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Cubase Pro Changelog

What's new in Cubase Pro 9.5.20

Mar 9, 2018
  • Issues & improvements:
  • An issue has been resolved where locating between Virgin Territories did not restore the value of the previous Automation Terminator event.
  • An issue has been resolved where using instruments with multiple enabled Return Channels and additionally routed MIDI channels to the instrument showed the wrong Instrument Return Channel in the Channel Settings window.
  • An issue has been resolved for certain Intel CPU types where selecting audio tracks could render the application unreliable, dependent of the available instruction sets of the CPU.
  • An issue has been resolved where switching sample rate, changing the ASIO buffer size or selecting another ASIO driver could render the application unreliable with certain audio interfaces.
  • Improved compatibility for Marian AD2 audio interfaces when running Cubase in 64-bit Processing Precision.
  • An issue has been resolved where “Detect Silence” was not working correctly for a multiple selection of events.
  • An issue has been resolved where 24-bit audio files could not be properly time-stretched.
  • An issue has been resolved where removing unused media with applied Direct Offline Processes could prevent the project file from saving properly.
  • An issue has been resolved where the delay compensation and “Ping” feature was not working correctly when running Cubase in 64-bit Processing Precision.
  • An issue has been resolved where crossfades were not correctly imported when using “Import Tracks from Project”.
  • An issue has been resolved where Selection Window for Attributes was shown with wrong colors and text was unreadable.
  • An issue has been resolved where audio files used for Custom Sounds could not be found.
  • An issue in the Logical Editor has been resolved where using “matches” together with “is empty” could render the application unreliable.
  • An issue has been resolved where closing the In-Place Editor could render the application unreliable.
  • An issue has been resolved where Controller Lane data was not sent when the same MIDI CC was used on Automation Lanes.
  • An issue has been resolved where drawing the Crosshair Cursor in MIDI Editors worked inconsistent when “Snap” was active.
  • An issue has been resolved where editing Note Expression data was only applied to the first event of a multiple selection of events.
  • An issue has been resolved where it was no longer possible to operate Drum Maps after enabling disabled tracks.
  • An issue has been resolved where MIDI Events outside MIDI Part boundary were colored when their start position was equal to the MIDI Part end position.
  • An issue has been resolved where opening the In-Place Editor could lead to a no longer working Grid Type “Adapt to Zoom”.
  • An issue has been resolved where sizing Controller Lanes in the Key Editor could render the application unreliable.
  • An issue has been resolved where the Stroke tool in the Drum Editor was not working correctly with “Adapt to Zoom” enabled.
  • An issue has been resolved where changing the Event Colors for Grid Match and Chord Track were lost the next time the application was started.
  • An issue has been resolved where moving the Pre/Post Insert Divider was not moved for channels of Link Groups.
  • An issue has been resolved where some switch buttons in the Hardware Rack for Steinberg MR/UR hardware could not be changed.
  • An issue has been resolved where the “e” button was sometimes not responding to mouse clicks.
  • An issue has been resolved where the MixConsole History stopped logging actions.
  • The Channel Name area has been improved so that the name no longer disappears when placing the mouse cursor over the name field.
  • An issue has been resolved where “Auto Track Color Mode” set to "Use Previous Color +1" was not working consistently.
  • An issue has been resolved where enabling disabled tracks via key command could render the application unreliable.
  • An issue has been resolved where the NotePad section contained content but was not indicated at the Notepad Inspector section.
  • An issue has been resolved where using a Divided Track List and the In-Place Editor could render the application unreliable.
  • An issue has been resolved where duplicated Sampler Tracks were routed to the wrong output bus.
  • An issue has been resolved where editing Score Editor settings could render the application unreliable.
  • An issue has been resolved where it was not possible to print more than one page of Score notation.
  • An issue has been resolved where printing Score Notation was missing the staff lines.
  • An issue has been resolved where using TrackVersions for Tempo/Signature Track could render the application unreliable when attempting to save the project.
  • An issue has been resolved where the extraction of audio data from MP4 video files failed.
  • Additional improvements:
  • Cubase 9.5.20 now supports access to Insert Slots 9–16, the Channel Strip Module parameters as well as the Cue Sends 1–4 for Generic Remote setups.
  • Retrologue (version 2.1.10) and Groove Agent SE (version 4.2.50) are updated to improve overall stability on macOS systems.
  • HALion Sonic SE is updated to version 3.1.0 for Windows and macOS systems.
  • In Preferences > VST > Plug-ins, a new item “Keep Plug-ins in Memory until the Application Quits” is available on macOS systems. It is enabled by default. This preference improves the overall system stability when removing plug-ins from projects. As a positive side-effect removed plug-ins will load faster the next time they are inserted into a project. It is recommended to leave this preference enabled.

New in Cubase Pro 9.5.10 (Dec 12, 2017)

  • Zoning 2.0: Speed up your workflow:
  • Three new sections made their way into the right zone to enhance the flow in your work. The new file browser lets you browse, preview and import your media files in your project without leaving the window; the new metering section in the right zone shows the master and loudness meters to have a lock on your mix at any time; and then there’s the Control Room, providing direct access to your cue and monitor mixes.
  • Automation editing just got curves:
  • Cubase 9.5 introduces ultra-precise automation curves for creating and editing smooth transitions, allowing you to go creative with musical build-ups and providing detailed automation lanes — all this while keeping mouse clicks to a minimum. One might think that a streamlined workflow possibly comes at the expense of accuracy. But no, not at all! Even the automation of tracks controlled by VCA faders will incorporate all automation data of the connected tracks and will remain 100% on target.
  • More Metronome:
  • You want the click to follow your signature shift? The new Metronome follows your lead no matter where you’re heading! Compose custom click patterns with up to four different accent levels in the new Click Pattern Editor, and assign several different patterns to the Signature Track. Load your own click sounds or select one of the many pre-installed sounds. Every metronome helps you keep in time, but the new metronome in Cubase 9.5 does this so much more effectively.
  • 64-bit mixing engine:
  • Taking your sound to new heights:
  • Get your mixing down the line — with the new pristine 64-bit floating-point mixing engine you will no longer need to compromise when it comes to quality, precision and realism. The advanced audio engine calculates your summing, mixing and effects processing with double-precision accuracy, performing each task with the utmost level of detail, dynamics and transparency.
  • More inserts now with flexible pre/post fader:
  • By doubling the number of insert slots for VST effects on each track, Cubase 9.5 expands your creative horizon, inviting you to experiment with rich effect combinations and plug-in chains. Whether you want to insert your VST effects before or after the fader, the new flexible insert section lets you dynamically adjust the position of the separator and gives you full control of your signal flow.
  • New looks for Vintage Compressor, Tube Compressor and Magneto III:
  • Three of the most acclaimed VST processors available to Cubase have received a fresh overhaul. The Vintage Compressor, the Tube Compressor and Magneto III tape saturator shine with redesigned user interfaces and workflow-oriented improvements that bring out the best in each of them.
  • Direct Offline Processing:
  • Ideal for frequently used processes:
  • Extend your creative potential with the improved workflow of event-based offline processing. Apply any kind of process offline in a VST plug-in chain for one or multiple selected event — with the feel of real-time effects — without the CPU load. This way you can keep your MixConsole clean but at the same time have paved the way for further non-destructive changes.
  • HALion Sonic SE 3 feat. FLUX wavetable synth:
  • The new FLUX wavetable synthesizer library for HALion Sonic SE combines top-notch sound quality and the latest HALion technology with an engaging user interface. The collection of 100 cutting-edge presets for electronic music productions includes leads, basses, pads and effects. All patches are based on a library of more than 70 exclusively designed waves that can also be used to create your own sounds and patches
  • Automation range tool:
  • The new Range Tool lets you edit your automations faster, easier and more convenient. Create a selection on an automation lane and edit segments by simply dragging them without having to create any additional automation markers. The Range Tool adjusts the level, creates ramps and scales the automation in either absolute or relative mode — just like that!
  • Adapt to Zoom: A clever capability:
  • New to this point update, Adapt to Zoom helps you to stay in the flow in case you should be constantly zooming in and out of your Cubase project. Zooming out decreases the grid snap level so that the editing level remains effective. Zooming in increases the grid snap level for those surgical procedures at the ground level of your project. Adapt to Zoom will always adjust the grid automatically to your zoom level, allowing you to focus on your work without distractions.
  • Good-bye and hello video engine:
  • A new, modern video engine that bade farewell to the QuickTime technology before it was introduced to Cubase 9.5 supports the most relevant codecs, as well as external video cards. As with every new engine, certain adjustments will still have to be made, and we want to keep you posted on further developments made to the new video engine, so watch this space.
  • Softube Console 1 supports Cubase Available soon:
  • Sweden and Germany — two countries come together to celebrate the deep integration of the Console 1 from our friends at Softube with Cubase. You can now select tracks and control various track parameters like volume, pan or sends through Softube’s beautiful hardware controller.
  • Sampler Track enhancements:
  • The recently introduced Sampler Track has undergone some changes that will enhance your workflow significantly. Drag any MIDI part in the Sampler Control and start experimenting with the instantly rendered audio file. And experiment you may! You can compare the different settings you make with the convenient A/B mode, safe in the knowledge that its undo/redo capability will always allow you to return to safer ground.
  • Get inspired by Production Presets:
  • Cubase 9.5 comes with Production Presets to inspire you when it’s needed and to help you finish your mix when things need to get done. Stunning new FX chain presets for all kinds of instrument and vocal tracks will lend a fresh twist to all your productions. The brand-new mastering track presets is designed for different genres and productions and can be used on the master bus or group channels to help you get your tracks to a professional level.

