Lumetri Scopes now feature improvements to 8-bit display quality, and the ability to adjust the brightness of the scopes from Normal(100%) to Bright(125%) or Dimmed(50%).
  • New SpeedLooks Linear Look Bundle:
  • Premiere Pro now comes with SpeedLooks Studio Linear, a new creative look presets package. These look presets are optimized for Rec709/DSLR footage.
  • Editing Enhancements:
  • New Keyboard Shortcuts:
  • Notable keyboard shortcuts that have been added include:
  • A toggle that allows you to instantly zoom all the way in on the Timeline to view individual frames, and back out to the previous zoom level.
  • A new shortcut to generate peak files for audio waveforms. This feature is useful when you have the Automatic peak file generation preference disabled.
  • New Shortcut to Add/Remove a keyframe.
  • New Shortcut to Nudge keyframe in time by one frame.
  • New Shortcut to select the Next/Previous keyframe.
  • New Shortcut to Increase/Decrease keyframe value.
  • Enhanced editing experience:
  • Multiple enhancements have been added to the editing experience in order to ensure editors can work faster and more efficiently. Range selection now auto scrolls the timeline vertically to select additional clips outside the current view. Remove specific effects using the Remove Attributes command.
  • VFX Clip Marker Workflow:
  • All clip markers for a sequence can now be displayed in the markers panel. Filter clip markers in the markers panel by color and view only those colored markers.
  • Using multiselection for field options and field dominance:
  • Premiere Pro now allows you to apply the field dominance to multiple clips in the timeline (or project panel).
  • New Minimum Timeline Height:
  • You can now drag sequence video and audio tracks to a shorter timeline height, collapsing tracks not in active use in order to devote more space to others.
  • Improved Morph Cut Face Detection
  • Premiere Pro now comes with improved Morph Cut Face Detection. Premiere can now find faces in more challenging shots, giving editors the option to use a morph cut.
  • Ability to remove individual effects:
  • Premiere Pro now allows you to select clips in a sequence that already have effects applied, and use the Remove Attributes command to remove specific effects from a range of clips.
  • Timeline vertical auto scroll when range selecting:
  • Premiere Pro’s timeline now auto-scrolls the timeline vertically to select clips beyond the current view while using the selection or lasso tool.
  • New open captions:
  • Premiere Pro features new features to allow editors to create and edit open captions. An editor can now create open captions (subtitles) directly in Premiere Pro without having to use a 3rd party plug-in to create them. This feature allows a user to select the font, color, size, and positioning of open captions on screen.
  • Performance and stability improvements:
  • Preimium Pro now ensures maximum performance with support for H264 GPU acceleration on Windows. Users with lightweight PCs and integrated Intel GPUs can now experience improved playback performance with H264 media due to GPU acceleration.
  • Fast, flexible editing workflows with broad native camera support:
  • Premiere Pro now offers broader native format support (including Red Weapon). You can now edit virtually any type of media and not worry about transcoding, thanks to broad native format support. This saves a lot of time and allows you to jump-start the editing process.
  • Expanded support in Premiere Pro’s titler for MENA languages:
  • The Title functionality within Premiere Pro CC now supports more languages in their native alphabets, including MENA territories: Arabic and Hebrew Users in more geographies can now incorporate titles in their native alphabets.
  • Enhanced Export Options:
  • Destination Publishing support for Twitter:
  • Twitter has been added to Premiere Pro’s extensive destination publishing workflow, joining other popular social media publishing options such as YouTube, Facebook and Vimeo. Now users can render and share videos directly to Twitter from Premiere Pro.
  • Panasonic AVC-LongG export support:
  • Premiere Pro has added support for the Panasonic AVC-LongG codecs (AVC-LongG6/12/25/50) in an MXF OP1a wrapper. These codecs are available under the MXF OP1a format.
  • AS-10 export support:
  • Premiere Pro now allows you to export using the AS-10 export option, which is now available in the format drop down.
  • FCP XML Time Remapping Support:
  • Premiere Pro now supports the import of Speed ramps and exporting the same to
  • Final Cut Pro XML documents.
  • Direct Export to XDCAM HD Disc:
  • Premiere Pro now has an option to directly export to an XDCAMHD Disc. When an XDCAM HD codec is selected there will be a Sony device compatibility checkbox. Checking this will enable support for writing directly to an XDCAM HD disc.
  • QT XDCAM HD to MXF XDCAM HD Smart Rendering
  • You can now smart render your QuickTime XDCAM HD sources in to an MXF wrapper. It’s as simple as selecting the Enable Smart Rendering checkbox of a matching MXF OP1a preset.
  • Premiere Pro does not support smart rendering MXF XDCAM sources to QuickTime XDCAM.
  • HEVC Support for 10-bit output:
  • Premiere Pro now offers support for HEVC 10-bit export, which is available under the Profiles setting of the HEVC Video tab. Main 10 profile permits 10-bit exports. You can also export using the Rec. 2020 color primaries when you select the Main 10 profile.
  • New checkbox added to remove XAVC-Intra spec limitation on duration
  • A new checkbox, Sony device compatibility has been added to XAVC export settings. By default, this setting is unchecked and generates output that always matches the full duration of your source. When checked, the output will adhere to Sony specifications that may truncate the end of your file.
  • Match Source option for still image formats:
  • Match Source is now offered for all still image formats supported by AME, matching the source frame height, width, rate, field order and aspect ratio. Older presets have been removed and replaced with the new Match Source versions.
  • Twirl down/up state:
  • Twirl states are now remembered in Export Settings so they don't have to be re-adjusted to an up/down open/closed state each time.
  • Purchase of Stock Assets:
  • You can now purchase Stock assets directly from within the Premiere Pro Project area. For watermarked Stock assets, you can now see a new Shopping Cart icon in the Project area for these files, and you can now purchase Stock assets directly from the Project area by clicking on this icon. Also, if you have a watermarked Stock asset in a Sequence, you can right click the clip in the sequence to see a License option in the context menu. You can purchase a watermarked Stock asset directly from the clip in the Sequence.
  • Better Collaborative Workflows:
  • You can now share read-only CC Libraries that are locked from editing but can still be used. New assets can be automatically updated and shared instantly. This feature allows you to share read-only locked Library assets that cannot be renamed or deleted from the library. You can also set different
  • levels of access to a read only libraries. 'Edit only' access allows collaborators to edit, rename move or delete the contents of a library. View only access limits a collaborator to using and commenting on an asset. You can now share a public link(URL) to share library assets and this library appears in the users' library panel, so they can automatically get updates to the library in the apps that support Libraries.
  • Dolby Vision Metadata Preservation:
  • This feature allows users with Dolby Vision MXF clips to export cuts-only copies of Dolby clips to a new Dolby container, along with smart rendering of the underlying media files. If any changes are applied, the exported MXF does not retain the Dolby metadata. This is a useful way to join together or make cuts-only edits to existing Dolby Vision material.

New in Adobe Premiere Pro CC 2015.2 9.2.0 Build 41 (Jan 28, 2016)

