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Color Finesse Changelog

What's new in Color Finesse 3.0.15

Sep 7, 2017
  • Fixed an issue where attempting to save a reference image in the full UI could potentially crash or force you to quit the UI (Mac).
  • Fixed an unrelated issue that would prevent saving of reference images on some systems (Win).

New in Color Finesse 3.0.3 (Jan 25, 2011)

  • Includes 64-bit plug-ins for use with Adobe After Effects CS5 and Premiere Pro CS5.
  • New Auto-Color and Auto-Exposure buttons give one-click access to your color correction starting point.
  • A new Vibrance control gives more refined control over image saturation. The Vibrance control is similar to that found in Adobe Lightroom.
  • New HSL curves let you control image saturation and lightness based on color hue.
  • A new Highlight Recovery tool provides a visually-pleasing way to recover overbright areas of the image which would normally be clipped.
  • Color Finesse can now export its color correction settings as a 3D LUT in a variety of formats, including Autodesk Lustre and Smoke, Academy LUT, Assimilate Scratch, Pogle, Truelight, Cine-tal, and LUTher.
  • The Color Finesse preview displays now automatically adjust to footage pixel aspect ratio, giving you a correctly formatted preview when working with anamorphic footage.
  • The Vectorscope has been enhanced with a zoom capability, making it easier to see detail when white and black balancing.
  • Color Finesse now supports the Tangent Wave control surface, in addition to our own Colorociter Colorist's Workstation control surface.