New in Cubase Pro 9.0.1 (Dec 8, 2016)

  • Ground-breaking new features, streamlined workflows and stunning new plug-ins — the latest update enhances your favorite digital audio workstation in every direction and underlines Cubase’s claim of being the most complete DAW available. The new Lower Zone gives you direct access to editors and the MixConsole without leaving the Project window; the perfectly integrated Sampler Track opens up new creative possibilities; and the surgically precise frequency EQ takes your mix to the next level. The new Plug-in Sentinel, Multiple Marker Tracks, the improved Maximizer — Cubase 9 introduces loads of new features that you won’t want to miss in future music productions.
  • Zoning in on Cubase
  • Sampler Track
  • EQ with Frequency
  • MixConsole History in the making
  • Comprehensive cloud collaboration… all the way
  • Maximizer
  • Stability and reliability
  • Audio-Ins
  • Production Grooves
  • Multiple Marker Tracks
  • The new AutoPan offers a much bigger variety and flexibility to creatively play with your sound in space. Make use of various shapes, sync modes, panorama settings and much more, which are all quickly accessible via the new user interface. If you like the new Maximizer you’ll certainly be happy to see that the Brickwall Limiter, Compressor, Expander, Gate and Envelope Shaper also have been graphically overhauled for a similar look and feel and streamlined workflow. The improved interface and detailed representation of the parameters will help you to get the most out of your state-of-the-art effects processors.

New in Cubase Pro 8.5.40 (Jun 6, 2016)

  • Audio: Fixed an issue where deactivating processes in the Offline Process History may lead to incorrect results.
  • Audio: Fixed an issue where selecting multiple events may lead to wrong display of content in the Audio Part and Key Editor.
  • Audio: Fixed an issue where using the Backup Project function with Minimize Files activated may lead to altered VariAudio parts.
  • Audio: The application may no longer become unresponsive when using Render in Place.
  • Audio: The timing accuracy of VST Instruments when using the Export Audio Mixdown function has been improved.
  • Automation: Automation Trim mode can now be used on VCA Slaves.
  • Automation: Fixed an issue where VCA slave automation was written incorretly if punched out by STOP command.
  • Automation: Fixed an issue where VCA slave channels sometimes were accidently muted.
  • Automation: Fixed an issue with writing automation on a VCA slave using Fill Mode "to end" if musical timeline (bars/beats) was used.
  • Automation: Fixed an issue where Solo Defeat didn't work for all connected channels when engaged by a VCA fader.
  • Automation: Adjusting VCA faders with a mouse wheel now works as expected.
  • Chord: The chord suggestion function in the Chord Assistant has been improved.
  • Chord: Remote control of Chord Pads now works as expected.
  • Chord: Fixed an issue where closing the Chord Pad section by a key command while the Chord Edit popup window was open could lead to an unresponsive state of the application.
  • MediaBay: MediaBay logical search for signature 3/4 now works as expected.
  • MediaBay: Fixed an issue where files added to an already scanned folder were not displayed in MediaBay.
  • MIDI: Fixed an issue where modifiying values in the drum editor may lead to a changed drum map.
  • MIDI: The overall reliability on Note Expression playback has been improved.
  • MIDI: Fixed an issue with the MIDI Quantizer plug-in sending data with an offset.
  • MIDI: Fixed an issue with The MIDI Note to CC plug-in sending incorrect data.
  • MIDI: Using the independent track loop in the Key Editor now works as expected.
  • MIDI: Fixed an issue with saving VST Expression maps if the map name contains a "/" character.
  • MIDI: The MIDI file export performance has been improved.
  • MixConsole: The MixConsole Rack value cell operation has been improved.
  • MixConsole: Fixed an issue where Rewire channels were muted accidentally after reactivation.
  • MixConsole: Fixed an issue where the audio channel output may become silent or distorted.
  • MixConsole: Fixed an issue where Quick Controls didn't work correctly after re-loading a project.
  • Plug-in: Manually locating a missing impulse response file in REVerence now works as expected.
  • Plug-in: The synced delay in VST Amp Rack now works as expected.
  • Plug-in: Fixed an issue in VST Amp Rack which could lead to interfering sound in stereo mode.
  • Plug-in: Fixed an issue in REVerence which may render the application unreliable.
  • Plug-in: Fixed an issue in REVerence which could lead to incorrect impulse response file loaded.
  • Plug-in: The MIDI Monitor plug-in now works as expected when multiple projects are opened.
  • Project: Selecting tools in the toolbar using key commands has been improved.
  • Project: Fixed an issue where the text info box shown during editing events may become unreadable.
  • Project: Zooming in the timeline by mouse has been improved.
  • Project: Fixed an issue where a divided tracklist may target some editing commands to the wrong area.
  • Project: Fixed an issue with the play cursor leading to graphical glitches during editing operations.
  • Project: Fixed potential performance issues when dragging parts in the Project window.
  • Project: Improved responsiveness when editing in Tempo Track.
  • Project: The ASIO performance meter now works as expected when CPU multicore processing is disabled.
  • Project: The Soundcloud upload function now works as expected on PC Windows systems.
  • Project: Fixed an issue where the metronome output setting was not saved correctly if the output was set to a VST instrument.
  • Project: The reliability of metronome time base setting has been improved.
  • Project: Pre-Roll time was sometimes incorrect after loading a project.
  • Project: Fixed an issue where using the Remove empty tracks function while the MixConsole window was opened may lead to an unresponsive state of the application.
  • Project: Fixed an issue where loading projects containing Rewire channels may render the application unreliable.
  • Project: Dragging a MIDI file to the tempo/signature track now works without issues.
  • Project: Fixed an issue with loading projects created in Cubase 8.0.10 using specific signature track settings.
  • Project: Crash fixed when enabling Group Editing of a folder, with one track hidden.
  • BProject: Fixed an issue with loading projects using external instruments.
  • Remote: Support for Avid S6 console has been improved, including joystick module support.
  • Remote: Fixed an issue with opening MixConsole via remote.
  • Score: Fixed an issue with using certain quantize settings in the Score editor.
  • Score: Vertical scrolling in the Score Editor has been improved.
  • Score: When loading projects from older Cubase versions, the display of text events in the Score Editor has been improved.
  • Score: Undo of an erase tool action now works as expected.
  • Score: Attributes Set' context menu item now works as expected.
  • Score: Toggling inspector tabs key command now works as expected.
  • Video: Fixed an issue with timecode displayed incorrectly in Video Player.
  • Video: Fixed an issue with the video service currently not responsive when using a Blackmagic video card.

New in Cubase Pro 8.0.35 (Jan 6, 2016)

  • Fixed an issue where offline processes where lost when exporting tracks via Track Archives
  • Fixed an issue where text in the start-up screen was not correctly displayed on systems with Mac OS X El Capitan (OS X 10.11)
  • Fixed an issue with USB audio interfaces when used as class-compliant devices on systems with Mac OS X El Capitan (OS X 10.11)
  • Fixed a font display issue where text could be truncated on systems with Mac OS X El Capitan (OS X 10.11)
  • Fixed an issue where linked faders saved with a project were no longer linked when loading it.
  • Fixed an issue where "Link Channels" was not working in Cubase Artist.
  • Fixed issues that could result in crashes when trying to quit the application.
  • Fixed issues that could result in crashes while working with the application.
  • Fixed an issue where moving the mouse cursor in the Score Editor could crash the application.
  • Fixed an issue where the application could not be started on systems with Mac OS X El Capitan (OS X 10.11)
  • Fixed an issue where the VCA result curve was jumping when writing Automation for the first time.
  • Fixed an issue where incorrect Automation was written for tracks connected to a VCA Fader.
  • Improved Automation Fill mode now supporting VCA Slaves.
  • Improved Automation Latch Mode for VCA Faders now correctly affects connected tracks on Automation Write.
  • Fixed an issue where "Open Projects in Last Used View" was not correctly translated.