  • Alongside the fixes, which are listed below, a new High Quality Playback option has been added to the playback settings. In previous releases, Premiere’s playback settings only gave users fractional resolution choices, and playback was optimized for real time playback performance. At the default settings, frames typically have a slightly softer look during playback vs. pause, even when both are set to full resolution. Toggling on the new High Quality setting can provide a smoother viewing experience, where playback better matches the image quality of frames when paused. High Quality playback may result in dropped frames depending on the media and hardware configuration, and most users will find the default settings are still the best choice for real time playback.
  • Fixes in Premiere Pro CC 2015.2 address the following issues:
  • Adobe Stock and CC Libraries could not be used by users who connect to the internet using proxy servers.
  • Premiere Pro could not launch on Windows systems with AMD Phenom 2 processors.
  • Users of Wacom tablets could experience interface lag.
  • Multiple fixes with Adobe Stock support.
  • Dissolves displayed incorrectly on OS X El Capitan when working in CUDA mode.
  • Crashing issues when Warp Stabilizer re-analyzes.
  • DNxHD MXF import sometimes failed.
  • Titles could not be imported via the Import dialog on Mac.
  • Playback could stop when audio input was set to digital on Mac.
  • Synchronizing by audio waveform could give inaccurate results.
  • Double clicking a clip or sequence when the Project panel is in icon mode did not open the item.
  • Soft Subclips could appear with black thumbnails in the Project panel.
  • Rendered files sometimes did not maintain sequence start time.
  • A crash occurred with importing .wav files from Fostex DC-R 302 recorders.
  • Moving the info panel could cause a crash.
  • AVCi100 OP-Atom MXF files from Avid displayed incorrectly.
  • Audio drop-outs occurred on export.
  • The final frame of a nested sequence displayed incorrectly when using optical flow with GPU enabled.
  • Merged Clips could become corrupted when round-tripping via FCP XML.
  • PSD files caused Premiere Pro to stop responding when closing a project.
  • Live Text Templates with more then one parameter often lost render previews.
  • Sync Settings did not respect system proxy settings on Windows machines.
  • Specular highlights corrupted when exporting to non-PQ J2K files in HDR workflows.
  • Merged Clips dropped into a sequence were unlinked.
  • Premiere Pro project names incorrectly permitted the back and forward slash characters.
  • Render files did not travel with transition and analysis data.
  • Text layers in Live Text Templates displayed with jaggy edges.
  • XML files exported from FCP 7 could show as corrupt sequences.
  • Incorrect fonts were displayed when importing an XML from Annotation Edit software
  • Reverse playback could occasionally not work.
  • Panasonic 50i/60i .mp4 and .mov displayed incorrectly.
  • Premiere Pro crashed if the preferences folder was set to be read only on Mac
  • Exporting to QuickTime with MPEG-4 Enhanced Low Delay Audio could result in an Error Compiling Movie dialog.
  • GPU playback and rendering failed with sequences containing the Track Matte effect.
  • The About dialog showed an incorrect version number.
  • Crashing could occur with AJA 12-bit HDR output in software mode.
  • IMX 30 full-frame anamorphic exports were incorrectly exported as 4:3.
  • Several situations where crashes could occur have been resolved.

New in Adobe Premiere Pro CC 2015.1 9.1.0 (Dec 1, 2015)

  • Edit more naturally using touch and gestures:
  • Perform a wider range of editing tasks using your Microsoft Surface Pro, Windows tablet or Apple trackpad. Scrub clips, mark I/O, drag and drop clips to the Timeline and more.
  • New video support in Adobe Stock:
  • Choose from over one million royalty-free video clips to use in your Premiere Pro projects. Save a clip to your Creative Cloud Libraries and it’s immediately available to bring into your Timeline.
  • Deliver high-quality HDR video:
  • Keep up with the demands of evolving color workflows. Premiere Pro introduces initial support for high dynamic range (HDR) technology, so you can work with video that shows rich detail even in the highlights and shadows. New HDR scopes and Lumetri controls let you make precise adjustments.
  • Creative Cloud Libraries enhancements:
  • Find content faster by searching across your libraries and across Adobe Stock.
  • Smoother time remapping and frame-rate conversions
  • Produce stunning slow-motion effects and other speed changes and get higher quality frame-rate conversions with GPU-accelerated optical flow and pixel estimation technology.
  • Even more natively supported Ultra HD formats
  • The industry leader in format support, Premiere Pro now offers DNxHR, HEVC (H.265) and OpenEXR support for editing and delivery of 4K and HDR media.
  • Expanded support for international titles
  • Create titles in more native alphabets, including Hindi, Tamil, Punjabi and more.
  • And so much more:
  • Also includes: GPU acceleration in the Transform effect, enhanced Merged Clips workflows, and grid lines in Curves in the Lumetri Color panel.

New in Adobe Premiere Pro CC 2015.0.2 9.0.2 Build 6 (Sep 9, 2015)

  • Crash occurring when using 4 x JKL playback in Source Monitor and occasionally Timeline
  • Multicam playback failing under certain circumstances
  • Slow playback starting with multichannel multicam projects
  • Crash occurring when closing sequences open in Source Monitor
  • Panasonic spanned clips not importing correctly
  • Certain third-party effects causing a memory leak
  • Several issues with Subclips created from Merged Clips
  • Extraneous menu items showing in Libraries panel

New in Adobe Premiere Pro CC 2015.0.1 9.0.1 Build 36 (Jul 28, 2015)

  • Performance and Stability:
  • Heavy memory usage with Lumetri YUV Vectorscope
  • Improve AVCintra 100 performance
  • Importing many stills results in a crash
  • Crash when attempting to adjust a mask on a Lumetri effect
  • Hang when switching Lumetri Scopes to any other than Waveform
  • Crash on Windows if you open the Premiere preferences with invalid device settings
  • Premiere crashes when attempting to open a project that has an effect mask applied to the Fast Color Corrector video effect
  • The keyboard shortcut for legacy Source Settings was missing
  • Timeline panel auto-scrolls and follows mouse when no button is pressed
  • Timeline panel Mute buttons change state when playing/scrubbing sequence
  • Audio:
  • Audio distortion playing 5.1 clip in 5.1 track with multichannel master
  • Buzzing audio distortion when switching (Switch Audio) multicam cameras during playback.
  • Round tripping AAF results in random missing track items
  • Multimono clips in multichannel sequences do not play all audio channels
  • Audio crossfade transitions cause A/V sync offset when Round tripping FCP XML
  • Exporting timeline to AAF stalls near end of export
  • Volume set to minimum value, has no effect on channel volume
  • Performance issues with Multi-cam edit with 40+ audio channels.
  • Audio meters are lost when moving focus from trim window to timeline
  • Audio meters do not function when opening a project.
  • Audio Track Mixer and Audio Clip Mixer controls do not function after re-opening a project.
  • Audio Pops and clicks playing cut points in the timeline after source monitor scrub or playback
  • Crash when recording VO with transmit enabled and audio out is set audio device
  • Audio waveforms disappear in Source Monitor when a clip is opened a second time
  • Using “Write” mode in Audio Track Mixer automation does not record keyframes
  • Workflow:
  • Closed Captioning: MXF closed caption embedded files with AVI-I are not decoding properly / being recognized
  • Closed Captioning: With some files, captions will not display in the Source Monitor — captions also take a long time to load
  • Masks do not match the direct manipulation of the mask in the program window
  • Sync Settings : workspaces or keyboard shortcuts into Premiere CC 2015 that were created in CC 2014
  • Using Sync Settings once disables External Pref Management

New in Adobe Premiere Pro CC 2015.0 (Jun 16, 2015)

  • Find the perfect image or graphic for your project:
  • Save time finding, licensing and managing royalty-free stock images and graphics now that Premiere Pro CC integrates with the new Adobe Stock service. Once you save an image to your Creative Cloud Libraries, it’s immediately available for use in your videos and other creative projects.
  • Easily manipulate color in the Lumetri Color panel:
  • Adjust color and light with integrated tools that combine Adobe SpeedGrade CC and Lightroom CC technologies. Apply everything from simple color corrections to complex Lumetri Looks using easy-to-access, intuitive sliders and controls, and send projects to SpeedGrade via Direct Link if you want to refine them further.
  • Smooth transitions between talking-head sound bites:
  • Remove unsightly jump cuts between the sound bites in your talking head interviews. The Morph Cut transition uses face tracking and frame interpolation to create seamless transitions — no need to cut away to B-roll
  • Your assets, available anywhere:
  • Access your Looks and graphics, including Adobe Stock assets, via Creative Cloud Libraries that are available in Premiere Pro, After Effects and other Creative Cloud desktop and mobile apps. Share assets between projects, among team members and across Adobe applications — anywhere you are
  • Take your Premiere Clip projects further:
  • Easily convert and open the projects you create in the Premiere Clip mobile app. All edits, music cues and Looks appear directly in the Premiere Pro Timeline.
  • Automatically adjust video duration:
  • Easily adjust the length of your video for specific delivery requirements. Time Tuner in the included Adobe Media Encoder automatically adds or removes frames at scene changes, during quiet audio passages and in sections with still images or low visual activity.
  • Save time with task-oriented workspaces:
  • Toggle between workspaces that are optimized to help you manage toolsets for the task at hand — or create your own custom versions. Switch workspaces on touch-based devices with a tap of the finger.
  • Superior responsiveness on external displays:
  • Improved Adobe Mercury Transmit performance boosts responsiveness and playback reliability on external, high-resolution displays.
  • Easily turn closed captions into subtitles:
  • Burn in your closed captions as subtitles using the included Adobe Media Encoder.
  • Get support for more native formats:
  • Get native support for Canon XF-AVC and Panasonic 4K_HS formats. Premiere Pro leads the industry in native format support.
  • A more touch-friendly editing experience:
  • Editors with hybrid devices can now move clips in the Timeline, scrub the playhead and manipulate color parameters directly by touching the screen.
  • Audio workflows made easier:
  • Work more efficiently thanks to a faster voiceover recording configuration, easier audio channel mapping, improved multichannel export, the ability to send video to Adobe Audition CC via Dynamic Link and a more consistent hardware setup.
  • And so much more:
  • Also includes: A new composite preview you can access while trimming; simple shortcuts like the ability to adjust hot text values up or down with the arrow keys; new AAF video mix-down; significantly improved AAF export functionality; and more.