New in Cubase Pro 8.0.30 (Jan 6, 2016)

  • Improved ASIO Guard support for Dual-CPU systems.
  • Sometimes no audio output was generated when projects from previous version were loaded.
  • Potential crash fixed on sampelrate change while a project is loaded.
  • Improved compatibility with USB Audio Interfaces.
  • Sometimes the application didn't quit completely.
  • Using a file selector made the application lose focus.
  • On first start, Project Templates were not shown in the MediaBay
  • On some PC systems the skin file was not correctly updated and caused program crashes.
  • MediaBay crashed when search string containd "()".
  • Fixed: Unwanted activating of VST Expression Sound Slots.
  • MIDI track input settings was sometimes not restored correctly.
  • mouse wheel on text in value box (like volume) with or without using Shift modifier
  • EQ no longer stops working after copying EQ settings by drag&drop in the Mixconsole
  • In some conditions, mono tracks didn't show the meter activity.
  • Anymix Pro individual signal positions were not saved/restored with a project.
  • Retrologue: Saved programs did not show up in MediaBay.
  • [REVerence] Used impulse response file was not found after opening a project from Mac OS on Windows.
  • Possible crash fixed with MIDI Plug-Ins in the Inspector.
  • Possible crash fixed with renaming tracks.
  • Time ruler was not updated correctly when switching between projects with different timecode framerate.
  • MIDI Playback did not correctly resume after automatic punch out.
  • Render In Place abort function now works reliably.
  • Score Editor: Step Input Cursor is now blue.
  • Score Editor: Corrected Note Symbols Tooltips.
  • VCA Fader setup can now be operated from Avid EuCon based consoles.
  • Improved VCA mechanism for Slave faders set to -∞ dB.

New in Cubase Pro 8.0.20 (Jun 4, 2015)

  • Render in Place:
  • The “Render Settings” window has been cleaned up with all options integrated into one window page (the previous 2nd tab “Format” is obsolete).
  • It is now possible to render tracks in either mono or stereo: For the render options “Dry (Transfer Channel Settings)” and “Channel Settings” the resulting audio tracks keep the formats of their source tracks. A mono track results in a mono track. For the render options “Complete Signal Path” and “Complete Signal Path + Master FX” the resulting audio file format is determined by the output channel of the source track. A mono track, routed to a stereo bus, results in stereo audio files.
  • Automation:
  • The option “Automation Follows Events” now takes trimming of events into account.
  • Additionally it reduces the amount of redundant automation points when moving events with this option enabled.
  • Editing automation points or inaccurate writing of automation data can result in situations where the values briefly return to their initial value, visible as spikes in the automation curve or as jumping faders. In the Automation Settings, you can set a Spike Detection Range from 0 to 200 ms to adjust the detection window in which these spikes are found and treated by Cubase (Cubase Pro only).
  • Chord Pads:
  • When working with Chord Pads, you can now set up MIDI or instrument tracks to use “No Player”. This passes unchanged through MIDI data from your remote keyboard, which is useful for all tracks not suited to play chords at all (such as drum tracks). You no longer need to explicitly disable or close the Chord Pads in such cases.
  • The Chord Assistant window now gives a hint when no chord has been referenced in order to get suggestions for other chords.
  • MixConsole:
  • The “Link Groups Settings” window now includes the option to have the channel selection as part of the link group (or not) which comes also very handy when working with VCA Faders (Cubase Artist / Pro only).
  • Workspaces:
  • You can determine the view of external projects when you open them in Cubase: In Preferences > General you have several options now for “Open Project in Last Used View” available to control the behavior (Cubase Artist / Pro only).
  • Groove Agent SE 4.2:
  • MIDI Output for Host Recording: Groove Agent SE is now able to send MIDI to Cubase in order to record MIDI notes.
  • Follow Host Transport: Activate “Follow Host Transport” and Groove Agent SE will start and stop with the transport in Cubase.
  • Alternate Loop: Alternate loop and reverse alternate loop are now available as new loop modes in the Sample Editor.
  • Live Mode on Dynamic FX: Compressor, Gate, Limiter and the Expander can know be switched into the low-latency mode.
  • Pitchbend Support: Pitchbend is now available in the controller lane of the Pattern Editor.
  • MIDI Channel for Pattern Pads: The Pattern Pads can be triggered using a dedicated MIDI channel.
  • Other Improvements:
  • When removing selected tracks Cubase asks for confirmation in case there is still event data on the tracks (or in TrackVersions).
  • From the File Menu you can now access “Save New Version” which was previously only available as a key command.
  • In VST Expressions > Expressions Maps > Remote Settings you can define to use either “Key Switches” as before or the new “Program Change Messages” option (Cubase Pro only).
  • When loadings projects in Cubase the application will prevent the ASIO port setup contained in the project file to override the ports currently in use for the Control Room, External Instruments and External FX. You may want to check your Input/Output setup in the VST Connections window in case you have to deal with ports set to “Not Connected”.
  • The Export Audio Mixdown windows now offers dedicated options in avoid file name conflicts.

New in Cubase Pro 8.0.10 (Mar 12, 2015)

  • BON-6925 AUDIO: Fixed an issue where bouncing audio using the élastique Pitch Mode resulted in a drift of the bounced audio material
  • BON-5474 CONTROL ROOM: Fixed an issue where the Control Room metering was not synchronous with the audio playback
  • BON-5526 EDITORS: Fixed an issue where the Solo State of Editors were not correctly remembered
  • BON-7776 GENERAL: Fixed an issue where clicking in a text field did not allow to navigate the cursor properly
  • BON-7808 GENERAL: Fixed an issue where file browser windows where placed behind other windows, e.g. when operating the "Resolve Missing Files" window (Windows only)
  • BON-7135 GENERAL: Fixed an issue where parts of the application could not be properly operated or no longer responded after several days of consecutive operation time of the computer (Windows only)
  • BON-6891 GENERAL: Fixed an issue where the Help window could not be properly used (Windows only)
  • BON-7073 GENERAL: Fixed an issue where the text of the main menu showed a slight offset (Windows only)
  • BON-6435 GENERAL: Improved the support for Windows text scaling (Windows 8 only)
  • BON-6738 IMPORT: Fixed an issue where importing Cubasis projects using the Cubasis Importer led to missing FX channels
  • BON-6951 INSTALLER: Fixed an issue where "Steinberg" was missing in the name for the "Groove Agent SE Rock Pop Toolbox" in the Add/Remove programs section (Windows only)
  • BON-6202 MEDIABAY: Fixed an issue where the additional lines in the Logical Search of the MediaBay could not be removed
  • BON-6207 MEDIABAY: Fixed an issue where the Attribute Filter section of the MediaBay rack was minimized after loading a project
  • BON-6823 MIXCONSOLE: Fixed an issue where deleting output busses made the audio routing of affected channels permanently broken
  • BON-7100 MIXCONSOLE: Fixed an issue where Link Group settings for VCA Faders were not correctly recalled when loading projects
  • BON-7331 MIXCONSOLE: Fixed an issue where the MixConsole was not correctly restoring its maximized position when minimized before (Windows only)
  • BON-5544 PERFORMANCE: Fixed an issue with ASIO peaks when using audio drivers from RME
  • BON-6294 PERFORMANCE: Improved the ASIO load for the DeEsser plug-in
  • BON-7022 PLUG-INS: Fixed a MIDI timing issue using Yamaha Motif Editor and Yamaha devices setup as External Instrument
  • BON-6330 PLUG-INS: Fixed an issue where ASIO-Guard setting "High" resulted in distorted audio for the VST Connect Performer SE user
  • BON-7756 PLUG-INS: Fixed an issue where drop-down menus in plug-ins (from FX Pansion) did not work (Windows only)
  • BON-7231 PLUG-INS: Fixed an issue where messages from VST Connect SE opened up behind the plug-in window (Windows only)
  • BON-7152 PLUG-INS: Fixed an issue where several third-party plug-ins may have rendered the application unresponsive by e.g. opening the MixConsole window
  • BON-6378 PLUG-INS: Fixed an issue where the "Live"-mode was not working in the DeEsser plug-in
  • BON-6169 PLUG-INS: Fixed an issue where the EQ Curve for the Master EQ in VST Bass Amp was missing
  • BON-6971 PLUG-INS: Fixed an issue where the Live mode of the Multiband Compressor and Expander disabled the Gain parameter
  • BON-7349 PLUG-INS: Fixed an issue where the Live mode of the Multiband Expander did not work reliably
  • BON-6911 PLUG-INS: Fixed an issue where the REVelation plug-in did not correctly recall its bypass state
  • BON-6579 PLUG-INS: Fixed an issue where the sidechain input of the Channel Strip DeEsser was not working properly
  • BON-6088 PLUG-INS: Fixed an issue where using the DeEsser in the Channel Strip with an ASIO buffer size larger than 1024 rendered the application unreliable
  • BON-7392 PLUG-INS: Fixed an issue with the 64-bit version of LoopMash FX producing digital noise with some effect types
  • BON-7207 PLUG-INS: Fixed an issue with the Rotary plug-in producing an audible artifact
  • BON-6923 PROJECT: Fixed an issue where some values of items of the main Inspector tab had a slight offset and were displayed wrongly
  • BON-6109 PROJECT: Fixed an issue where the "Pin" icon in the Inspector Settings windows was not visible
  • BON-6409 PROJECT: Fixed an issue where the application disappeared from the Windows taskbar when no project was open (Windows only)
  • BON-6201 PROJECT: Fixed an issue where the Channel/Track Visibility was not correctly in sync between MixConsole and Project window
  • BON-6980 PROJECT: Fixed an issue where the Drum Map Track Control was not correctly colored when a Drum Map was assigned
  • BON-7150 PROJECT: Fixed an issue where the track control item "Instrument" was not working as expected
  • BON-6119 PROJECT: Fixed an issue where using the key command "Save as New Version" led to wrongly numbered project file names
  • BON-7075 PROJECT: Fixed an issue with the key command "Toggle Standard Section" for the Inspectors that did not work as expected
  • BON-6590 RECORDING: Fixed an issue where the cursor jumped back to a wrong position when using ReRecord
  • BON-6757 RECORDING: Fixed an issue where the Metronome audio click and Precount were not audible in several situations
  • BON-6591 RECORDING: Fixed an issue where using ReRecord led to previously created tracks being removed
  • BON-6029 RECORDING: Fixed an issue where using Retrospective Record resulted in no MIDI events to be placed (or placed at a wrong position)
  • BON-7344 REMOTE: Fixed an issue where Mackie Control did no longer follow changes of Visibility configurations
  • BON-7253 REMOTE: Fixed an issue where operating the application by mouse was not working properly after opening a file browser window from a hardware remote controller
  • BON-7742 REMOTE: Fixed an issue where the Master Fader on the Mackie Control appeared twice
  • BON-4253 SCORE: Fixed an issue where the Score Editor did not restore the window setup layout correctly when using Workspaces
  • BON-6328 STABILITY: Fixed an issue where the Automatic Hitpoint Detection rendered the application unusable
  • BON-3969 START-UP: Fixed an issue where no further information was displayed in the start splash screen when the application was starting up (OS X Yosemite only)

New in Cubase Pro 8.0.5 (Mar 12, 2015)

  • Fixed an issue where changing tempo affected the volume of channels in a VCA Fader Link Group
  • Fixed an issue that allowed VCA Faders to be included in their own Link Groups
  • Fixed an issue where missing input ports caused a distorted sound
  • Fixed an issue that rendered the application unresponsive when Lanes were used
  • Fixed an issue where the automatic Hitpoint detection rendered the application unreliable when large audio files were used
  • Fixed an issue where the song position pointer was left visible on screen when minimizing the application window
  • Fixed an issue where the VST Bass Amp plug-in rendered the application unreliable
  • Fixed a latency issue with monitoring when usin g VST Connect SE 3 in input buses
  • Fixed an issue with wrong user interface scaling o n PC Windows systems using high - resolution displays

New in Cubase Pro 7.5.30 (Sep 4, 2014)

  • IMPROVEMENTS:
  • Performance:
  • The performance when importing a large number of audio files has been improved.
  • The reliability of the video engine has been improved (OS X only).
  • ISSUES RESOLVED:
  • Project:
  • CHORD TRACK: The Chord track now works correctly when recording while Chord track is used with a virtual instrument.
  • EDITING: A frozen instrument track is now muted when the solo editor is used with the part editor.
  • EDITING: Quantization of audio material when AudioWarp is applied no longer renders the application unreliable.
  • EDITING: The “invert selection” function in the key and drum editor now works correctly.
  • EDITING: Midi CC automation is now chased correctly.
  • EDITING: The sound playback now works as expected when an audio part is edited in the sample editor.
  • EDITING: The mouse time position can now be edited without limitations.
  • EDITING: The curve tool in the key editor no longer wrongly modifies velocity values when drawing in the articulations/dynamics lane.
  • EDITING: Removing pre-populated buttons in the Favorites Tab of the Score Editor no longer renders the application unreliable.
  • EDITING: The command “select in loop” no longer selects controller events before the loop.
  • PROJECT LOGICAL EDITOR: Certain parameters are now stored correctly.
  • LIST EDITOR: The List Editor no longer renders the host application unstable if it is closed when having the status line open.
  • MIDI: The performance of the MIDI Editor has been improved with regards to the behavior of the SOLO function.
  • MIDI: The MIDI connections in the MIDI device manager are now stored correctly.
  • MIDI: MIDI chase now works correctly when multiple channels are used on the same MIDI track.
  • MIDI: Drag & drop of a MIDI file into an existing MIDI track no longer leads to name changes.
  • MIDI: The controller lane type of the key editor is now set correctly on first opening.
  • STEINBERG HUB: The function “remove from list” now works as expected in the project assistant.
  • STEINBERG HUB: The Steinberg Hub no longer renders the application unreliable.
  • MARKER: The selection of multiple markers within the marker window now works correctly.
  • MARKER: A problem with the auto scroll function within the marker window has been solved.
  • MEDIA BAY: The location tree can now be sorted in alphabetical order.
  • TRACKS: Moving a folder into another folder no longer leads to tracks being placed outside the folder.
  • TRACKS: A graphical issue when clicking on the Inspector’s visibility tab has been solved.
  • EXPORT AUDIO: BWF timecode information is now included correctly when a batch export is performed using cycle markers.
  • EXPORT AUDIO: The audio batch export now works more reliably when using markers in the project.
  • Score:
  • SCORING: A zooming issue has been corrected.
  • SCORING: Editing a user symbol no longer renders the application unreliable.
  • SCORING: An inconsistent behavior of shift+double click on a symbol or text has been corrected.
  • MixConsole:
  • CONTROL ROOM: The cue sources in the control room are now saved correctly.
  • CONTROL ROOM: The status of the control room modules is now saved correctly.
  • CONTROL ROOM: A graphical problem within the control room window has been solved.
  • CONTROL ROOM: If monitor A is removed, monitor B is no longer increased in volume.
  • CONTROL ROOM: The AI knob of the Steinberg CC121 now controls control room sliders correctly.
  • MIXCONSOLE: Unexpected behavior of the Channel Link function relating to inserted plug-ins has been resolved.
  • MIXCONSOLE: The channel width is no longer set below the minimum size when switching from a multi-display setup to a one-display setup.
  • MIXCONSOLE: Logging a channel to the right no longer causes problems with certain cut-off and zoom functions.
  • VST:
  • PLUG-INS: Certain problems with compatibility of UAD-plug-ins have been solved.
  • VST INSTRUMENTS: A problem with selecting audio and instrument tracks has been solved.
  • VST INSTRUMENTS: The instrument name no longer changes automatically when the track name is changed.
  • VST INSTRUMENTS: An issue related to the auto track renaming scheme (instrument tracks 2.0) has been solved.
  • VST INSTRUMENTS: Unmute statuses of instrument tracks are now stored correctly.
  • VST INSTRUMENTS: The output chain display for monotimbral virtual instruments is now working correctly.
  • VST INSTRUMENTS: An instrument track no longer loses the output channel configuration when stored as a track preset.
  • VST INSTRUMENTS: A graphical issue related to Groove Agent has been solved.
  • VST INSTRUMENTS: Track presets from previous versions of Cubase can now be applied without output connection problems in the current version of Cubase.
  • VST INSTRUMENTS: An export or import of track archives of instrument tracks with more outputs no longer causes missing automation.
  • VST INSTRUMENTS: Mute status of instrument tracks is now stored correctly.
  • VST INSTRUMENTS: MIDI events are no longer locked when unfreezing an instrument track.
  • VST INSTRUMENTS: VST presets can now be saved correctly for Native Instruments Massive plug-ins.
  • MISC:
  • OMF: Japanese characters are now displayed correctly after OMF import.
  • OMF: The volume automation is now displayed correctly after the import of embedded OMF from Final Cut Pro.
  • OMF: A playback problem with an existing video file when importing OMF files into the same project has been solved.
  • REMOTE CONTROL: A wrong display of the menu item no longer renders the application unreliable.
  • EUCON: Closing Cubase no longer leads to stability issues when the EuCon adapter is loaded.
  • OTHER: Changing the origin time of any VST Sound audio file no longer renders the application unreliable.
  • OTHER: “Solo Defeat” now works correctly even when switched on/off a couple of times.