New in Adobe Premiere Pro CC 2014.2 (Dec 17, 2014)

  • Removal of Speech Analysis:
  • Starting with the December 2014 release of Premiere Pro CC, the Speech-to-Text feature or Speech Analysis functionality is removed from Premiere Pro CC.
  • You can, however, continue to view the speech-to-text metadata for any clips that were previously analyzed using earlier versions of Premiere Pro CC.
  • OTHER ENHANCEMENTS:
  • Updates to Preferences:
  • When you add still images, or audio, video transitions, you can assign a default duration to it. Premiere Pro now lets you specify the default duration either as number of frames or time in seconds.
  • Select the General category in the Preferences dialog to set these preferences.
  • Improved scrubbing and shuttling in long GOP MXF files:
  • When you scrub long GOP footage manually at speeds faster than 1x, or use J-K-L scrubbing at 8x, 16x, or 32x speeds, the sequence of frames are displayed at a smoother rate.
  • Support for ARRI Open Gate media
  • Premiere Pro now supports importing ARRI Open Gate clips like any other clips.
  • FIXED ISSUES:
  • XDCAM HD proxy files appear with red frames
  • Crash using ripple trim on a grouped clip
  • Missing clips after Consolidating and Transcoding overlapping subclips
  • Crash when pressing Setup button of a AE-style transition
  • Comment Markers added to a merged clip get added to constituent clips, but the Name & Comments are not saved
  • Stop playback command ignored when editing or playing a multicam sequence
  • Crash exiting Direct Manipulation mode in Program monitor
  • Duplicate clips are missing from resulting project after Consolidate and Transcode
  • Crash when exporting AAF from a sequence containing clips opacity and scaling
  • GoPro 2.7K footage cannot be smart rendered when height is not evenly divisible by 8
  • Crash when exporting AAF with disabled clips that have cross fades applied
  • Turning on audio waveforms makes sequence unresponsive
  • Audio drop out during loop playback
  • MXF Media with Posterize Time Effect will not render
  • Audio dropouts during shuttling
  • Audio drops out while playing out to tape
  • Consolidate and Transcode with a custom P2 preset does not work correctly
  • Multiple accelerator files are generated on a network shared media cache location
  • Switching between projects that use the same workspace, all open Project panels get reset to root
  • Audio pops and surges during an audio transition
  • Export AAF with 24 bit embed option creates distorted audio files
  • Corrupt frames when rendering Sapphire effects and transitions

New in Adobe Premiere Pro CC 2014.1 8.1.0 Build 81 (Oct 7, 2014)

  • Search bins:
  • Create media bins based on project metadata search criteria. Search bins automatically update as relevant content is added to the project.
  • Consolidate & Transcode:
  • Consolidate content by moving all relevant files in a project or sequence according to preferences you define. Render files into a single codec for passing on to other teams, systems, or archives — and retain the ability to edit the project again later.
  • Multi-project workflows:
  • Browse media and sequences from other projects and import them directly in your current project. Edit or reuse existing clips, cuts, and transitions from previous projects. Browse other projects in as many Media Browser panels as you need.
  • GoPro CineForm intermediate codec support:
  • Encode or decode your media to GoPro CineForm for efficient editing workflows with 4K and higher resolution content, and get support for smart rendering.
  • Refined user interface with HiDPI support:
  • A simplified, modern UI puts the focus on your content and delivers a more consistent experience across devices, including HiDPI Windows 8.1 displays.
  • Source Monitor Timeline view:
  • Open Source Monitor sequences in the Timeline so you can easily bring clips, effects, and cuts from other projects into your current project.
  • GPU-optimized playback:
  • Get smooth playback performance with GPU-based debayering of Phantom Cine and Canon RAW footage, and work faster with improved masking and tracking performance.
  • Improved AAF export to DAWs:
  • A more robust AAF exporter enables smoother workflows between Premiere Pro and DAW systems.
  • Render & Replace for After Effects comps:
  • Accelerate playback of VFX-heavy sequences by rendering After Effects compositions into flattened video clips. Dynamic Link ensures that you can revert back to the original comps if needed.
  • Enhanced masking and tracking:
  • Adjust mask feathering directly in the Program Monitor. Use the new free-draw Polygon Pen tool to create complex mask shapes around content and turn any mask control point into a Bezier control point with a single click.
  • Advanced search in Timeline:
  • Find and select clips within a sequence based on specific criteria such as clip name or marker comment.
  • Auto-updating clip names and labels:
  • Clip names and label colors now update automatically. Plus, changes made to a clip in the Project panel will ripple to all instances used in sequences, and vice versa.
  • Improved Send to Audition workflow:
  • Now when you send a clip to Adobe Audition for audio editing, the rendered copy is automatically stored alongside the original file on disk for easier media management.
  • Improved master clip effects:
  • New Timeline indicators show whether a master clip effect has been applied to a sequence clip, and the Effects Control panel makes it easy to navigate back to the master clip effect for editing.

New in Adobe Premiere Pro CC 2014.0.1 8.0.1 Build 21 (Jul 25, 2014)

  • Bug Fixes:
  • Async’ asserts could occur when exporting some file types
  • Incorrect angles could be shown when separate multicam clips were created with different sort order
  • Waveforms could be improperly drawn when nesting a multicam source sequence
  • Effects could fail to render within effect mask boundaries
  • Garbage could appear around the edge of a layer that had a blur video effect applied and a mask on Opacity
  • Masks could offset Gaussian Blur in CUDA mode
  • Attempting to move a column to the left of the Name column in the Project panel could break cell selection
  • Occasional instance where sequences could never finished rendering
  • Relinking to spanned MXF clips could be incorrect
  • UI responsiveness could reduce in large projects after relinking
  • Exporting merged clips could generate silent or missing audio
  • Importing sequences could sometimes fail
  • Incorrect timebases could be used on EDL export
  • Incorrect field display could occur when using Mercury Transmit with GPU acceleration
  • Audio presets were sometimes not working correctly if used with a different format container
  • Complex video assets could produce a blurry image every 1 second when encoded into H.264
  • Mask Expansion could not be rendered correctly during preview scrubbing on layers that were scaled to 50% or less
  • Applying a speed change to a multicam clip could cause the extended duration of the clip to play with no video
  • Merged clips that contain clips with sync offsets could display out of sync indicators when used in a sequence
  • Crashes could occur during export to QuickTime.
  • Masking and Tracking: Brightness & Contrast could be incorrectly displayed in an Adjustment Layer
  • File import failures could occur when no assets were selected in the Locate Media dialog
  • Asserts and crashes could occur when exporting project to OMF
  • Crashes could occur when rendering audio with a locked submix track
  • Submixes could sometimes lose audio
  • Noise could be heard in submixes with empty tracks
  • Source monitor timecode and program monitor overlay could be off from one another in multicam sequences
  • Audio overlays for Multicam and nested sequences would only display as audio time units.
  • 24p/50p XDCAM EX files were sometimes 1 frame short when smart rendered
  • MPEG2 TS files with 6 tracks of stereo audio could only play/show first stereo track when imported in to PPro
  • Playing IMX 50 clip could freeze video
  • Locking all Audio Tracks could cause the system to slow down dramatically
  • Editing Enhancements:
  • A Codec column was added to the Project Panel
  • Sequence Timecode was added as a display option in the Monitor Overlays
  • Clip name and Timecode filters can now be set to reference and display information for clips on specified source tracks.