New in Cubase Pro 7.5.20 (Apr 9, 2014)

  • IMPROVEMENTS:
  • New Preference: Record-Enable allows MIDI Thru:
  • This new preference can be found in Preferences > Record > MIDI and is enabled by default. Disabling it gives you the option to monitor MIDI tracks just like audio tracks: Record- enabled MIDI/instrument tracks “thru” MIDI data only if the Monitor button is enabled.
  • This helps eliminating doubled notes with record-enabled MIDI tracks. This preference should be disabled when recording MIDI data (e.g. with a MIDI drum set) on a track which should be played back with a VST instrument but is monitored via external MIDI sound generator while recording.
  • Please be aware that this preference is described incorrectly in the current “New Feature” PDF as “Deactivate MIDI Thru for Record Enable” and will be corrected as soon as possible.
  • TrackVersions: Delete Inactive TrackVersions:
  • There are two new commands in the TrackVersions menu to clean up a project of inactive TrackVersions. They remove all TrackVersions, which are not active or not in use in the current project. The “Delete inactive versions of selected tracks” command deletes TrackVersions of all selected tracks, while “Delete inactive versions of all tracks” deletes TrackVersions from the whole project without the need to select tracks first.
  • Control Room Improvements:
  • Monitor states are now saved and recalled per project instead of being stored globally.
  • A new preference controls the Talkback behavior in Playback/Record mode (Preferences > VST > ControlRoom > “Auto Disable Talkback Mode”).
  • Graphical layout and various elements have been re- structured for better accessibility, and the main Control Room section can now be displayed together with the metering section.
  • Control Room and Headphone volume now feature bigger knobs.
  • A CTRL/CMD click on Control Room Level sets it to the Reference Level (instead of 0 dB).
  • Channel/track visibility: Key command for “Update configurations”:
  • A key command is now assignable to “Update visibility configuration” in the key command window under Channel/Track Visibility.
  • Steinberg Hub: Remove recent projects from list:
  • In the Recent tab of the Steinberg Hub’s Project Assistant, opening the context menu of an entry now offers a “Remove from list” function.
  • Project window toolbar: Additional buttons:
  • A global “Listen” and “Suspend Automation” on/off button has been added as well as a “Automation Follow Events” on/off button.
  • New Preference: Colorize folder track controls only:
  • This new preference in Event Display > Tracks restricts the colorize track control settings to folder tracks only instead of being effective for all track types.
  • RESOLVED ISSUES:
  • Project: An issue that interferes with the "Save" and "Close" behavior has been resolved.
  • Project: Toggling between projects with a MIDI track located before an instrument track in the track list now works as expected.
  • Project: Rack instruments behave now as expected when working with several projects at the same time.
  • Project: Searching for hidden tracks using "Find tracks" now makes hidden instrument tracks visible.
  • Project: Unmuting a folder track now unmutes all tracks inside the folder as expected.
  • Project: The agent "Hide muted tracks" works now on muted instrument tracks.
  • Project: The behavior of side scrolling with a Logitech mousewheel has been corrected.
  • Project: "Import track archive" works now as expected.
  • Project: The preset name of the Track Control Settings is now visible.
  • Project: The navigation of the In-place Editor works now as expected.
  • Project: "Punch in" works now as expected in Re-Record mode.
  • Project: A problem involving the pre-/postroll time display in Japanese language has been resolved.
  • Project: Gluing two MIDI parts no longer leads to unwanted transposition of certain notes.
  • Project: Resizing parts in locked tracks is no longer possible. Project: A visual problem with frozen tracks has been resolved.
  • Project: "Select Tracks with Same Version ID" no longer shows automation lanes of instrument tracks.
  • Project: Locked tempo/signature tracks remain locked after re-opening a project.
  • Project: The ¢ symbol of the time signature palette of the Score Editor creates now a 2/2 time signature.
  • R-11341 Audio: Automatic hitpoint detection now works reliable.
  • R-11777 Audio: Audiowarping in the Sample Editor now works as expected.
  • R-11603 Audio: A problem with the visibility of the grid in Audiowarp has been resolved.
  • R-12206 Audio: A rare problem in VariAudio that rendered the application unreliable has been resolved.
  • R-12393 Audio: When ASIO-Guard is enabled dropouts no longer occur.
  • R-11220 Audio: The "Replace by" offline processing function works now as expected.
  • R-8581 Audio: Exporting a stereo mixdown to a new project now inserts a stereo audio file on a stereo track.
  • R-12334 Audio: Closing the window after exporting MP3, FLAC, Ogg Vorbis no longer renders the application unreliable.
  • R-12106 Audio: Exporting a 5.1 surround audio mixdown with the option "Wave split file" no longer renders the application unreliable.
  • R-10343 Audio: A visibility problem of the "Resolve Missing Files" window has been corrected.
  • R-11362 Instrument tracks: The agent "Hide muted tracks" now works on muted instrument tracks.
  • R-11092 Instrument tracks: The name of the main output of an instrument is now shown correctly on audio returns.
  • R-11350 Instrument tracks: Unmuting folder tracks involving instrument tracks work now as expected.
  • R-11364 Instrument tracks: Muting instrument tracks and MIDI sub-tracks now works as expected.
  • R-11352 Instrument tracks: The "Mute" key command now works for instrument tracks in the Project window as expected.
  • R-11872 Instrument tracks: The preference "Select Track on Background Click" now works properly for audio return tracks.
  • R-11003 Instrument tracks: Copy-pasting MIDI data now works for instrument tracks on the Project page.
  • Instrument tracks: Selecting all inputs in the VST Instrument Rack now selects the correct instrument track.
  • R-11371 Score: Print out now works as expected in Cubase Artist.
  • R-10583 Score: Activating the function "Animate Note Cursor" now works as
  • expected.
  • R-11999 Score: Key commands for all symbol palettes are now available.
  • R-11044 Score: A problem with redundant and missing key commands has been resolved.
  • R-11790 Score: Zooming behavior of the zoom tool now works as expected.
  • R-11758 Score: Filter checkboxes now update as expected when key commands are
  • used.
  • R-11748 Score: The box symbol in the replace mode is printed as expected.
  • R-11518 Chord Assistant: The state of the cadence mode is now recalled correctly.
  • R-11271 MixConsole: Clicking on the EQ bypass button while holding the Option/Alt keys now works as expected.
  • R-12196 MixConsole: Load/save EQ presets are available again in the Channel Settings window.
  • R-11146 MixConsole: The solo defeat function of instrument tracks now works as expected.
  • R-11255 MixConsole: A problem with the visibility syncing between MixConsole and Project window regarding instrument audio returns has been corrected.
  • R-11129 MixConsole: The function "Deactivate all mute states" now works as expected after selecting "Mute input" on virtual instruments.
  • R-11144 MixConsole: It is now possible to switch the visibility of collapsed folders that contain other folders inside the MixConsole.
  • R-11010 MixConsole: A rare graphical glitch on the horizontal scroll bar of the MixConsole has been corrected.
  • R-12362 MixConsole: Inputs and outputs can now be assigned using QuickLink on MIDI channels.
  • R-12189 MixConsole: A problem involving the visibility of the horizontal scroll bar in the MixConsole has been resolved.
  • MixConsole: The preference "Select channels/track on solo" now works as expected when enabling the solo input of VST instruments.
  • R-11333 MixConsole: The solo button now works on external instruments as expected. R-11109 Automation: The function "Activate/deactivate write (read) for all tracks" now
  • affects the Quick Controls, too.
  • R-11100 Automation: Read mode is now enabled when pressing the write button.
  • R-11670 Automation: The command "Show used automation on a selected track" no longer opens the automation of the selected track’s group channel.
  • R-11841 Automation: "Delete automation of selected tracks" and "Delete all
  • R-11840
  • R-12201 Plug-in: The loading time of projects using HALion 5 has been improved.
  • R-11956 Plug-in: The Phaser plug-in works now as expected.
  • R-11111 Plug-in: An issue in VST Connect SE that may render the application unreliable under OS X 10.9 has been resolved.
  • R-11112 Plug-in: Saving the project under OS X while VST Connect SE is connected to VST Connect Performer now works properly.

New in Cubase Pro 7.0.5 Build 2197 (Aug 7, 2013)