New in Adobe Premiere Pro CC 2014 8.0.0 Build 169 (Jun 19, 2014)

  • After Effects workflows within Premiere Pro;
  • You can leverage the power of After Effects text templates and Masking and Tracking workflows directly within Premiere Pro.
  • Masking and Tracking
  • Masks let you target specific areas in a clip to which you want to apply effects or color corrections. You can define a specific area in an image that you want to blur, cover, or highlight.
  • Live Text templates
  • Live Text templates let you edit textual content in animated titles and lower-third graphics quickly and easily.
  • Master Clip Effects:
  • When you apply effects to a master clip in Premiere Pro, the effects automatically ripple down to all portions of the master clips used in sequences.
  • When you apply an effect or a LUT to a master clip, the effect or color change is automatically applied to each instance of the master clip edited into a sequence. In addition, any subsequent adjustments you make to the effect also automatically ripple through to all sequence clips.
  • You can apply effects to a master clip by dragging an effect from the Effects panel to the master clip. To view or adjust the master clip effect from a sequence clip, use the Match Frame feature to load the master clip for that sequence into the Source monitor. Then, adjust any applied effects from the Effects Control panel.
  • Support for fonts from Typekit:
  • You can choose from thousands of fonts from Typekit available within Premiere Pro.
  • Sync settings and file management:
  • Auto-save projects to Creative Cloud
  • Your Adobe Creative Cloud account comes with online storage that make your files available to you anywhere and on any device or computer.
  • Premiere Pro lets you auto-save your projects directly to your Creative Cloud-based storage, letting you save backups of your projects to a secure and accessible storage environment.
  • Migration of Sync Settings with version upgrade
  • Each major version of Premiere Pro CC has its own copy of settings files. For example, Premiere Pro CC 7.x uses a "7.0" directory to store the settings file while the 2014 version of Premiere Pro CC uses a "8.0" directory.
  • When you upgrade to the 2014 version from a 7.x version of Premiere Pro CC, your sync settings are migrated automatically to the new version.
  • Editing experience enhancements:
  • Reverse match frame
  • You can find a frame loaded in the Source monitor and match it in the Timeline using the Reverse Match Frame command.
  • Double-click sequence clip to load Source monitor with matching frame
  • Double-click a sequence clip in the Timeline to load that clip in the Source monitor with the matching frame to where the playhead is placed over the Timeline.
  • Manually sync offsets
  • You can fix out-of-sync clips by manually moving tracks in the Timeline. When you drag the synced clip back into the Project panel, a new project item is created. The new project item retains the applied offset, so that the sync is already applied the next time you use the new clip.
  • Assign multiple keyboard shortcuts to a command
  • You can assign multiple keyboard shortcuts for a single command.
  • Set To Frame Size command
  • Use the Set To Frame Size command to scale an image to the sequence frame size without rasterizing the image. When you use this command, the native pixel resolution is preserved, letting you see the sharpest resolution when you zoom in on an image.
  • Transparent background grid
  • The Source and Program Monitors can display a checkerboard grid that identifies transparency in a layer.
  • The checkerboard pattern appears behind the video’s alpha channel, or if a clip is scaled smaller than the frame size.
  • To show or hide the transparency grid, click the Wrench icon to open the monitor's Settings menu, and select Transparency Grid.
  • Export command added to Project panel's context menu
  • In the Project panel, you can export a clip by using the context menu command. Right-click (Win) or Ctrl-click (Mac) the clip to export and select Export Media from the context menu. This command is in addition to the File > Export > Media command.
  • Turn off FX badges
  • FX Badges now appear to the left of a clip in the Timeline, and can be turned off if necessary.
  • Preference to specify number of frames to move playhead
  • Premiere Pro now provides a preference that lets you control the number of frames to move. In the Preferences dialog, select the Playback pane, and enter the number of frames for Step Forward/Back Many.
  • Track Selection Backward tool
  • Premiere Pro provides a Track Selection Backward Tool, available from the Tools panel. Use this tool to select all the clips to the left of the cursor in a sequence.
  • Adding Marker names
  • You can specify a name for a marker directly in the Markers panel or in the Marker dialog.
  • Enhanced media management:
  • Flexibility in importing projects
  • Premiere Pro CC provides you greater flexibility around how media is referenced when importing a project. You can choose to place the imported project in a new directory or allow importing duplicate media.
  • Bin structure preserved on folder import
  • When you import folders containing subfolders into your project, Premiere Pro creates bins and organizes the files in the same hierarchy as on your hard disk.
  • Make sequences offline
  • You can now quickly make sequences go offline by using the Make Offline context menu command. In the Timeline or Project Panel, right-click (Win) or Ctrl-click (Mac) the sequence that you want to make offline, and select Make Offline from the context menu.
  • Support for browsing After Effects projects in the Media Browser
  • You can now use the Media Browser to browse After Effects projects. You can also preview effects compositions in an After Effects project using the Media Browser.
  • Media Browser favorites
  • You can quickly add your favorite or most often used folder to your favorites list in the Media Browser. In the Media Browser, right-click the folder that you want to add, and select Add to Favorites.
  • Audio-related enhancements:
  • Maintain audio pitch during scrubbing and playback
  • Premiere Pro provides a new preference that lets you maintain the audio pitch during scrubbing and playback while using the J,K,L keys.
  • Voice-over recording enhancements
  • You can now access voice-over record settings directly from the Timeline by selecting Voice-Over Record Settings from the context menu.
  • Cross-platform support for video effects and transitions
  • To provide consistent support for effects and transitions across platforms, Premiere Pro supports the same effects and transitions on both Windows and Mac platforms.
  • Enhanced graphic performance and native format support:
  • RED GPU debayering
  • RED format clips now use the GPU (OpenCL and CUDA) for debayering for an improved and faster playback performance.
  • Support for Intel Iris
  • Premiere Pro supports Intel Iris architectures for Mercury OpenCL processing.
  • Powerful new workflow for ARRI AMIRA camera
  • Premiere Pro provides built-in support for the ARRI AMIRA camera, with appropriate color LUTs applied as master clips on import.
  • Enhanced support for CinemaDNG
  • Premiere Pro provides enhanced support for CinemaDNG including Blackmagic Pocket Cinema Camera, and Convergent Design Odyssey7Q.
  • New delivery formats:
  • Premiere Pro now supports export to industry-standard AS11 for broadcast, and certain types of Quvis Wraptor Digital Cinema Package (DCP). When exporting to both these formats, the associated metadata is included.
  • In addition, Premiere Pro can also export stereo audio to Dolby Digital and Dolby Digital Plus formats.
  • Other enhancements:
  • New progress bar display
  • To view progress when rendering files, a new progress bar is displayed over the Premiere Pro icon on the Windows taskbar.
  • Presets to remove GoPro camera lens distortion
  • To remove the distortion created from GoPro camera's wide angle lenses, Premiere Pro provides presets that use the Lens Distortion video effect.
  • Preserve effects when flattening multi-camera sequences
  • Premiere Pro lets you flatten a multi-camera sequence while preserving any intrinsic or non-intrinsic effects applied to the multiple source clips.
  • Enhancements to transitions
  • Cross Dissolve transition can be saved as a preset
  • Ability to select multiple transitions at once and change durations simultaneously
  • Optimized metadata
  • Premiere Pro has optimized metadata for improved performance during indexing, searching, and sorting.
  • Closed captioning changes
  • In previous versions, when exporting captions, you encoded the accompanying video or audio. You can now directly export .scc, .mcc, .xml, or .stl sidecar files without having to encode the media.
  • Faster searching and sorting in Project Panel
  • You can now search and sort assets in the Project panel noticeably faster than before.
  • Improved workflows and performance
  • Improved Red Giant Pluraleyes workflows
  • Issues with AAF export resolved
  • Ability to use Sound Roll and Sound Timecode in EDL export
  • Improved scratch-disk workflows when moving assets between platforms, and when an earlier scratch disk location is offline
  • Improved AVCi growing files performance
  • Mosaic effect is now GPU optimized
  • New and changed keyboard shortcuts
  • You can set default shortcuts for the following commands in the Keyboard Shortcuts dialog.
  • Add Fonts From Typekit
  • Browse Add-ons
  • Captions
  • Lock/Unlock All Audio Tracks
  • Lock/Unlock All Video Tracks
  • Nudge Volume +1dB
  • Nudge Volume +3dB
  • Nudge Volume -1dB
  • Nudge Volume -3dB
  • Toggle Maintain Pitch During Shuttling
  • Toggle Transparency Grid
  • Track Select Backward Tool