  • It's in the mix:
  • Stellar mixing:
  • The completely new MixConsole excels not only in terms of usability, look and feel, but also sounds better than anything before it! Featuring full-screen mode, total scalability and quick in-place access to the parameters most relevant to the task, MixConsole adjusts seamlessly to notebook screens and large-scale displays.
  • With its extremely flexible channel layout, 12 dB boost and dedicated processing power per channel, an exceptional feel to the controls and comprehensive online and offline automation tools, MixConsole provides uncompromising audio quality and routing flexibility from the outset, with plenty of pristine headroom and a fundamentally transparent sonic signature.
  • Workflows for professionals:
  • Dedicated to our diehard users, Cubase 7 brings extraordinary workflow improvements to the table, delivering a genuine benefit to professionals working regularly with the mixer. Highlights include A/B comparison and global bypass for all audio effects, a plug-in search function as well as drag-and-drop support throughout.
  • Plus, dynamic sends and inserts provide a streamlined overview, whereas the professional meter bridge lets you keep track of your signals.
  • Full-screen mode and total scalability: Perfect for notebook screens and large-scale displays
  • View Sets: Define in which combination EQ, dynamics, sends & inserts are shown and store your favorite setups
  • Channel Zones: Specify which channels you want to use and where you want to see them
  • Plug-in search function: Easily pick the right effect from your ever-growing list of plug-ins
  • Complete drag-and-drop support ensures hassle-free transfer of channel settings
  • Quick Link System & Control Link Groups: Temporarily or permanently link channels or only specific parameters
  • Integrated Control Room, including talkback and up to four different cue mixes for performers’ headphone mixes
  • A/B comparison and global bypass of all audio effects
  • Customizable track icons & channel notepad: Spot channels in the blink of an eye
  • The Cubase Channel Strip:
  • The brand-new channel strip in Cubase 7 offers that epic pro-console sound that lets you turn your songs into a hard-hitting, radio-ready production.
  • Best of all, Allen Morgan, whose producing credits include Taylor Swift, Nine Inch Nails and many more crafted 150 channel strip presets, 150 track presets plus many FX chain presets.
  • Channel Central:
  • The redesigned Channel Settings window gives you lightning quick access to all channel parameters, including input metering, routing assignments, the new channel strip with premier equalization and dynamics modules and essential aux as well as cue sends to create individual cue mixes. There's no need for scrolling — the display follows you automatically wherever you are and updates each time you adjust controls on a different channel.
  • Noise Gate:
  • Simple and effective.
  • 3 top-end compressor models:
  • Standard: The swiss-knife of compression
  • Vintage: The classic sound of yesteryears
  • Tube: Warm and colorful signal shaper
  • 4-band StudioEQ with spectrum analyzer
  • Envelope Shaper:
  • Shapes the transients of percussive input signals.
  • Tape & Tube Saturation:
  • Add that extra punch of warmth your recordings deserve.
  • Limiter, Brickwall Limiter, Maximizer:
  • Get your mix radio-ready
  • Channel Central:
  • Quick access to all channel parameters
  • Monitor your audio’s loudness:
  • In past years the loudness level has increased dramatically, especially in TV advertising. To align loudness levels easily and maintain dynamics without further increasing the peak level and compression rate, Cubase 7 comes with an integrated loudness meter that is fully compatible with the EBU R128 loudness standard. Precise measuring of integrated, momentary and short-term loudness enables you to keep track of your audio’s loudness and deliver in true EBU-compliant formats.
  • Remote control this:
  • You asked for it and Cubase 7 delivers! Supporting many hardware remote controllers right out of the box, the all-new Remote Control Editor lets you visually customize the parameter layout of individual effects and instruments on your control surface. It’s as simple as it sounds — just select a hardware knob or button and chose which parameter to control and there you go! Various modes for rotaries and knobs plus the Learn mode make it even easier to assign parameters. Simply reassign the cutoff parameter of your favorite filter effect or synth to whatever rotary you want.
  • Remote Control Editor supports Avid System 5 MC, Avid Artist Series, Mackie Control, Steinberg Houston, WK-Audio’s ID, Yamaha DM2000 and more right out of the box.
  • Match that sound:
  • Cubase 7 includes the full version of Voxengo’s CurveEQ, an extremely versatile 64-band spline EQ with linear and minimum-phase modes. Its built-in professional-grade spectrum analyzer allows displaying, saving and loading static spectrum plots for comparison and matching purposes. With its spectrum matching technology you can exactly transfer the sound of any audio track to another, whether it’s your die-for guitar intro or your favorite kick drum sound!
  • Downmixing just got better:
  • The latest version of MixConvert offers unmatched downmixing quality and gives you detail control over LFE, Center and surround levels. Select different output speaker arrangements and solo/mute specific channels for an individual downmix — and it’s all fully integrated in Cubase’s Control Room.
  • More music:
  • Know your harmonies:
  • The new global Chord Track allows for easy working with chords within your Project window and provides transform and harmonize functions throughout the application. Cubase detects the harmony structure of your song and feeds back all chord and scale information to both MIDI and audio tracks processed with VariAudio. All tracks engaged to follow will automatically reflect any harmonic adjustments made with the Chord Track! Advanced voicing options are used to transform existing parts in a harmonically correct and ear-pleasing way.
  • Chords can be either entered manually with the mouse, by playing them on a MIDI keyboard, or generated automatically from existing MIDI parts in the project. You may even want to enter single notes and harmonize these later on with VariAudio — Chord Track lets you do all this.
  • Chord Track and Chorder MIDI plug-in:
  • Due to the tight integration, creating and printing lead sheets is just a matter of a few clicks. Now, you can drag-and-drop single or multiple chord events from the Chord Track to the Chorder MIDI plug-in or HALion Sonic or HALion Sonic SE.
  • Key Editor toolset:
  • And while the Chord Track with its many automatic mechanisms truly delivers what it promises, we built a toolset in the Key Editor’s inspector to paint in chords directly as MIDI notes in the Key Editor.
  • Intelligent composing assistance:
  • You don't have to be a musical genius to lay down beautiful harmonies — not when you're using Cubase 7. The powerful new Chord Assistant helps you to generate everything from simple pop to complex jazz chord sequences that just sound fabulous.
  • Want to specify both the first and final chords but have no clue how to get there? This, also, is possible in Cubase 7. The Chord Assistant lists chord suggestions from which you can choose — it's all just a click away.
  • Pure tuning for that extra punch:
  • Thanks to the Hermode tuning technology, the intonation of your synthesized notes are changed dynamically on the fly for utmost compatibility with well-tempered scales, while retaining a high degree of purity for third and fifth intervals. Especially when combining non-fixed-intonation instruments, like brass and woodwind, and fixed-intonation instruments, such as guitars and piano, entire orchestral arrangements sound immediately clearer and more brilliant than before.
  • Eliminating the compromises and strengthening the advantages of well temperament, Hermode intonation results in a clean and pure tuning that can definitely add unimagined punch and clarity to all kinds of electronic music as well!
  • Create your harmonies with VariAudio 2.0:
  • Since its introduction in Cubase 5, we've been waiting to push VariAudio a milestone further. For Cubase 7 we were back in the code yard and are now proud to present you with a lot more powerful VariAudio 2.0!
  • VariAudio 2.0:
  • The seamless integration with the newly introduced Chord Track ensures correct pitch to your harmonies at all times. This interaction also lets you harmonize your lead vocals in beautifully composed choral arrangements: the brilliant new spread function adds soprano, alt, tenor and bass voices on new tracks with by-the-book harmonic lead voicing.
  • Talking about multiple tracks, you’ll be glad to know that the days when you manually aligned editor windows under each other are finally over. Now you can smartly edit multiple VariAudio parts across multiple tracks within one editor only!
  • And let's not stop here: the VariAudio vocal toolset has further been refined with an enhanced note-detection algorithm, leaving really no more wishes open. And yes, the popular autotuning effect is no big deal for VariAudio!
  • Go hybrid with HALion Sonic SE:
  • You asked for it and we listened: the new Hybrid Expansion for HALion Sonic SE boasts 300 pristine hybrid instrument sounds stocking up on natural pianos, breathing choirs, lush strings and moving analog-digital textures. The gorgeous rich and exciting tonal spectrums perfectly supplement HALion Sonic SE’s top-flight workstation library. Make the difficult choice from the greater good of having a plethora of star-like instruments, and dial them in on your next track!
  • 30 new drum kits for Groove Agent ONE:
  • For all you beat meddlers out there, we've added fresh new drum samples and patterns to Cubase 7 that'll contribute many a programming moment to savor. Beautifully created and recorded percussive sounds in 30 new drum kits grace the library of Groove Agent ONE, alongside 150 further intricately grooving MIDI Loop patterns — literally leaving no room for tranquil moments. All MIDI patterns were produced by Allen Morgan, whose artist credits include Taylor Swift, Nine Inch Nails and plenty others.
  • Thousands of MIDI construction loops:
  • Giving you the building blocks to create your own song in only a few steps, Cubase 7 boasts a smorgasbord of quality MIDI loops taken directly from Sequel. Each loop automatically loads the corresponding sounds from HALion Sonic SE, ranging from orchestral motives to rock riffs to just plain strange. It's all there, you just have to put it together. Arrange these loops within your song's project, and let the spotlight shine on your next track.
  • Easier life:
  • Global collaboration with VST Connect SE:
  • Steinberg VST Connect SE allows musicians to connect directly to Cubase 7 users, giving you the freedom to collaborate and produce together, even when you’re not in the same studio, town or country. Talkback and chat functions as well as video and audio stream in real time give you limitless possibilities. Collaborate with your musical partners when they are not using Cubase, thanks to the included standalone version, which is available as a free download.
  • Collaborate with your partners around the globe
  • Peer-to-peer solution with sample accurate sync
  • Video feed, talkback and chat functions
  • Channel search function:
  • Here's a typical studio situation: it's 3 a.m., air con's just packed up, your client is expecting results and now you have to get the production finished fast. But it's this one guitar track you need to edit, tucked away in that 300-track project of yours… only where? From here, Cubase 7 helps you to spot tracks and channels with its comfortable search engine. Simply type in "guitar" and instantly receive a list of all tracks and channels that have "guitar" included in their name.
  • MemZap:
  • Think about this: you are editing a zoomed-in wave file and you need to jump to another part of your project only to return back to the starting point seconds later. Now imagine doing this several times in a row — but to save your sanity, Cubase 7 now features MemZap. This allows you to store the exact position and zoom factors of your project for recall and to hop between them whenever you like.
  • Blletproof ASIO-Guard:
  • The Steinberg Audio Engine has also been extended with the brand-new ASIO-Guard technology. Rely on our intelligent dropout-prevention algorithms and focus only on your sound — just like in the analog days. With this bulletproof technology our goal is to help Cubase users get the maximum performance out of their systems.
  • Pay it safe:
  • Sometimes things can get a little out of hand when corrupted or outdated application settings lead to lock-ups and other erratic program behavior. Perfect for troubleshooting and diagnostic analysis, Cubase includes a safe-start mode that allows you to disable custom preferences temporarily and restart Cubase with its factory settings.
  • Made for each other: Cubase and HP:
  • Finest software requires finest hardware. That's why our best software specialists rely on the world’s leading PC hardware manufacturer. Cubase 7 is quality-tested with HP's professional Z series workstation computers, ensuring highest performance and maximum reliability packed in a rock-solid chassis. Carefully selected components optimized for recording, editing and mixing allow for efficient audio data transfer rates throughout the whole system. Be it the industry-proven Intel XEON processors or the ultra-fast SSD drives, HP Z machines squeeze the best out of Cubase, speeding up your entire studio software environment.
  • Premium-packaged video tutorials:
  • Cubase 7 gives you access to over four hours of online video tutorials in HD quality. The Quick Start tutorials show you the basics in over two hours of video footage, whereas the Cubase 7 New Features tutorials show you the new Cubase 7 features in detail. Subtitles are available in German, French, Italian, Spanish, Japanese and Chinese. The videos were produced once again by the brilliant educators at Streamworks Audio. We love this footage and so will you!
  • Steinberg Hub:
  • Cubase sports the new Steinberg Hub loaded with tons of helpful information. Alongside the enhanced Project Assistant you now find a list of regularly updated video tutorials and RSS feeds to keep you informed about important Cubase updates, support news or product releases. This means that you’re always up to date on all things Cubase.
  • Cubase provides the entire user interface in Portuguese:
  • The time has come! Cubase 7 is the first Cubase version to provide the entire user interface in Portuguese. We welcome our Portuguese-speaking friends from around the world to the ever-growing Cubase community. Over 250 million people on this planet speak Portuguese — this is reason enough to localize the world’s most popular music production system and make it even more popular! Viva Cubase!