New in Adobe Premiere Pro CC 7.2.2 Build 33 (Apr 8, 2014)

  • Audio could drop out during playback.
  • Red frames were sometimes seen on export, particularly with XDCAM HD 422 smart rendered exports.
  • Older AMD GPUs were showing performance degradation, sometimes significant.
  • Erratic playhead behavior was observed when scrubbing in the Timeline in Mac OS X 10.9.x.
  • Rendering a sequence could cause red frames to be generated with XDCAM HD 50 clips with Preview Rendering Setting of XDCAM HD 50 NTSC 1920×1080.
  • XDCAM HD 422 QT files were sometimes not decoding properly.
  • Performance issues were seen when working with growing files.
  • The Locate Media dialog could not open with the correct location even though the “Path:” field started with a valid initial guess for location.
  • Transitions on speed-changed multicam clips were removed when flattening.
  • Multi-camera previewing could go black in Program Monitor when the selected camera did not extend to the current playhead position.
  • Timeline clips’ FX badge popup menu (Motion, Opacity, Time Remapping) could be difficult to open.
  • Multicam Sequences could move in the timeline when flattened if they had speed changes applied.
  • Source settings were not accessible from a Merged clip created from a R3D / RED video clip.
  • Smart rendering Canon XF files could result in stalls during the export
  • Transitions were erased from multi-camera sequences after flattening.
  • Some growing XDCAM files could play back with unwanted artifacts.
  • The order of effects applied to a multi-camera source sequence could reverse after flattening.
  • The display could go to energy saving mode during long periods of playback.
  • Spanned CanonXF media on an XSAN could import incorrectly.
  • Duplicate bins were created for each sequence imported from a single project.
  • Project import could take a long time if the project being imported contained offline media.
  • Occasional hangs occurred when adjusting volume in the Clip Mixer.
  • Marque selection in the Project Panel sometimes selected items in the incorrect order.
  • Double-clicking in the Project Panel when in list view could invoke the Import dialog unexpectedly.
  • Audio from P2 media could import incorrectly.
  • Export To Tape could exhibit issues if a file was growing at the same time.
  • Red Rocket failures could sometimes occur with 16:9 media.

New in Adobe Premiere Pro CC 7.2.1 Build 4 (Dec 20, 2013)

  • Adobe Premiere Pro CC, version 7.2.1, provides a number of critical fixes.

New in Adobe Premiere Pro CC 7.2.0 Build 46 (Dec 13, 2013)

  • EDITING FINESSE ENHANCEMENTS:
  • Descriptive text in empty Project panel or Timeline panel:
  • When the Project panel is empty, Premiere Pro shows descriptive text that says "Import Media To Start".
  • When the Timeline panel is empty, Premiere Pro displays the text "Drop Media Here To Create Sequence".
  • When you drag-and-drop any files to the Project panel or Timeline panel, or import files into the Project panel, the text disappears.
  • Auto-save enhancements:
  • When you specify auto-save to occur at regular intervals, Premiere Pro auto-saves a project on detecting changes to the project file.
  • The auto-save occurs irrespective of whether you manually save the changes to the project or not. Earlier, Premiere Pro would not execute auto-save if you manually saved within the interval setting.
  • If the system goes idle for a period beyond the interval setting, Premiere Pro forces an auto-save.
  • Create sequence by dragging clip to Timeline:
  • You can quickly create a sequence by dragging media and dropping it to the empty Timeline window. Premiere pro creates a new sequence from the media file that you dragged to the Timeline.
  • Export markers as a list:
  • Premiere Pro lets you export markers from a single media asset or sequence to a CSV or HTML file. The Export Markers feature works with the asset whose markers are loaded in the Markers panel.
  • Duplicate frame marker enhancements:
  • Premiere Pro now displays duplicate frame markers for media created from the same file, or from files with identical timecode and tape name metadata.
  • Add a clip marker based on clip selection:
  • You no longer use multiple keyboard shortcuts to set a clip marker on a selected clip. You simply select the clip in the Timeline and press the M keyboard shortcut. A clip marker is applied to the selected clip.
  • Use Ripple-Delete command for In/Out range:
  • When you select a clip, a gap, or an In/Out range, and use the Ripple-Delete command, the selected clip, gap, or In/Out range is ripple-deleted.
  • Warning to prevent project overwriting:
  • When you work on Premiere Pro projects stored on a network drive, a warning dialog protects you from overwriting someone else's changes.
  • Say, you open a project from a network drive and make changes, and a second person opens the same project and makes changes. Then, a warning appears when trying to save the project.
  • In the warning dialog, click OK to overwrite changes to the project on the network, or click Cancel to save a copy of the project.
  • IMPROVED MEDIA MANAGEMENT:
  • Open multiple Media Browser panels:
  • To easily access multiple projects and media locations, Premiere Pro lets you open multiple Media Browser panels simultaneously.
  • Select New Media Browser Panel from the Media Browser's context menu.
  • Bypass automatic relinking of offline media:
  • Premiere Pro automatically finds and links offline media where possible. However, there are times, when you want to quickly open a project without automatically relinking the offline media. Premiere Pro now lets you do that by providing a Cancel button in the Progress dialog. When you click Cancel, Premiere Pro bypasses the automatic relinking workflow, and opens the Link And Locate dialog only if it detects offline clips.
  • Create a new Premiere Pro project from a sequence:
  • You can now create a Premiere Pro project from a selected clip sequence.
  • Note: When Premiere Pro creates the new project, the required project files are copied to the specified directory without moving the source files. Any media not associated with the sequence is excluded from the new project.
  • MULTI-CAMERA WORKFLOW ENHANCEMENTS:
  • Single source multi-camera sequence shows full-frame clip:
  • When there is only a single video stream in a multi-camera source sequence, the Source monitor displays that video clip as a full-frame clip. Earlier, the clip would be displayed in a quarter frame; that is, a single angle displayed in the multi-camera 2 x 2 grid.
  • Show multi-camera clip names in Timeline:
  • The multi-camera source sequence clips in the Timeline display the source clip names. This feature helps you quickly determine which camera angle is switched to the output.
  • The source clip names are appended to the multi-camera source sequence name. For example, [MC1] Camera 1.mov, [MC2] Camera 2.mov.
  • Sequence Preset option for switch audio:
  • Earlier, sequence presets could be used only in Custom Sequence settings. That restriction is now removed. You can now select a custom or a previously saved sequence preset for camera 1, all cameras, or switch audio.
  • AUDIO ENHANCEMENTS:
  • New voice-over recording workflow:
  • Premiere Pro now lets you set up and record voiceovers on audio tracks directly from the Timeline, without using the Audio Track Mixer workflow.
  • Display the Voice-over Record button:
  • The voice-over Record button lets you record a voice-over directly from the Timeline on to an audio track.
  • Start the voice-over recording workflow:
  • Start a voice-over recording workflow by doing one of the following: mark a specific In/Out range to insert the audio recording, or position the playhead at the starting point of inserting the voice-over
  • Display pre-roll countdown:
  • As soon as you mark the In/Out range or position the playhead, the voice-over recording workflow starts. A pre-roll countdown appears as an overlay on the Program Monitor.
  • The pre-roll countdown is a visual cue to give you time to prepare and begin the recording. Recording begins after the countdown reaches zero. You can specify the duration of the pre-roll countdown in the Preferences dialog.
  • Begin recording:
  • Click in the audio track's header to begin recording. A status message "Recording..." appears in the Program Monitor to indicate that recording is on.
  • When using a predefined In/Out range, you don't have to click the Voice-over Record button . Recording automatically starts when the playhead reaches the In point in the Timeline.
  • Finish Recording:
  • When using a predefined In/Out range, recording ends when the playhead reaches the Out point in the Timeline. The status message on the Program Monitor then changes to "Finishing...". If you are not using a predefined In/Out range, stop the recording manually by clicking the Voice-over Record button again, or by pressing the Spacebar key.
  • Once recording is complete, an audio file of the recording is created. The audio file is imported as a new project item into the Project panel.
  • PERFORMANCE ENHANCEMENTS:
  • This release of Premiere Pro CC further leverages the power of third-party GPUs to increase speed of work with high-resolution formats:
  • OpenCL performance is faster and more stable than before
  • Performance improvements for UltraHD
  • SUPPORT FOR NEW GRAPHICS CARDS:
  • Premiere Pro now supports the following NVIDIA graphics cards on Windows:
  • Quadro K1100
  • GeForce GTX Titan
  • OTHER CHANGES:
  • Premiere Pro now uses the MXF Importer for importing P2 and Canon XF files
  • You can natively import AVCI-100 .mov files and smart render the files to MXF-wrapped AVCI-100 files
  • When using third-party transmit tools for SDI display, Premiere Pro ensures that the audio and video are in sync at all times
  • Improved playback performance for Sony XAVC 60p media

New in Adobe Premiere Pro CC 7.1.0 Build 141 (Nov 1, 2013)

  • Provides a large number of new features and important fixes. New features include DirectLink between Premiere Pro and SpeedGrade, enhanced editing and multi-camera workflows, Closed Captioning support for CEA-708 and MXF, monitor overlays, and improved support for third party transitions and effects.

New in Adobe Premiere Pro CC 7.0.1 Build 105 (Jul 12, 2013)

  • New and changed features:
  • Create a unique title by duplicating a sequence title
  • Enhancements to "Lift or Extract" feature
  • Copy, Cut, Clear works on In/Out points
  • Enable/disable clips using Enable Clip command
  • Frame matching using clip selection
  • Relinking offline sequences
  • Enhanced EDL Export dialog
  • Reveal in Project from Source Monitor
  • Linked Selection toggle button available from Timeline
  • Reveal in Finder from Timeline
  • Default start timecode preference
  • Drag and preview files in Source Monitor
  • Match Frame enhancements
  • Easily identify offline clips from Timeline
  • New Tone Settings dialog
  • Open Closed Caption clips from Captions panel
  • Source Settings dialog accessible from Timeline
  • Auto-save improvements
  • Improved timelapse support when adding clips to a sequence
  • New preferences
  • New and changed keyboard shortcuts

New in Adobe Premiere Pro CC 7.0.0 (Jun 19, 2013)

  • Editing and Timeline-related:
  • Add or delete a track using context menu commands:
  • You can add or delete a single track with a context menu command. Right-click (Windows) or Control-click (Mac OS) in the track header area and select Add Track or Delete Track. This command is in addition to the previous commands Add Tracks and Delete Tracks, which opens a dialog box for adding and deleting multiple tracks.
  • Toggle tool tips on or off:
  • A Show Tool Tips preference is available in the General Preferences dialog box to turn tool tips on or off.
  • Command to enable or disable video preview through Mercury Transmit:
  • You can assign a keyboard shortcut to toggle video preview through Mercury Transmit on and off. To do so, select Edit > Keyboard Shortcuts. In the Keyboards Shortcuts dialog box, select Enable Transmit, and assign a keyboard shortcut.
  • Double-click to expand or collapse tracks in the Timeline:
  • Double-click in the empty area to the right of the Timeline track header buttons. You can increase the size of this target by dragging the header divider to the right.
  • New Timeline Track Height presets:
  • New Timeline Track Height presets are now available from the Presets browser.
  • Automatically import an exported frame or movie into a project:
  • The Import Into Project option lets you automatically import an exported frame or movie back into the current open project. The following export options are supported:
  • Still frame export
  • Direct export
  • Queued export (using Adobe Media Encoder)
  • Media Browser browses through Premiere Pro project files:
  • Use the Media Browser to browse through your Premiere Pro project file (.prproj), and access all the bins, sequences, and clips contained in the project. You can also hover-scrub the clips, and import a bin, clip, or sequence.
  • Copy command enhanced to operate on a range in a sequence:
  • The existing Copy command (Edit > Copy, Ctrl+C (Windows), Command+C (Mac OS)) is enhanced when used in the Timeline panel. If there are no clips or keyframes selected, and an In Point or Out Point is set, then the range of time between the In point and Out point is copied to the clipboard.
  • Customizable number of Undo levels:
  • In the History panel's pop-up menu, you can choose a custom number of Undo steps, from 10 to 100.
  • Keyboard shortcuts to move clips in the Program Monitor (modifying Position property):
  • When you are in direct-manipulation mode in the Program Monitor (the mode in which you can drag the clip to position it spatially), you can use the arrow keys to modify the clip's Position property. Each press of an arrow key moves the clip 1 pixel in the corresponding direction. Holding Shift makes each press of an arrow key move the clip 10 pixels.
  • Hard and soft subclips are now available:
  • Hard subclips prevent accidental trimming into media outside the subclip boundaries. Soft subclips allow trimming to any portion of the original master clip's media.
  • Earlier, subclips had “hard” in- and out-points, limiting flexibility when you needed more head or tail frames for video cross-dissolves or audio crossfades. You can now create subclips with “soft” edits in Premiere Pro, meaning you are no longer limited to the original in- and out-points in the subclips.
  • Customizable Timeline:
  • The Timeline is customizable, including show/hide markers, effects, through edits and duplicate frame markers.
  • Out-of-sync indicators for audio and video:
  • Out-of-sync indicators now appear for audio and video when they are unlinked and moved out of sync
  • Insert and Overwrite sequences as nests or individual clips:
  • You can now insert or overwrite sequences as nests or individual clips.
  • Marker search:
  • You can now search markers in the Marker panel. Go to Next/Previous clip marker in the Timeline. The Next/Previous Marker commands now navigate to both sequence and clip markers in the Timeline.
  • Transitions and effects:
  • Clip Name Effect:
  • The new Clip Name effect renders the clip name in the program, with position, size, and transparency as specified in the effect's controls. This effect is GPU-accelerated.
  • GPU-accelerated Wipe and Slide transitions:
  • The Wipe and Slide video transitions are accelerated by the GPU when you are using a GPU video card that Premiere Pro CC uses for CUDA or OpenCL processing.
  • Render Selection command to render selected clips:
  • Select Sequence > Render Selection to render a preview file for the duration between the In point of the first selected clip to the Out point of the last selected clip.
  • Trim transitions symmetrically:
  • Dragging the edge of a transition now trims it symmetrically on each side of the cut point. To trim only one side, hold down the Shift key as you drag.
  • New Edge Feather effect during Crop:
  • The Crop function in the Effects Control panel (Window > Effect Controls) now has an Edge Feather feature that provides a feathered edge effect to the cropped video. From the Effect Controls panel, click the Edge Feather button under Crop and enter a value for the feather effect.
  • Audio:
  • Switch between video and audio waveforms in the Source Monitor:
  • To view the audio waveform for your clip in the Source Monitor panel, click the Drag Audio Only button at the bottom. Click the Drag Video Only button to switch back to the video view.
  • Context menu command for showing audio time units:
  • Right-click (Windows) or Control-click (Mac OS) in a time ruler and select Show Audio Time Units to enable or disable display of audio time units.
  • Commands for increasing and decreasing clip volume:
  • The following commands have entries in the Keyboard Shortcuts dialog box:
  • Increase Clip Volume (by 1 dB)
  • Increase Clip Volume Many (by 6 dB)
  • Decrease Clip Volume (by 1 dB)
  • Decrease Clip Volume Many (by 6 dB)
  • New Rectified audio waveform:
  • The new Rectified Audio Waveform feature provides you another way of viewing an audio waveform:
  • The Rectified Audio Waveform option is turned on by default. You can turn it off by deselecting Rectified Audio Waveforms in the Timeline panel's pop-up menu.
  • Other enhancements:
  • Audio output mapping preferences for Mercury Transmit
  • Audio waveforms generated for nested sequences
  • Keyboard shortcuts to change pan values
  • Ability to open an audio plug-in effect dialog from clips in a sequence
  • Ability to toggle audio on and off during scrubbing
  • Exporting:
  • Smart rendering improvements:
  • Export performance for QuickTime files such as Pro-Res 422 has been accelerated.
  • QuickTime audio export with individual tracks:
  • When exporting multi-channel master sequences, the Export Media dialog's Audio Channel setting changes to a pop-up menu that allows you to select audio channels to be included in the export.
  • 16-bit DPX support:
  • 16-bit DPX support has been added to Premiere Pro CC.
  • Project Management:
  • Custom location for Auto-save folder:
  • In the Scratch Disks tab of the Project Settings dialog box and New Project dialog box, there is a Project Auto Save control. You can use this control to specify the location of the Auto-save folder. The default setting is Same As Project.
  • Preference to skip the Welcome screen when launching Premiere Pro:
  • In the General preferences category, you can select Show Welcome Screen or Open Most Recent from the At Startup pop-up menu. If the preference is set to Open Most Recent, the last project in use is reopened. If the last project in use cannot be located (for example, because it's been deleted), then the Welcome screen is opened.