New in Cubase Pro 6.0.4.346 (Sep 9, 2011)

  • Fixed the following issues:
  • When using the new-in-6.0.3 “Gridlines in front of parts/events” function, the performance of the User Interface does not diminish anymore.
  • When using audio samples as metronome click, toggling the metronome on/off doesn’t lead to interruption of audio recordings.
  • When Control Room with more than one Studio bus is active, the metronome click doesn’t drop out.
  • Steinberg CI series audio hardware and Yamaha MOX synthesizer specific VST Connection port naming issues under Mac OS X Lion (10.7) systems is resolved.
  • Using the Altiverb plug-in or Yamaha MOTIF Editors in a Project together with video material does not render the application unreliable anymore.

New in Cubase Pro 6.0.2.291 (May 4, 2011)

  • Edit faster with less clicks Drum editing deluxe
  • Developed in conjunction with recording professionals and top-flight studio drummers, Cubase 6 raises the bar for multitrack drum editing tasks on all levels. Incorporating an entire new transient and tempo detection, phase stable audio quantization and drum replacement functions, Cubase 6 offers a complete toolset to perfect the rhythm, feel and flavor of live-recorded drum tracks. Whether it is about non-destructively correct timing issues or changing the tempo of a drum performance seamlessly — a tight groove is just a few clicks away.
  • A new transient detection — to slice them all
  • Based on a state-of-the-art algorithm, Cubase 6 introduces a straightforward and intelligent transient detection function. Finding all drum hits is a breeze now, thanks to the intuitive preview feature and two specialized filters, called Peak and Beats. With this powerful tool on hand, you can detect single hits, rolls and ghost notes faster and more accurate than ever before. After the transients have been
  • detected they are merged across multiple tracks by taking user definable priority of individual tracks into account. The drumhits are then cut up and grouped together ready for detailed tweaking. In this way, copying that great fill from verse 2 to verse 1 is solved with minimum effort: select one, move them all.
  • The bass drum needs some extra punch? The snare drum doesn’t cut through the mix? With the new Hitpoint-to-MIDI function, it gets very easy to replace, double or enrich live-recorded drum sounds. When the transients have been detected, a single click on the Create MIDI Notes button creates a MIDI track containing a MIDI note for each single drum hit. From here, it’s up to you which sampler or synth you want to fuel with the note. A good choice would be the powerful Groove Agent ONE drum sampler, included in Cubase 6.
  • Advanced tempo detection
  • Cubase 6 features a newly developed tempo detection algorithm, which accurately and semi-automatically determines the tempo of any rhythmic audio material. This makes it easy to determine the tempo of a drum performance that has not been recorded to a metronome. The resulting tempo map can be used for to keep the dynamic feeling of natural tempo variations or to remove unwanted tempo changes quickly. Whatever rhythm is at hand, Cubase 6 will detect the tempo and match the track to a beat grid of your choice.
  • Click image to view animation Multitrack audio quantization
  • In Cubase 6 rhythmic audio material can be quantized just like any MIDI material, offering numerous possibilities to fix timing issues and to change the groove of live-recorded drums. To preserve phase relationships between tracks, the individual slices on all tracks are still grouped and moved at once. Cubase automatically creates cross-fades between slices to ensure seamless transitions between them and fill gaps that might be introduced during quantization. A few clicks, and all drum tracks are matched to the bass drum, snare or whatever source or sources are desired. With the Slice Rules you can decide which sources will get a higher priority during slicing.
  • Conjure the perfect takeClick image to view animation Cubase 6 comes with a new Lane Track concept for lightning fast multitake comping. When recording several takes, Cubase instantly creates a Lane Track for each take. From here, it’s just a short way to perfection: Simply swipe across the best parts of a take and Cubase automatically creates a master take that contains all selected parts. For comfortable comping, each Lane Track sports a solo button and full editing functionality — building the perfect take has never been that easy.
  • Bring together what belongs togetherThe new Track Edit Groups tool refines the work with multitrack recordings in Cubase. This new function allows multitrack editing with single-click actions. Whether it is guitar, bass or ambient recording, professional sound engineers mix several signals to get the best results. When recording a guitar for example, it is common to record signals from different amps or microphone types on separate tracks. With Track Edit Groups activated, related tracks are tied together and can be edited at once, making this new feature a huge time-saver.
  • The revolution unfolds: VST Expression 2 Maximum expression on every note
  • With the simultaneous release of Cubase 6 and VST 3.5, Steinberg is taking MIDI editing to a whole new level. Note Expression is the new smart way to assign, create and edit multiple controller values directly on single note-level — all in a single handy graphical interface.
  • The perfect choice for demanding orchestral arrangements and creating unique sound effects, Note Expression allows controller values to be drawn directly onto single note events in the Key Editor. Because each individual note event contains its own set of controller data, even polyphonic sounding notes can now be dynamically controlled — fully independent from each other. This way, composers can access controller information such as volume or pitch bend in one place, making it easy to scale, shift or delete several values at once. Best of all, when moving or copying a note event, the associated controller data will follow as well. Each single note event and controllers are treated as one unit, which makes working with instrument articulations faster and more intuitive than ever before. Breaking the traditional MIDI limitations opens up entirely new creative possibilities: Imagine a chord containing different filter sweeps, volume curves or dynamic expressions for every single note!
  • Make it dynamic
  • The VST Expression set has been extended and now also sports dynamics in the Key Editor. From pianissimo to crescendo and fortissimo — all dynamics from the Score Editor are available in the new Articulations/Dynamics Lane in the Key Editor.
  • When using VST 3.5-compatible instruments, you get instant acoustic feedback from parts that contain dynamics. What’s more, the Dynamics Mapping feature allows very fine adjustments for up to three controllers for dynamics, including velocity, volume and freely assignable MIDI CC.
  • Click image to view animation From ultra-realistic instrument sounds to the most unexpected sonic spheres, VST 3.5 and Note Expression enable a whole new creative approach to composition and sound design. And it doesn’t stop here. Use VariAudio together with Note Expression to bring lifeless MIDI recordings to life. With the Extract MIDI feature inside the Sample Editor you can make snapshots of the pitch and volume curves of monophonic audio recordings and paste that information into MIDI notes!
  • VST Expression map on call
  • VST 3.5 compatible instruments such as the included HALion Sonic SE, as well as HALion Sonic and the HALion Symphonic Orchestra VST Sound Instrument Set can automatically transfer the articulation setup of each individual instrument sound to a VST Expression Map — a great function that will speed up the setup of VST Expression maps dramatically.
  • Make some noise Insane tones for your guitar
  • Be it jazz, rock or metal, VST Amp Rack is ready to infuse guitar tracks with drive, punch and clarity. With this tool at hand, there is no need for buying additional guitar recording gear.
  • VST Amp Rack is the new reference virtual guitar amplifier and effects suite, featuring the best in convolution technology. With the push of a button, VST Amp Rack delivers a comprehensive collection of outstanding guitar tones across an array of genres and styles from vintage to modern.
  • Based on some of the finest guitar amplifiers ever crafted, VST Amp Rack comes with seven distinct amp models that exactly reproduce the unique character of their originals. Whether it is crystal clean, creamy crunch or singing sustain, VST Amp Rack always delivers the perfect tone for studio-grade guitar tracks.
  • Designed as a customizable guitar rack waiting to be fueled, VST Amp Rack allows guitarists, bassists, engineers and producers to create complete setups, consisting of amps, classic stomp box effects, speaker cabinets and microphone models.