New in Adobe Premiere Pro CS6 6.0.2 (Sep 7, 2012)

  • Features added or changed in this update:
  • Windows 8 certification
  • updates for HiDPI display, which improves appearance on computers that use Retina Display, such as MacBook Pro computers
  • added GPUs to the list of those that Premiere Pro CS6 will use for GPU processing: GT 650M (which is in the newer MacBook Pro computers) and GTX 680
  • Notable bugs fixed in this update:
  • tearing in image when using XDCAM EX footage
  • numeric keypad keys couldn’t be assigned to keyboard shortcuts
  • audio deleted when enabling Audio Follows Video without enabling multicam for audio track
  • color shift introduced by Three-Way Color Corrector at default settings when GPU acceleration turned off
  • color shifts in some imported M2TS assets
  • Premiere Pro ignored Command+Option+H command to hide applications on Mac OSX
  • Auto-save window appearing over other applications when Premiere Pro was in the background
  • crash during auto-save if a third-party effect’s modal dialog box was open on Mac OSX (affects CoreMelt, etc.)
  • rendering preview files using OpenCL caused dropped frames in some cases
  • rendered preview files not used when restarting Premiere Pro in some cases, including when using certain third-party effects
  • when using CUDA on Mac OSX to export a sequence consisting of a very large number of still images (e.g., timelapse), GPU memory could become depleted and output frames corrupted
  • audio recorded through Audio Mixer (e.g., voice-over recording) appearing incorrectly as duplicated audio
  • channel output mapping for adaptive tracks was reset to default settings for duplicated sequences
  • audio waveform displayed incorrectly for clips with speed adjustments
  • audio playback for multichannel files too quiet in some circumstances
  • markers added during peak file generation not saved if Premiere Pro quit before peak file generation completed
  • fixes for QuickTime groiwng files
  • some 4:2:2 footage appeared jagged or pixelated in Program Monitor or Source Monitor when no effects applied
  • some MXF files going offline, requiring relinking
  • relinking to AVCHD media on Mountain Lion (Mac OSX v10.8) not possible for projects created on other operating systems
  • automatic relinking of footage occurring incorrectly in some cases
  • frames imported out of order for some MPEG assets
  • changes to timeline clip channel mapping performed using the context menu for the clip in the Timeline panel Audio were not saved with the project
  • Audition opened when choosing Reveal Project In Explorer from context menu for a clip in Premiere Pro Project panel
  • multicam source sequences in Source Monitor lost A/V synch when an In point was created
  • setting an In point in the Source Monitor created an In point for all clips in the Media Browser directory
  • thumbnails not appearing for some XDCAM HD items in Project panel and Timeline panel
  • deleting a nested sequence not providing a warning
  • layers not correctly counted in PSD file (Photoshop document) if layers contained in groups
  • importing a QuickTime file created by the FORK media system also imported the disabled proxy track
  • QT32Server failing in some circumstances, disabling ability to use some QuickTime features
  • some exported AVC-I files didn’t include appropriate drop-frame timecode information, so appeared with non-drop-frame timecode
  • closed captioning metadata was being set incorrectly
  • many other fixes in Mercury Transmit and in plug-in SDK, fixing issues with AJA, BlackMagic, Matrox, and other third-party I/O systems for video monitoring, tape capture, and exporting to tape
  • various fixes to FCP XML import and export
  • crash when removing some effects using Remove Effects command
  • crash during OMF export in some circumstances
  • various fixes for other crashes
  • various performance and stability improvements for CUDA and OpenCL processing

New in Adobe Premiere Pro CS6 6.0.1 (May 26, 2012)

  • Features added or changed in this update:
  • Improved performance using OpenCL, especially when used on Mac OSX v10.7.4 or later.
  • Added encoding presets with additional bit-rate settings for XDCAM HD.
  • Added Automatic Peak File Generation preference in the Audio category for turning off automatic peak file generation for imported audio. By default, this preference is enabled and matches the behavior of Premiere Pro CS6 (6.0.0).
  • When this preference is disabled, importing audio or opening projects will not cause peak files to be generated. If peak files were already generated, then waveforms will be visible. Files imported before the preference was disabled will continue to generate peak files.
  • Enabled “smart rendering” and added Enable Smart Rendering Codec setting to the Video tab of the MXF OP1a exporters for XDCAM HD and XDCAM EX to enable or disable smart rendering for these formats. This option defaults to the off/disabled state. We’ll have more information about this feature in a post on this blog within a day.
  • Bugs fixed in this update:
  • Start timecode was not imported or exported correctly when working with AAF files.
  • Some files from the Canon 5D Mark III camera were imported with the wrong timecode.
  • Playing/viewing waveforms in the Source Monitor caused audio dropouts with some XDCAM HD clips.
  • NTSC MXF OP1a files that were exported with drop-frame timecode had video data that was tagged as non-drop-frame.
  • Switching the Renderer project setting from Mercury Playback Engine Software Only to Mercury Playback Acceleration GPU Acceleration on a computer using OpenCL caused Premiere Pro to crash under some circumstances. Switching between the two settings on a computer using CUDA would in some cases cause problems with video and/or audio playback.
  • Crash when using full-screen, cinema mode on some computer systems.
  • Tape capture was not working correctly with some third-party systems.
  • Crash when capturing from tape using some BlackMagic hardware.
  • An extra, black frame was included at the end of the output when exporting to P2 MXF in some circumstances.
  • First two frames were being played twice on external monitor using Matrox MXO2.
  • Crash when using “hover scrub” with Matrox MXO2.
  • Audio/video synchronization was off by a few frames when playing video on external monitor.
  • The Export Frame button was not exporting the correct frame, instead exporting a frame one or two frames away from the current frame.
  • Some audio files and some MXF files would go offline or have their audio reconformed when the project was re-opened or when Premiere Pro was minimized or lost focus.
  • Crash when modifying an effect property while playback was occurring.
  • Hang/freeze when using a dissolve transition on an adjustment layer.
  • Dropped frames and audio/video synchronization issues when exporting to tape using some third-party hardware.
  • Information about dropped frames on output to tape was not accessible to third-party systems.
  • Some QuickTime files were imported with the wrong field order.
  • When audio was sent through a Mercury Transmit plug-in, any number of channels that was not 2 or 6 was treated as mono.
  • In HDV editing mode, File > Export > Tape could not be used with third-party hardware.
  • The current-time indicator (playhead) was not returning to the current time after using the Play Around command.
  • Last several frames of output when exporting to tape were black.
  • When encoding a 23.976 fps video to H.264, the duration of the video in the output .m4v file was too short, and audio drifted out of synchronization with the video.
  • Transparency (alpha channel) information from a dynamically linked After Effects composition was rendered incorrectly in Premiere Pro.
  • Importing some QuickTime OP1a files caused Premiere Pro to hang.
  • The duration of the audio track sent to SpeedGrade using the Send To SpeedGrade command was the length of the entire Premiere Pro sequence, not the length of the work area.
  • Timecode written to trimmed clips using the Project Manager did not match the source timecode for some QuickTime files.
  • Various other crashes.