  • Click image to view animation Sixteen legendary stomp boxes are available, including Wah Wah, Tape Delay and Fuzz. This, in combination with six classic speaker cabinets, two microphones and a tuner make VST Amp Rack the ultimate set of tools for authentic guitar recording.
  • Taste Sonic Dimensions
  • HALion Sonic SE is a streamlined version of HALion Sonic, Steinberg’s premier VST workstation. Incorporating the same pristine audio and synth engine as its award-winning brother, HALion SonicSE offers tight integration with Cubase 6 and more than 900 production-ready sounds and instruments. Intuitive handling, instant playability and VST 3.5 support make this new instrument the perfect choice for creative songwriting or just playing along.
  • HALion Sonic SE replaces HALion ONE, but all HALion ONE sounds have been refurbished and are now included in HALion Sonic SE — together with brilliant new content.
  • Equipped with detailed acoustic instruments and brilliant synthesizers, the SE version is an extensive pool of sounds for everyday studio work. HALion Sonic SE supports VST 3.5, being among the first to benefit from the revolutionary VST Expression 2 technology. This includes time-saving tools for composers such as the automatic VST Expression map setup and the Note Expression features. What’s more, eight intuitive Quick Controls provide fast access to the most important sound-shaping parameters. And with HALion Sonic SE, Cubase 6 also introduces a MIDI file import mode, making full use of HALion Sonic SE’s 16-part multitimbral mode.
  • HALion Symphonic Orchestra VST Sound Instrument Set
  • Cubase 6 contains a 60-day fully functional trial version of the HALion Symphonic Orchestra VST Sound Instrument Set, providing a wealth of acoustic orchestral instruments at their best. The trial version can be upgraded online to a permanent license at a very special price — exclusive for Cubase 6 customers. Existing HSO users will be excited to find out that they can use HALion Symphonic Orchestra VST Sound Instrument Set with their existing license as a free update right away!
  • Capturing every nuance and detail of a full palette and dynamic range of strings, brass, woodwind and percussion instruments, this library includes an almost inexhaustible range of articulations and expressive playing technique, directly accessible in HALion Sonic SE and Cubase 6 — thanks to VST Expression 2.
  • LoopMash reloaded
  • The highly evolved LoopMash 2 offers even more cool ways to remix loops and create tons of new fresh variations of your music while giving you total control over the process. Over 20 new MIDI-controllable live and slice-based effects such as scratches, stutters and tape stops will get your beats onto the dancefloors.
  • LoopMash 2 now sports twice the amount of scenes — a total of 24 — to inject more variety into your performances. The scenes can be rearranged using drag-and-drop and renamed by double-clicking on them. With full Undo/Redo support you have now the freedom to try every parameter combination that comes to your mind without worrying about the consequences.
  • And that’s not all, you can drag-and-drop slices from one LoopMash 2 track to another, or even into Groove Agent ONE!
  • Work smarter, flow faster Plenty of eye candy and snazziness
  • Cubase 6 features a significantly redesigned graphical user interface that not only looks good but also makes the huge Cubase 6 feature set even more accessible. Color and contrast optimization minimize eye strain and viewing fatigue during extended viewing sessions — this is pivotal when working long hours to meet project deadlines.
  • The brand-new look for Parts, Events, Arranger and Marker tracks helps you to distinguish between what’s important and what may not be so important in the Project window, while the revised Inspector and the overall new color scheme round out the fresh new design.
  • X64 support for Mac
  • The native Cubase 64-bit support under Mac OS X 10.6 64-bit increases the addressable amount of RAM from 2 gigabytes to an astonishing 1 terabyte. In plain words, the bigger your memory, the more tracks, plug-ins and samples you can use in Cubase. This also means you can easily use all the compatible libraries available on the market today. That’s what 64-bit support is all about.
  • Get a grip on Cubase 6 is all about enhanced accessibility, with all the benefits to ease-of-use and workflow that this entails. Building on enhancements engineered for the Sample Editor in Cubase 6, the Key Editor has now been extended to provide smooth and intuitive access to all pivotal parameters.
  • Cubase 6 provides a new command console for all the most important MIDI tools and functions in the form of the new Inspector. Expression Maps, Note Expression, Quantize, Transpose and Length are now close at hand, available from one central spot — it’s all a breeze in Cubase 6..
  • Parameters can now be directly assigned to a Quick Control by simply right-clicking a VST 3 plug-in or instrument control. Alternatively, you can also use the Quick Control’s ”Learn mode” button to assign a plug-in or instrument’s control to an empty Quick Control slot.
  • Click image to view animation New scaling tools for controller and automation data offer a highly intuitive user experience when working with MIDI data, including simultaneous editing of several events and an dramatically streamlined look-and-feel. You are in full control: scale, rotate and move marked events up or down; all events are scaled smoothly in relation to each other.
  • Video tutorials included
  • Cubase 6 features more than two hours of detailed video tutorials produced by the experts of Streamworks Audio. Ranging from step-by- step instructions for beginners to advanced workflow and editing techniques, there’s something in store for everyone — recorded in finest HD quality and included for free.
  • There’s more to stay for
  • Cubase 6 comes with many new and exciting features that make the latest incarnation of Cubase possibly the most comprehensive DAW to date. But it’s also all the small details that have been refined or newly introduced that make the overall Cubase experience not only more powerful but truly inspiring.
  • Global project compatibility between Cubase 6 derivates
  • Ensure seamless project compatibility between all Cubase 6 derivates and exchange projects with other studios or friends that run a smaller Cubase 6 version (such as Cubase Artist 6). The sixth version of Cubase allows for overall project consistency so users of different Cubase 6 versions can read and work on the same project — absolutely hassle-free.
  • New plug-in generation
  • Cubase 6 includes redesigned and extended VST 3 versions of some of Steinberg’s most popular, first-class VST 2 plug-ins: the powerful De-esser, the greatly enhanced Surround Panner, Mixer Delay, SMPTE Generator, Mix 6 to 2 and the really useful Test Generator.
  • More Grid options
  • With Cubase 6 you can now adjust the grid of the Project window and MIDI editors to your quantize settings. Simply select Use Quantize as the grid type and pick the quantize preset of your choice to get a triplets grid in the Project window, for example.
  • Pristine time-stretching
  • The stunning zplane algorithms in Cubase 6 have been customized for tonal, complex, single and percussive audio material. These algorithms are optimized for extreme time-stretching so you will be amazed how good they sound. This is one jaw-dropping tool you won’t want to miss after the first try.
  • Take your MediaBay with you
  • With Cubase 6, you can now store the loops and samples in your MediaBay on external USB hard drives. Take your content along with you and call it up within another MediaBay with no further indexing required.
  • The latest MediaBay version also sports a new Mini Browser which displays all the information you need at a glance.
  • Notepad track data export
  • This useful feature lets you export all information stored in each track’s Notepad as one consolidated text file so you don’t have to open numerous files to find the data you’re looking for.

New in Cubase Pro 4.1.0.726 (Jul 28, 2008)

  • Sidechain Input for VST3 Plug-ins
  • Free Routing Recording from Summing Objects
  • Redesigned Sample Editor
  • Track Quick Controls
  • Advanced MediaBay Options
  • Global Transpose Track
  • Advanced Arranger (Play Order Track)
  • Project Logical Editor
  • Sequel Project Import and Content Compatibility
  • MusicXML Import & Export
  • Windows Vista Support
  • New VST3 PlugIns
  • VST Plug-in Bridge
  • Improved QuickTime 7 Support
  • Drum Editing Enhancements
  • Load Projects inactive
  • Remote Control Extensions
  • MIDI File Playback using HALionOne
  • New file type: MIDI Loop
  • Bonus Feature: over 400 new presets for Embracer, Prologue, Spector, and Mystic