New in Adobe Premiere Pro CS6 6.0.0 (May 8, 2012)

  • Streamlined, highly intuitive user interface:
  • See more of your video and less clutter thanks to a highly intuitive, customizable interface. New monitor panels include a customizable button bar; the new Project panel focuses squarely on assets and allows clips to be skimmed, scrubbed, and marked up for editing. A new audio track design, improved meters, and a revamped Mixer panel make working with sound easier than ever.
  • Enhanced Mercury Playback Engine:
  • Work dramatically faster thanks to sweeping performance, stability enhancements, and support for NVIDIA Maximus dual-GPU configurations and certain MacBook Pro OpenCL-based AMD GPUs.† Adobe Mercury Transmit enhances integration with third-party I/O devices.
  • Fluid, high-performance editing workflow:
  • Take advantage of the most requested editing enhancements, including over 50 new features to help editors switching NLEs move more comfortably to Adobe Premiere Pro.
  • Dynamic timeline trimming:
  • Finesse your editing with precision using all-new advanced trimming tools. Trim clips your way — directly in the timeline via keyboard entry or dynamically in the Program Monitor using JKL shortcuts.
  • Warp Stabilizer effect:
  • Easily stabilize a bumpy camera move or lock a shot automatically with the same powerful technology as in Adobe After Effects® software. The new GPU-accelerated Warp Stabilizer removes jitter and rolling shutter artifacts and other motion-related irregularities.
  • Expanded multicam editing:
  • Quickly and easily edit multicam footage from as many cameras as you have on the shoot. Sync via timecode, switch between tracks in real time, and adjust color across multiple shots.
  • More intuitive Three-Way Color Corrector:
  • Better manage the color in your projects with the more intuitive Three-Way Color Corrector for precise primary and secondary color correction. Instantly improve video image quality with Adobe Photoshop® style auto-correct functions.
  • New adjustment layers:
  • Apply effects across multiple clips. Now you can create adjustment layers, similar to those in Photoshop and After Effects, to apply effects to clips on tracks below them. Easily create masks to adjust a selected area of a shot.
  • Improved, customizable monitor panels:
  • Work the way you want and edit more fluidly. A less cluttered, customizable interface lets you focus on your media by letting you choose which buttons to show or hide in the monitor panels.
  • Even faster Project panel workflows:
  • View, sort, and arrange media easier than ever with the redesigned Project panel. Edit faster with the ability to scrub and skim clips, set in and out points, and resize clip thumbnails.
  • Native DSLR camera support:
  • Work natively with the footage shot with the latest video cameras, including ARRI Alexa, Canon Cinema EOS C300, RED EPIC, and RED Scarlet-X cameras. Native support lets you start editing immediately, without transcoding or rewrapping the footage.
  • Enhanced, flexible audio tracks:
  • Freely combine and pan mono and stereo clips. For more advanced audio workflows, new Multichannel master and Adaptive track types enable total audio routing flexibility and easy export to multichannel file types.
  • Adobe Prelude CS6 integration:
  • Use Adobe Prelude to efficiently log footage, add comments and markers, and create rough cuts that can be brought into Adobe Premiere Pro. Comments and markers are associated with the media, making it easy to organize.
  • Adobe SpeedGrade CS6 integration:
  • Easily export your Adobe Premiere Pro sequences into SpeedGrade CS6 for a complete finishing solution. Easily handle grading tasks like matching shots and creating consistent nuanced color to visually enhance your projects.
  • Uninterrupted playback:
  • Edit, apply filters, and adjust their parameters, all during playback. Dynamically preview video by looping playback and adjusting parameters on the fly, thanks to the Mercury Playback Engine. (May require a supported GPU.)
  • Rolling Shutter Repair effect:
  • Easily repair media with rolling shutter artifacts such as wobble and skew. Based on technology in the Warp Stabilizer, this powerful effect can be applied without stabilization and offers enhanced controls.
  • New Preset Browser:
  • Access commonly used settings immediately using the new Preset Browser in Adobe Media Encoder CS6. Organize presets by category, set favorites, and customize your most frequently used encoding presets.
  • Performance and stability improvements:
  • Encode video faster when outputting a single source to multiple outputs with Adobe Media Encoder CS6. Get a significant performance boost when using watch folders on a network.
  • New RED EPIC and RED Scarlet-X support:
  • Take advantage of new support for RED EPIC 5K and RED Scarlet-X footage that lets you import it directly into Adobe Media Encoder CS6 for transcoding to HD and SD formats.
  • More popular device and format presets:
  • Save time and encode content more easily by using Adobe Media Encoder presets that help ensure your video looks great on widely used output formats and devices, including mobile devices and HDTV.
  • New 64-bit Adobe Encore CS6:
  • Speed up your authoring workflow and get rock-solid performance and stability with Adobe Encore CS6, now natively 64 bit. Open and save projects faster, and get dramatic performance working on demanding projects.
  • Faster MPEG import:
  • Bring MPEG assets into Encore CS6 even faster as multiple import processes happen simultaneously in the background.
  • Pixel aspect ratio correction in previews:
  • View the correct pixel aspect ratio when previewing DVD simulations, thanks to new pixel aspect ratio correction in Encore CS6.
  • Enhanced DVD and Blu-Ray Disc authoring:
  • Get even more functionality when authoring DVDs and Blu-ray discs. New 64-bit Encore CS6 adds support for 8-bit color for highlight buttons and menu color quality enhancements and lifts the 99-slide restriction for Blu-ray slide shows.
  • Enhanced web DVD authoring:
  • Create powerful web DVD experiences that replicate all the functionality of their Blu-ray Disc counterparts, thanks to new web DVD support for pop-up menus, multipage menus, and looping menu playback.

New in Adobe Premiere Pro 5.5.2 (Nov 2, 2011)

  • The Adobe Premiere Pro CS5 5.5.2 update fixes issues which prevent the proper display of closed captions and the timecode effect, fixes the color picker on Mac OS X 10.7 (Lion) and an issue where the program monitor would go black when using trim preview and a 3rd party I/O card plugin. This update applies to electronic installations of Adobe Premiere Pro CS5.5 only.

New in Adobe Premiere Pro 5.0.3 (Dec 8, 2010)

  • New and changed features:
  • Adobe Premiere Pro CS5 (5.0.3) adds support for the following graphics cards to accelerate processing using CUDA technology on the GPU:
  • Quadro 5000M (Windows only), which is for mobile (i.e., laptop) computers
  • Quadro 4000 for Mac OS (The Windows version was enabled by the Adobe Premiere Pro CS5 (5.0.2) update.)
  • For a complete list of graphics cards for which the CUDA acceleration features are provided and supported, see the Premiere Pro system requirements page. For more information about CUDA acceleration of processing and the Mercury playback engine in general, see Premiere Pro Help.
  • Bug fixes:
  • Improved stability of capturing on Windows.
  • Improved performance for interactions with user interface for effects.
  • Improved performance of editing in long sequences containing transitions.
  • QuickTime movies containing video encoded with Animation or ProRes codecs caused long delays or hangs if the Cineform importer was installed. This is fixed.
  • Custom action-safe guides were shifting position during direct manipulation. This is fixed.
  • Double-clicking a title opened the Source Monitor panel instead of the Titler panel when the Project panel was in Icon view. This is fixed.
  • MXF files with 4:2:0 color subsampling created by a Nexio system can now be imported by the XDCAM HD importer.
  • Fixed issues regarding indexing of MPEG files, including unresponsive UI during indexing and some cases of unnecessary re-indexing of media shared across a network.
  • Dissolves were not behaving correctly when processed by CUDA when opacity keyframes were present. This is fixed.
  • The Crop effect was being rendered incorrectly when processed by CUDA when the clip was scaled to frame size. This is fixed.
  • Rendering of previews got stuck in a never-ending loop state under some circumstances. This is fixed.
  • Audio was not exported via SDI when exporting to tape. This is fixed.
  • Master clips imported into projects using Final Cut Pro XML import were stripped of their unique identifiers. This is fixed.